True to Nature: Open-Air
Painting in Europe 1780–1870
Fondation Custodia, Paris
3rd December 2021–3rd April 2022 |
:
Illustrations
Attributed works:
18. The oak
and the reed,
by Achille Etna
Michallon. 1816.
Oil on canvas,
43.5 by 53.5
cm. (Fitzwilliam
Museum,
Cambridge;
exh. Fondation
Custodia, Paris).
Attributed works:
19. Olive trees
near Tivoli,
by Janus La
Cour. 1869.
Oil on canvas,
37.4 by 60.5
cm. (Fondation
Custodia, Paris).
Attributed works:
20. Landscape
in the Haute-
Savoie, with an
artist working
in the open
air, by Vilhelm
Kyhn. 1850. Oil
on paper, 42 by
33.3 cm. (Private
collection;
exh. Fondation
Custodia, Paris).
Exhibition Review
Heinrich Reinhold: Tracing the Landscape. Hamburger Kunsthalle
7. Artists explore
the Austrian
Alps, by Heinrich
Reinhold. 1819.
Canvas, 34.5 by
42.5 cm. (Private
collection; exh.
Hamburger
Kunsthalle).
Attributed works:
8. Vigna of
the archpriest
in Olevano,
by Heinrich
Reinhold. 1822.
Pencil, pen and
ink, 26.4 by 31.7
cm. (Staatliche
Graphische
Sammlung,
Munich; exh.
Hamburger
Kunsthalle).
Attributed works:
9. View of
Olevano,
by Heinrich
Reinhold.
c.1821–24. Paper,
22 by 29.3 cm.
(Hamburger
Kunsthalle).
Book Review
The Work of Art: Plein Air Painting and Artistic Identity in Nineteenth-Century France. Edited by Anthea Callen
28. The leaping horse (full-scale sketch), by John Constable (Victoria and Albert Museum, London)
Attributed works:
29. Landscape by moonlight, by Peter Paul Rubens (Courtauld Gallery, London; exh. Victoria and Albert Museum, London)
Attributed works:
30. Moonlight landscape with Hadleigh Church, by John Constable (Private collection; exh. Victoria and Albert Museum, London)
Attributed works:
31. Study of cirrus clouds, by John Constable (Victoria and Albert Museum, London)
Attributed works:
32. Landscape with windmills near Haarlem, by John Constable after Jacob van Ruisdael (Dulwich Picture Gallery, London; exh. Victoria and Albert Museum, London)
Publication Received
The Romantic Prospect: Plein Air Painters 1780–1850