By using this website you agree to our Cookie policy

Search

59 articles
Publication Received
Wynford Dewhurst: Manchester’s Monet. By Roger Brown
05/2017 | 1370 | 159
Pages: 406-407
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
dates:
Publication Received
Vogue 100: A Century of Style. By Robin Muir.
10/2016 | 1363 | 158
Pages: 833
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
Article
William Holman Hunt’s first idea for ‘The hireling shepherd’?
07/2014 | 1336 | 156
Pages: 460-463
related names
Author:
Grieve, Alastair (Grieve, Alastair; Grieve, A. I.; Grieve, Alistair; Grieve, Alastair Ian)
Subjects
dates:
Illustrations
Attributed works:
48. The hireling shepherd, by William Holman Hunt (City of Manchester Art Galleries)
Attributed works:
49. Young pipe players, here attributed to William Holman Hunt (Dr Dennis T. Lanigan collection; image courtesy of Maas Gallery, London)
Attributed works:
50. Picnic scene, by John Everett Millais (Ashmolean Museum, Oxford)
Attributed works:
51. Drawing related to Convent thoughts, by Charles Allston Collins (British Museum, London)
Attributed works:
52. The Lady of Shalott, by William Holman Hunt (National Gallery of Victoria, Melbourne; Felton Bequest)
Attributed works:
53. The three ages of Man, by Titian (Scottish National Gallery, Edinburgh; Bridgewater Loan)
Exhibition Review
Ford Madox Brown. Manchester and Ghent
01/2012 | 1306 | 154
Pages: 56-57
related names
Reviewer:
Barringer, Tim (Barringer, Tim)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Ford Madox Brown: Pre-Raphaelite Pioneer | institution: Manchester Art Gallery , institution: Museum voor Schone Kunsten
Illustrations
Attributed works:
71. The Romans building a fort at Mancenion, A.D. 80, by Ford Madox Brown. 1880. Gambier Parry process of spirit fresco, 146 by 318 cm. (Mural painting in Manchester Town Hall).
Attributed works:
72. Lucy Madox Brown, by Ford Madox Brown. 1849. Oil on board, 15.8 cm. diameter. (Private collection; exh. Manchester City Art Gallery).
Attributed works:
73. An English autumn afternoon, Hampstead – Scenery in 1853, by Ford Madox Brown. 1852–55. Canvas, 72.4 by 134.6 cm. (Birmingham Museums and Art Gallery; exh. Manchester City Art Gallery).
Supplement
Sculpture acquisitions (2000–10) by regional museums in Britain
11/2010 | 1292 | 152
Pages: 770-771
Subjects
dates:
print:
Illustrations
Attributed works:
I. Flenite relief, by Jacob Epstein. 1913. Serpentine stone, 30.5 by 28 by 9 cm. Leeds Art Gallery. Purchased with the aid of grants from the Heritage Lottery Fund, the Art Fund, the MLA/V. & A. Purchase Grant Fund and the Leeds Art Collections Fund, 2006.
Attributed works:
II. Birdman, by Elisabeth Frink. c.1956/59. Plaster, 190.5 by 58 by 83 cm. Leeds Art Gallery. Presented by Beaux Arts and the Frink Estate through the Art Fund, 2010.
Attributed works:
III. Kiss, by Marc Quinn. 2001. Macedonian marble, 178 by 64.5 by 62.5 cm. Graves Art Gallery, Sheffield. Purchased through the Art Fund, the MLA/V. & A. Purchase Grant Fund, the JG Graves Charitable Trust, and a donation in memory of Harold and Doris Turner, 2004.
Attributed works:
IV. Filter, by Antony Gormley. 2002. Flat mild steel rings, 193 by 50 by 38 cm. Manchester City Art Gallery. Purchased with assistance from the Art Fund and the Livingstone and Bloom Charitable Trusts, 2008.
Attributed works:
IX. Eclipse, by Langlands & Bell. 1999. Wood, steel and lacquer, 76 by 520 by 250 cm. Middlesbrough Institute of Modern Art. Gift of the artists, 2007.
Attributed works:
V. Sandstone, by Andy Goldsworthy. 1987. Red sandstone, 5 pieces, dimensions variable. Middlesbrough Institute of Modern Art. Gift of Dr Terry Friedman, 2007.
Attributed works:
VI. ‘I Like to get my loving when I get it on my mind’, by Mat Collishaw. 2003. Loop video projection, wood and ground glass screen, 182 by 168 by 26 cm. Hunterian Art Gallery, Glasgow. Purchased from Galerie Cosmic, Paris, with funds from the National Collecting Scheme for Scotland with additional grants from the Art Fund and the National Fund for Acquisitions, 2003.
Attributed works:
VII. Flailing trees, by Gustav Metzger. 2009. Willow trees, concrete, 338 by 440 by 520 cm. Whitworth Art Gallery, Manchester. Commissioned by Manchester International Festival, Whitworth Art Gallery and Cube for the Manchester International Festival in 2009. Purchased from the artist by the Whitworth Art Gallery, 2009.
Attributed works:
VIII. Blackout, by Eva Rothschild. 2007. Lacquered beech wood and acrylic (Perspex), 107 by 48 by 48 cm. Southampton City Art Gallery. Purchased from Stuart Shave/Modern Art through the David and Liza Brown Bequest Fund with grants from the Art Fund and the MLA/V. & A. Purchase Grant Fund, 2008.
