65. Adoration of the Magi, by the so-called Monvaerni. Limoges enamel Pax, end of fifteenth century. 9.8 by 6.9 cm. (Cleveland Museum of Art, John L. Severance Bequest.)
Attributed works:
66. Adoration of the Magi, with Jean Barthon de Montbas, Bishop of Limoges and St John the Evangelist, by the So-Called Monvaerni. Limoges Enamel, End of Fifteenth Century. 9.1 by 13.1 cm. (Musée Municipal, Limoges.)
Attributed works:
67. Adoration of the Magi, by the so-called Monvaerni. Limoges enamel in gilt-copper frame mounted as a Pax; end of fifteenth century. Area of enamel, 9.9 by 6.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
68. Adoration of the Magi, by the So-Called Monvaerni. Limoges Enamel, End of Fifteenth Century. c. 24 by 23 cm. (Formerly Seligmann Collection.)
Attributed works:
69. Charlemagne, attributed to Pierre Pénicaud(?) or Martin Didier, called Pape. Limoges enamel, mid-sixteenth century. Diameter, 9.5 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
70. David vanquishing Goliath, by Pierre Reymond. Signed with initials. Limoges enamel, mid-sixteenth century. Diameter, 8.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
71. Naked Man riding a Horse, attributed to Pierre Reymond. Limoges enamel, sixteenth century. 5.7 by 5.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)
Attributed works:
72. Nativity, by Léonard Limosin. Limoges enamel, sixteenth century. 17.1 by 16.9 cm. (Gambier-Parry Bequest, Courtauld Institute Galleries.)