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6 articles
Letter
Modelling and mapping Flaxman’s monument to William Murray
08/2020 | 1409 | 162
Pages: 644-645
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related names
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
artists:
Flaxman, John
buildings:
Westminster Abbey, London, Great Britain
subjects:
Murray, 1st Earl of Mansfield, William / Funerary art / Commemorative monuments / Models (representations) / Computers / British sculpture
Exhibition Review
Siah Armajani: Follow This Line. Walker Art Center, Minneapolis
12/2018 | 1389 | 160
Pages: 1055-1058
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related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
art literature:
Ashbery, John / Heidegger, Martin, 1889-1976
artists:
Armajani, Siah
dates:
2010-2019
media:
Architecture / Sculpture / Installations (visual works) / Drawings
museums and institutions:
Walker Art Center, Minneapolis, United States / Metropolitan Museum of Art, New York, United States
places:
United States / Minneapolis / New York
subjects:
Iranian / Conceptual art / Constructivist / Digital technology / Computers / Public sculpture / Design / Bridges / Space (form and composition concept) / Perception / Politics / Philosophy / Poetry / Mathematics / Immigration / Sports / Ceremonies
Illustrations
Attributed works:
21. Seven rooms of hospitality: Room for deportees, by Siah Armajani. 2017. Metal, wood, barbed wire, mailbox, hat and handbag, 243.8 by 305.4 by 111.1 cm. (Courtesy the artist and Rossi & Rossi; exh. Walker Art Center, Minneapolis).
Attributed works:
22. Dictionary for building: The garden gate, by Siah Armajani. 1982–1983. Wood, paint and book, 241.6 by 81.9 by 188 cm. (Walker Art Center, Minneapolis).
Attributed works:
23. Irene Hixon Whitney Bridge, Minneapolis. Designed by Siah Armajani. 1988. (Photograph Barbara Economon; courtesy Walker Art Center, Minneapolis).
Exhibition Review
Electronic Superhighway
04/2016 | 1357 | 158
Pages: 305-306
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related names
Reviewer:
Stallabrass, Julian (Stallabrass, Julian; S., J.)
Subjects
dates:
2010-2019
museums and institutions:
Whitechapel Art Gallery, London, Great Britain
places:
London / England
subjects:
Reviews / Exhibitions / Digital art / Digital technology / Computers
Illustrations
Attributed works:
73. Internet Dream, by Nam June Paik. 1994 (ZKM Centre for Art and Media, Karlsruhe; exh. Whitechapel Gallery, London)
Attributed works:
74. My boyfriend came back from the war, by Olia Lialina. 1996 (Courtesy the artist; exh. Whitechapel Gallery, London)
Attributed works:
75. Excellence and Perfection (Instagram Update, 18th June 2014), by Amalia Ulman (Courtesy the artist and Arcadia Missa, London; exh. Whitechapel Gallery, London)
Article
Richard Hamilton’s ‘Chiara & chair’
10/2012 | 1315 | 154
Pages: 701-706
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related names
Author:
Singer, Fanny (Singer, Fanny)
Subjects
artists:
Hamilton, Richard
dates:
2000-2009
subjects:
Prints / British / Computers / Digital technology / Digital art / Photography
subjects:
Photographs
Illustrations
Attributed works:
33. The annunciation, by Richard Hamilton. 2005. Inkjet digital print, printed on an Epson Stylus Pro 9800 printer using Epson UltraChrome K3 eight-colour lightfast pigment inks on Somerset enhanced radiant white velvet paper, 44 by 44 cm. (image); 59.4 by 68 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
34. The Saensbury Wing, by Richard Hamilton. 1999-2000. Canvas, 59.7 by 82 cm. (Courtesy R. Hamilton).
Attributed works:
35. The interior of the Grote Kerk at Haarlem, by Pieter Saenredam. 1636-37. Panel, 59.5 by 81.7 cm. (National Gallery, London).
Attributed works:
36. Lobby, by Richard Hamilton. 1985-87. Canvas, 175 by 250 cm. (Courtesy R. Hamilton).
Attributed works:
37. Chiara & chair, by Richard Hamilton. 2004. Inkjet digital print, printed on an Epson Stylus Pro 9600 printer using Epson Ultra-Chrome seven-colour lightfast pigment inks on Somerset paper, 60.7 by 89.2 cm. (image); 73.2 by 107.5 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
38. Hotel du Rhône, by Richard Hamilton. 2005. Oil on Fuji/Océ LightJet on canvas, 100 by 100 cm. (Courtesy R. Hamilton).
Attributed works:
39. Interior, by Richard Hamilton. 1964-65. Screenprint from eight stencils on Crisbrook paper, 49 by 63.6 cm. (image); 56.5 by 79 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
40. A Mirrorical return, by Richard Hamilton. 1998. Iris digital print, printed on Somerset paper, 53 by 66 cm. (image); 73 by 89 cm. (sheet). (Courtesy R. Hamilton).
Book Review
Sound/Sonda: rivista di studi elettronici
07/1979 | 916 | 121
Pages: 452+455
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related names
Reviewer:
Fawcett, Trevor (Fawcett, Trevor)
Subjects
art literature:
Ragghianti, Carlo Ludovico
dates:
1970-1979
places:
Italy / Pisa
subjects:
Art periodicals / Art history / Computers
Reviewed Items
subjects:
Sound/Sonda: rivista di studi elettronici | :
Editorial
The Computer and the Visual Arts
04/1968 | 781 | 110
Pages: 173-174
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Subjects
dates:
1960-1969
subjects:
Art history / Computers
subjects:
Methodology