Attributed works:
X. Habitat, by Gavin Turk. 2004. Painted bronze, 7 by 170 by 70 cm. Aberdeen Art Gallery. Purchased with aid from the National Fund for Acquisitions, the Art Fund and with funds from the National Collecting Scheme for Scotland, which is operated by the Contemporary Art Society and supported by the National Lottery through the Scottish Arts Council, 2004.
Exhibition Review
Women Surrealists. Manchester
12/2009 | 1281 | 151
Pages: 857-858
related names
Reviewer:
Boaden, James (Boaden, James)
Subjects
dates:
places:
print:
Reviewed Items
subjects:
Angels of Anarchy: Women Artists and Surrealism | institution: Manchester Art Gallery
Illustrations
Attributed works:
42. Diego and Frida (I), by Frida Kahlo. 1929–44. Oil on wood with painted shell frame, 26 by 18.5 cm. (Private collection; exh. Manchester City Art Gallery).
Attributed works:
43. Portrait of space, by Lee Miller. 1937. Photograph, 30 by 27.8 cm. (Lee Miller Archives, Chiddingly, East Sussex; exh. Manchester City Art Gallery).
Publication Received
Work. Ford Madox Brown’s Painting and Victorian Life
04/2009 | 1273 | 151
Pages: 251
related names
Reviewer:
Treuherz, Julian (Treuherz, Julian)
Subjects
dates:
Reviewed Items
subjects:
Work. Ford Madox Brown’s Painting and Victorian Life | author: Walker, John A.
Exhibition Review
Holman Hunt
01/2009 | 1270 | 151
Pages: 51-52
related names
Reviewer:
Wilton, Andrew (Wilton, Andrew)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Holman Hunt and the Pre-Raphaelite Vision | institution: Art Gallery of Ontario , institution: Manchester Art Gallery , institution: Manchester Art Gallery , institution: Minneapolis Institute of Arts
Illustrations
Attributed works:
57. The light of the world, by William Holman Hunt. 1851–52. Oil and gold leaf on canvas, framed with arched top, 122 by 60.5 cm. (Keble College, Oxford; exh. Manchester City Art Gallery).
Attributed works:
58. The Lady of Shalott, by William Holman Hunt. 1886–1905. Oil over tempera on mahogany panel, 44.5 by 34.1 cm. (Manchester City Art Gallery).
Attributed works:
59. The shadow of death, by William Holman Hunt. 1870–73. Oil over tempera on canvas, 214.2 by 168.2 cm. (Manchester City Art Gallery).
Exhibition Review
Art Treasures. Manchester
01/2008 | 1258 | 150
Pages: 47
related names
Reviewer:
Belsey, Hugh (Belsey, Hugh)
Subjects
dates:
places:
Reviewed Items
subjects:
Art Treasures in Manchester: 150 years on | institution: Manchester Art Gallery
Illustrations
Attributed works:
51. The dead Christ mourned, by Annibale Carracci. c.1604. Canvas, 92.8 by 103.2 cm. (National Gallery, London; exh. Manchester Art Gallery)
Attributed works:
52. John, 1st Lord Byron, by William Dobson. c.1645. Canvas, 142 by 120 cm. (Tabley House Collection Trust, Knutsford; exh. Manchester Art Gallery)
Attributed works:
53. Parade shield (‘The Cellini shield’), attributed to Eliseus Libaerts. c.1562–63. Blued iron overlaid with silver and gold, diameter 58.5 cm. (The Royal Collection; exh. Manchester Art Gallery)
Short Notice
Some newly discovered sketches by Walter Sickert of Gatti's Hungerford Palace of Varieties
04/2006 | 1237 | 148
Pages: 269-272
related names
Author:
Robins, Anna Gruetzner (Robins, Anna Gruetzner; Gruetzner Robins, Anna; Gruetzner, Anna)
Subjects
artists:
dates:
Illustrations
Attributed works:
33. Thirteen music-hall studies made at Gatti's, London, by Walter Sickert. 1887. Pencil on paper (with ink inscriptions) on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery).
Attributed works:
34. Detail (top left) of a music-hall study made at Gatti's, London, by Walter Sickert. 1887. Pencil on paper (with ink inscriptions) on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery). Inscribed by Sickert 'Gattis. May 20.87'.
Attributed works:
35. Detail of a music-hall study made at Gatti's, London, by Walter Sickert. 1887. Pencil on paper (with ink inscriptions) on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery). Showing study of Katie Lawrence, Gatti's (23rd May 1887), and inscribed by Sickert 'not wearing the same dress'.
Attributed works:
37. Fifteen music-hall studies made at Gatti’s, London, by Walter Sickert. 1888. Pencil on paper on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery).
Attributed works:
38. Eight studies of the audience, Gatti’s, London, by Walter Sickert. 1888. Pencil on paper on album paper mount, 34.5 by 29.2 cm. (overall). (Brighton Museum and Art Gallery).
Western art unattributed:
36. Katie Lawrence. Sheet-music cover, Francis Day & Hunter, London, c.1890. (By permission of the British Library, London; H.3981.jj (16)).
load more