18. Piazza di Montecitorio, by Giovanni Battista Piranesi. 1762. Etching, 48.5 by 69.8 cm. (Bibliothèque nationale, Paris).
Attributed works:
19. Project for a Sculptural Group of Faith, Justice and ?Prudence, to Be Placed on the Antoninus Pius Base, by Giovanni Battista Piranesi. Pen and Brown Ink over Pencil, 31.6 by 29.5 cm. (Dayton Art Institute, Dayton, OH).
Attributed works:
20. The Antique Pedestal of the Column of Antoninus Pius, by Giovanni Battista Piranesi. 1762. Etching, 34 by 28 cm. (Bibliothèque nationale, Paris)
Attributed works:
21. Rovesci di Medaglie di Antonino e Faustina, by Giovanni Battista Piranesi (Detail from the Plate Colonna eretta in memoria dell'Apoteosi di Antonino Pio in Trafeo o sia magnifica colonna coclide di marmo, Rome [1779].
Attributed works:
23. Project for a Statue of Justice with the Antoninus Pius Base, by Giovanni Battista Piranesi. 1763. Pen and Brown Ink over Pencil, Brown and Grey Wash, 93.3 by 61.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
24. Project for the Altar with the Apotheosis of St Basil of Cappadocia in S. Maria del Priorato, Rome, by Giovanni Battista Piranesi. 1764. Pen and Brown Ink, 11.8 by 11.7 cm. (Pierpont Morgan Library, New York).
Attributed works:
25. Project for the Altar with the Apotheosis of St Basil of Cappadocia in S. Maria del Priorato, by Giovanni Battista Piranesi. 1764. Pen and Brown Ink over Pencil, 34 by 18.7 cm. (Kunstbibliothek, Berlin).
Western art unattributed:
22. Coin Commemorating the Apotheosis of the Empress Faustina. 1405 A. D. Bronze, 2.6 cm. (Bibliothèque nationale de France, Cabinet des Médailles, Paris).
Exhibition Review
New York and Philadelphia. Robert Adam and the Concorsi Clementini
54. Perpective View of the North and East Fronts of Barnbougle Castle, a Proposed Rebuilding, by Robert Adam. 1774. (Rosebery Collection, Dalmeny).
Attributed works:
55. Design for a Royal Palace for Three Important Persons, by Filippo Juvarra. 1705. (Accademia di San Luca, Rome; Exh. Cooper-Hewitt Museum, New York).
18. Orpheus, by Antonio Canova. 1776. Vicentine Stone; Height, 190 cm. (Museo Correr, Venice.)
Attributed works:
19. Clement XIV, by Antonio Canova. 1783. Terra-Cotta; Height, 60 cm. (Gipsoteca, Possagno.)
Attributed works:
20. Orpheus, by Antonio Canova. 1777. Marble; Height, 140 cm. (Hermitage Museum, Leningrad.)
Attributed works:
21. Canova's Studio, by Francesco Chiaruttini. 1786. Pen and Wash, 41 by 58 cm. (Museo Civico, Udine.) Illustrations to Istruzione elementare per gli studiosi della scultura by Francesco Carradori, Florence, 1802.
Attributed works:
22. Method of Copying a Modello in Marble. A Modello; B Marble; D Squadro; E Plumb Lines. Illustration to Istruzione elementare per gli studiosi Della Scultura by Francesco Carradori, Florence, 1802. Illustrations to Istruzione elementare per gli studiosi della scultura by Francesco Carradori, Florence, 1802.
Attributed works:
23. Method of Measuring Modello in Order to Execute a Copy of It. B Squadro; C Ruler; D Main Point from Which Measurements Are Taken; E Plumb Line. Illustrations to Istruzione elementare per gli studiosi della scultura by Francesco Carradori, Florence, 1802.
Attributed works:
24. Method of Enlarging. Illustrations to Istruzione elementare per gli studiosi della scultura by Francesco Carradori, Florence, 1802.