museums and institutions:
museums and institutions:
museums and institutions:
Attributed works:
100. Margaret Sym, Mrs John Wilson, by Archibald Skirving. Pastel, 68.5 by 56 cm. (Scottish National Portrait Gallery).
Attributed works:
102. Andromache Mourning the Dead Hector, by Gavin Hamilton. 64.2 by 98.5 cm. (National Gallery of Scotland). Sketches by Hamilton of Similar Size, Also for Subjects from the Iliad, Are in the Tate and a Scottish Collection. No Full-Scale Painting from This Sketch is Known to Survive, and the Engraving of the Subject Differs in Several Respects. Until Recently This Sketch Was in an Italian Collection and Ascribed to a Follower of David.
Attributed works:
89. An Interior in Naples, with Lord Fortrose (1744-1781) and His Friends, Attributed to Pietro Fabris. 35.5 by 47.6 cm. (Scottish National Portrait Gallery). Acquired with the Assistance of the N. A.-C. F. This Picture and Its Pendant Are Discussed in the Current N. A.-C. F. Annual Report.
Attributed works:
90. Sir Alexander Morrison, by Richard Dadd. 51.1 by 61.3 cm. (Scottish National Portrait Gallery). Morrison, Shown in Front of His House at Anchorfield, Newhaven, Was an Alienist at Bethlem Hospital, Where Dadd Was Interned.
Attributed works:
91. Martyrdom of St Lawrence, by Gaetano Gandolfi. Black and White Chalks, 43.3 by 30.5 cm. (National Gallery of Scotland). A Preliminary Study for the Central Part of the Altar-Piece in S. Lorenzo in Budrio, near Bologna.
Attributed works:
92. Christ on the Road to Emmaus, by Rembrandt. Pen and Gallnut Ink, 22.6 by 16.1 cm. (National Gallery of Scotland). The Attribution Has Been Doubted, Perhaps Because of the Condition. The Use of Gallnut Ink Would Suggest a Date in the Late 1630s, Rather Than the Date of 1632-33 Proposed by Benesch.
Attributed works:
93. Norman McCaig and Hugh McDiarmid in Rose Street, by Alexander Moffat. Pastel on Paper, 78.8 by 50.8 cm. (City of Edinburgh Art Centre). Moffat's Portrait of the Two Most Important Scots Poets of This Century Was Purchased at an Auction in Aid of the Lord Provost's Appeal for Miners' Families during the Recent Strike.
Attributed works:
94. Les constructeurs: l'équipe au repos, by Fernand Léger, 1950. 162 by 129.5 cm. (Scottish National Gallery of Modern Art). One of the First of Léger's Paintings of Construction Workers Erecting the Metal Framework of a Building.
Attributed works:
95. Two Lines up Excentric VI, by George Rickey, 1977. Stainless Steel, Height 670.5 cm. The Two Arms React to the Slightest Breeze, But Never Meet. (Scottish National Gallery of Modern Art).
Attributed works:
96. Arthur St Clair Anstruther Thomson (1872-1904), by Aimé Jules Dalou, 1877. Marble, Height 114 cm. (Royal Scottish Museum). One of the Few Marbles Known from Dalou's Years of Exile in England (1871-80). It Was Probably Commissioned as a Pendant to a Statue of the Sitter's Mother as Psyche, by Lawrence MacDonald.
Attributed works:
97. Bitch and Pup, by Robert Colquhoun. 117 by 92 cm. (City of Edinburgh Art Centre). One of the Paintings Completed for the 1958 Whitechapel Exhibition.
Attributed works:
98. L'équipe de Cardiff, by Robert Delaunay. Oil and Tempera, 146.8 by 114.2 cm. (Scottish National Gallery of Modern Art). A 1922/23 Version of the Large Picture, Now in the Musée d'Art Moderne de la Ville de Paris, That Delaunay Painted in 1912/13. Two Other Versions Are Known.
Attributed works:
99. Silver Communion Cup from the Parish Church of St Medans, Rosneath. Made in Edinburgh in 1585; Marked by John Mosman as Both Maker and Deacon (National Museum of Antiquities of Scotland).
Western art unattributed:
101. Jacobite Wine Glass, c. 1750, Wheel-Engraved with a Portrait of Charles Edward Stuart and the Virgilian Motto Adventior Ibo. (National Museum of Antiquities of Scotland).
