• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
6 articles
Short Notice
The Formation of Francesco Salviati: An Early 'Caritas'
11/1985 | 992 | 127
Pages: 768+770-771+775
Subscribe to read
related names
Author:
Freedberg, Sydney J. (Freedberg, Sydney J.; Freedberg, S. J.)
Subjects
artists:
Salviati, Francesco
dates:
1500-1549
places:
Italy / Rome
subjects:
Italian painting / Early works
subjects:
Charity
Illustrations
Attributed works:
40. Rest on the Flight, Attributed to Francesco Salviati. Panel, 117 by 155 cm. (National Gallery of Ireland, Dublin).
Attributed works:
41. Annunciation, by Francesco Salviati. (S. Francesco a Ripa, Rome).
Attributed works:
42. Caritas, Here Attributed to Francesco Salviati. Panel, 68.5 by 56 cm. (Collection S. J. Freedberg, Washington D. C.).
Attributed works:
45. Detail from a Sheet of Studies (For Birth of the Virgin?) by Antonio Campi. (Museo Civici del Castello, Milan).
Western art unattributed:
43. Madonna del Dente, after or Derived from Parmigianino. (Museo di Capodimonte, Naples).
Western art unattributed:
44. Madonna del Dente, after Parmigianino. Pen and Brown Ink and Wash, 14.7 by 11.2 cm. (Willumsen Collection, Fredericksund, Denmark).
Western art unattributed:
46. Madonna del Dente, after Francesco Salviati? Panel, 87 by 60 cm. (Accademia Albertina, Turin).
Article
A Pontormo (Partly) Recovered
09/1983 | 966 | 125
Pages: 520-527
Subscribe to read
related names
Author:
Cox-Rearick, Janet (Cox-Rearick, Janet; Rearick, Janet Cox-; Cox, Janet)
Author:
Freedberg, Sydney J. (Freedberg, Sydney J.; Freedberg, S. J.)
Subjects
artists:
Pontormo
dates:
1500-1549
places:
Italy / Florence
subjects:
Attributions / Italian painting
subjects:
Mary, Virgin
subjects:
Technical analysis
Illustrations
Attributed works:
1. Head of the Madonna, Here Attributed to Jacopo Pontormo. 45 by 30 cm. (Collection Dr Alfred Bader, Milwaukee, Wisconsin).
Attributed works:
2. Holy Family. Copy after Pontormo. 120 by 102 cm. (Alte Pinakothek, Munich).
Attributed works:
3. Holy Family. Copy after Pontormo. 125.8 by 102.9 cm. (N. M. Acquavella Galleries, New York).
Attributed works:
4. Benjamin at the Court of Pharoah. After Pontormo. Tapestry, 552 by 259 cm. (Palazzo del Quirinale, Rome).
Attributed works:
5. Detail of Fig. 3. [Holy Family. Copy after Pontormo. 125.8 by 102.9 cm. (N. M. Acquavella Galleries, New York).]
Attributed works:
6. Infra-Red Photograph of Fig.1. [Head of the Madonna, Here Attributed to Jacopo Pontormo. 45 by 30 cm. (Collection Dr Alfred Bader, Milwaukee, Wisconsin).]
Attributed works:
7. Detail from Three Graces, by Pontormo. Red Chalk. (Gabinetto Disegni e Stampe, Uffizi, Florence).
Attributed works:
8. Detail from a Study for the Tapestry of Benjamin at the Court of Pharaoh, by Pontormo. Black Chalk on Pink Prepared Paper. (Gabinetto Disegni e Stampe, Uffizi, Florence).
Article
A Recovered Work of Andrea del Sarto with Some Notes on a Leonardesque Connection
05/1982 | 950 | 124
Pages: 266+281-288
Subscribe to read
related names
Author:
Freedberg, Sydney J. (Freedberg, Sydney J.; Freedberg, S. J.)
Subjects
artists:
Andrea del Sarto
artists:
Leonardo da Vinci
dates:
1500-1549
museums and institutions:
Worcester Art Museum, Worcester, United States
places:
Italy / Florence
places:
Worcester (United States) / United States
subjects:
Italian painting
subjects:
John the Baptist, Saint
subjects:
Attributions / Provenance / Conservation
subjects:
Visual sources
Illustrations
Attributed works:
1. St. John the Baptist, by Andrea del Sarto. Canvas, Transferred from Panel, 71 by 50 cm. (All Saints Church, Worcester, Mass.; On Loan to the Worcester Art Museum).
Attributed works:
22. St John the Baptist, by Andrea del Sarto. Before Restoration. (All Saints Church, Worcester, Mass.; On Loan to the Worcester Art Museum).
Attributed works:
23. Detail from Madonna of the Harpies, by Andrea del Sarto. (Uffizi, Florence).
Attributed works:
24. St John the Baptist, by Bacchiacca, after Sarto. Panel, 68.5 by 51.5 cm. (Private Collection, New York).
Attributed works:
25. Detail from Madonna of the Harpies, by Andrea del Sarto. (Uffizi, Florence).
Attributed works:
27. St John the Baptist, by Leonardo. Red Chalk, 24 by 18 cm. (Museo del Santuario del Sacro Monte, Varese).
Attributed works:
28. St John the Baptist, by Leonardo. 69 by 57 cm. (Musée du Louvre, Paris).
Attributed works:
29. Madonna di S. Ambrogio, by Jacopo da Empoli, after Sarto. (Parish Church, Stoke Poges).
Western art unattributed:
26. Bacchus, Formerly St John the Baptist, by a Follower of Leonardo. 177 by 115 cm. (Musée du Louvre, Paris).
Article
Gentileschi's 'Madonna with the Sleeping Christ Child'
11/1976 | 884 | 118
Pages: 732-735
Subscribe to read
related names
Author:
Freedberg, Sydney J. (Freedberg, Sydney J.; Freedberg, S. J.)
