museums and institutions:
Attributed works:
1. The Madonna and Child with Sts John the Baptist and Nicholas of Bari (The Ansidei Madonna), by Raphael. c.1504-05 (dated 1505). Panel, 245 by 157 cm. (National Gallery, London).
Attributed works:
10. Infra-red reflectogram mosaic detail of St John in Fig.1, showing two lines from incised grid (marked with arrows). The other ruled lines are incisions relating to the architecture.
Attributed works:
13. Virgin and Child enthroned with Sts John the Baptist, Joseph, Fiorenzo and the Blessed Filippo Benizzi, by Sinibaldo Ibi. 1515. Panel, 170 by 210.5 cm. (Galleria Nazionale dell'Umbria, Perugia).
Attributed works:
14. St John the Baptist preaching, by Raphael. 1505. Panel, 29.5 by 54 cm. (National Gallery, London).
Attributed works:
2. Detail of Fig.1 showing the date on the hem of the Virgin's mantle.
Attributed works:
3. Infra-red reflectogram mosaic detail of St Nicholas in Fig.1, showing that his mitre was added after painting was well advanced, and that his rove was originally shorter.
Attributed works:
4. Infra-red reflectogram mosaic of the Virgin's left foot in Fig.1, showing the drawing for her toes.
Attributed works:
5. The Virgin and Child with saints (The Vagnucci alterpiece), by Luca Signorelli. 1484. Panel, 226 by 193 cm. (Museo dell'Opera del Duomo, Perugia).
Attributed works:
6. Detail of Fig.1, showing the landscape behind St John.
Attributed works:
7. The Virgin and Child enthroned with saints (The Decemviri altarpiece), by Pietro Perugino. 1496. Panel, 193 by 165 cm. (Vatican Museums, Vatican City).
Attributed works:
8. Study for the Virgin and Child enthroned with St Nicholas of Tolentino, by Raphael. 1503-04. Pen and brown ink over traces of black chalk and some freehand and ruled stylus incision, 23 by 15.5 cm. (Städelsches Kunstinstitut, Frankfurt am Main).
Attributed works:
9. Reconstruction of incised grid beneath the paint layers in Fig.1.
Western art unattributed:
11. Authors' reconstruction of the ground plan of S. Fiorenzo, with its altars and chapels (hatched areas denote Pietro Carattoli's rebuilding of 1768-70): A1: Original position of St Nicholas altar and Raphael's Ansidei Madonna; A2: Present position of Ansidei altar with Nicola Monti's copy of Raphael's altarpiece; A3: Suggested position for St Nicholas altar (Moretti); I: 1777 inscription recording the original location of the St Nicholas altar; G: Altar of S. Giuseppe; C: Altar of Bernardino and Antonio de Catrano.
Western art unattributed:
12. Plan of S. Fiorenzo. c.1650 (Padre Marco Miserocchi, Origine della chiesa a convento di S. Fiorenzo nella città di Perugia, dell'Ordine dei Servi di M. Vergine, Archivio Generale dei Serviti, Pontificia Facoltà teologica Marianum, Rome, MS Q3 III.6).
Western art unattributed:
15. Sketch of Ansidei arms on the predella and base of the St Nicholas altar (ASP, Scritture disposte per alfabeto, no.25, La Madonna degli Ansidei a S. Fiorenzo).
Western art unattributed:
16. Coat of arms from Filippo Ansidei's catasto entry (ASP, Catasti, serie II, reg.7, fol.152r).
Western art unattributed:
17. Emblem from the Bernardino de Catrano inscription of 1515 (ASP, Scritture disposte per alfabeto, no.25, La Madonna degli Ansidei a S. Fiorenzo).
Western art unattributed:
18. Emblem accompanying Antonio and Bernardino di Piergiovanni de Catrano's catasto entry (ASP, Catasti, serie II, reg.7, fol.207r).