Subjects
artists:
Gentileschi, Orazio
artists:
Caravaggio, Michelangelo Merisi da
dates:
1600-1649
museums and institutions:
Fogg Art Museum, Cambridge, United States
places:
Rome / Italy
places:
United States / Cambridge (United States)
subjects:
Italian painting / Attributions
subjects:
Mary, Virgin
subjects:
Visual sources / Caravaggesque
Illustrations
Attributed works:
1. Madonna with the Sleeping Christ Child, by Orazio Gentileschi. Canvas, 99.5 by 85 cm. (Fogg Art Museum, Cambridge, Mass.).
Attributed works:
2. David in Contemplation, by Orazio Gentileschi. (Galleria Spada, Rome).
Attributed works:
3. Judith and Holofernes, by Orazio Gentileschi. (Wadsworth Atheneum, Hartford, Conn.).
Attributed works:
4. Ecstasy of St Francis, by Orazio Gentileschi. (Galleria Nazionale d'Arte Antica, Rome).
Attributed works:
5. Girl with a Lute, by Orazio Gentileschi. (National Gallery of Art, Washington, D. C.).
Attributed works:
6. Detail from Concert of Female Figures, by Orazio Gentileschi. (Casino Delle Muse, Palazzo Pallavicini-Rospigliosi, Rome).
Article
Pontormo's Predella for the S. Michele Visdomini Altar
01/1961 | 694 | 103
Pages: 7-10+13-14
Subscribe to read
related names
Author:
Cox-Rearick, Janet (Cox-Rearick, Janet; Rearick, Janet Cox-; Cox, Janet)
Author:
Freedberg, Sydney J. (Freedberg, Sydney J.; Freedberg, S. J.)
Subjects
artists:
Pontormo
buildings:
San Michele Visdomini, Florence, Italy
dates:
1500-1549
museums and institutions:
National Gallery of Ireland, Dublin, Ireland
places:
Italy / Florence
subjects:
Italian painting / Altarpieces / Predellas
subjects:
Mary, Virgin: Pietà / Saints
Illustrations
Attributed works:
17. Studies for the Visdomini Altar and Predella, by Pontormo. Red, Black and Brown Chalk, 26.5 by 39.5 cm. (École des Beaux-Arts, Paris, 337v.)
Attributed works:
18. Study for Putto in the Visdomini Altar, by Pontormo. Red Chalk, 39.7 by 26.5 cm. (Uffizi, Florence, 6691v.)
Attributed works:
19. Studies for the Dead Christ in the Visdomini Predella, by Pontormo. Red Chalk, 25.5 by 37.5 cm. (Museum Boymans-Van Beuningen, Rotterdam, 285v.)
Attributed works:
20. Study for the Dead Christ in the Visdomini Predella, by Pontormo. Red and Black Chalk, 26.5 by 39.7 cm. (Uffizi, Florence, 6691F.)
Attributed works:
21. Study for the Infant Baptist in the Visdomini Altar, by Pontormo. Red Chalk. 37.5 by 25.5 cm. (Museum Boymans-Van Beuningen, Rotterdam, 285.)
Attributed works:
7. Madonna and Saints with Pietà and Saints, by Pontormo. Dated 1518. Panels. (S. Michele Visdomini, Florence; National Gallery of Ireland, Dublin; Warwick Castle.). (The Composite Photograph Made up from the Separate Predella Panels Does Not Indicate the Difference in Height between the Pietà and the Saints to Either Side. Probably all the Panels Were Originally Framed Evenly top and Bottom, so That Their Appearance Would Have Been That Given in the Reproduction. In Matching the Photographs of the Predella the Continuous Horizon Line of the Landscape Has Been Taken as a Guide.)
Attributed works:
[13. - 16.] Four Panels from the Predella of Pontormo's S. Michele Visdomini Altar-Piece. Each, 17 by 17 cm. 13. St Peter, by an Assistant of Pontormo. (National Gallery of Ireland, Dublin.) 14. St Benedict, by an Assistant of Pontormo. (National Gallery of Ireland, Dublin.) 15. St Bartholomew(?) (Collection Earl of Warwick, Warwick Castle.) 16. St Zenobius(?) (Collection Earl of Warwick, Warwick Castle.)
Attributed works:
[8. - 12.] Five Panels, All in National Gallery of Ireland, Dublin, from the Predella of Pontormo's S. Michele Visdomini Altar-Piece. Pietà: 21 by 46 cm.; Remainder, 17 by 17 cm. 8. Pietà, by Pontormo. 9. St Lawrence, by Pontormo. 10. St Francis, by Pontormo. 11. St Apollonia, by Pontormo(?) 12. St Jerome, by an Assistant of Pontormo.
Letter
Further to Lord Strafford's Parmigianino
08/1949 | 557 | 91
Pages: 230+233
Subscribe to read
related names
Author:
Freedberg, Sydney J. (Freedberg, Sydney J.; Freedberg, S. J.)
Subjects
artists:
Parmigianino
collectors and dealers:
Byng, Edmund Henry, Sixth Earl of Strafford, 1861–1951
collectors and dealers:
Farnese, Ranuccio, Cardinal, 1530-1565
dates:
1500-1549
museums and institutions:
Wrotham Park, Barnet, Hertfordshire, Great Britain
places:
England / Italy
subjects:
Italian painting / Portraits / Provenance / Dating / Sitters / Identification