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9 articles
Editorial
Searching for utopia: from dinosaurs to the metaverse
12/2021 | 1425 | 163
Pages: 1111
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Subjects
subjects:
Burlington Contemporary / Digital technology / Digital art / American art / Latin American art / Contemporary art
Exhibition Review
Electronic Superhighway
04/2016 | 1357 | 158
Pages: 305-306
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related names
Reviewer:
Stallabrass, Julian (Stallabrass, Julian; S., J.)
Subjects
dates:
2010-2019
museums and institutions:
Whitechapel Art Gallery, London, Great Britain
places:
London / England
subjects:
Reviews / Exhibitions / Digital art / Digital technology / Computers
Illustrations
Attributed works:
73. Internet Dream, by Nam June Paik. 1994 (ZKM Centre for Art and Media, Karlsruhe; exh. Whitechapel Gallery, London)
Attributed works:
74. My boyfriend came back from the war, by Olia Lialina. 1996 (Courtesy the artist; exh. Whitechapel Gallery, London)
Attributed works:
75. Excellence and Perfection (Instagram Update, 18th June 2014), by Amalia Ulman (Courtesy the artist and Arcadia Missa, London; exh. Whitechapel Gallery, London)
Article
Richard Hamilton’s ‘Chiara & chair’
10/2012 | 1315 | 154
Pages: 701-706
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related names
Author:
Singer, Fanny (Singer, Fanny)
Subjects
artists:
Hamilton, Richard
dates:
2000-2009
subjects:
Prints / British / Computers / Digital technology / Digital art / Photography
subjects:
Photographs
Illustrations
Attributed works:
33. The annunciation, by Richard Hamilton. 2005. Inkjet digital print, printed on an Epson Stylus Pro 9800 printer using Epson UltraChrome K3 eight-colour lightfast pigment inks on Somerset enhanced radiant white velvet paper, 44 by 44 cm. (image); 59.4 by 68 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
34. The Saensbury Wing, by Richard Hamilton. 1999-2000. Canvas, 59.7 by 82 cm. (Courtesy R. Hamilton).
Attributed works:
35. The interior of the Grote Kerk at Haarlem, by Pieter Saenredam. 1636-37. Panel, 59.5 by 81.7 cm. (National Gallery, London).
Attributed works:
36. Lobby, by Richard Hamilton. 1985-87. Canvas, 175 by 250 cm. (Courtesy R. Hamilton).
Attributed works:
37. Chiara & chair, by Richard Hamilton. 2004. Inkjet digital print, printed on an Epson Stylus Pro 9600 printer using Epson Ultra-Chrome seven-colour lightfast pigment inks on Somerset paper, 60.7 by 89.2 cm. (image); 73.2 by 107.5 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
38. Hotel du Rhône, by Richard Hamilton. 2005. Oil on Fuji/Océ LightJet on canvas, 100 by 100 cm. (Courtesy R. Hamilton).
Attributed works:
39. Interior, by Richard Hamilton. 1964-65. Screenprint from eight stencils on Crisbrook paper, 49 by 63.6 cm. (image); 56.5 by 79 cm. (sheet). (Courtesy R. Hamilton).
Attributed works:
40. A Mirrorical return, by Richard Hamilton. 1998. Iris digital print, printed on Somerset paper, 53 by 66 cm. (image); 73 by 89 cm. (sheet). (Courtesy R. Hamilton).
Exhibition Review
Crash: Homage to J.G. Ballard. London
04/2010 | 1285 | 152
Pages: 262-263
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related names
Reviewer:
Griffin, Christopher (Griffin, Christopher)
Subjects
art literature:
Ballard, J.G.
dates:
2010-2019
places:
London / England
print:
Ballard, J.G.
print:
Contemporary art
private galleries:
Gagosian Gallery, London, Great Britain
subjects:
Reviews / Exhibitions / Authors / Influence / Paintings / Sculpture / Installations (visual works) / Assemblages / Digital art
Reviewed Items
subjects:
Crash: Homage to J.G. Ballard | institution: Gagosian Gallery
Illustrations
Attributed works:
60. Self-portrait of you + me (Jayne Mansfield), by Douglas Gordon. 2007. Smoke, wax and mirror, 103 by 92.7 by 6.3 cm. (framed). (Courtesy of the artist; exh. Gagosian Gallery, London).
Attributed works:
61. Le canapé bleu, by Paul Delvaux. 1967. Canvas, 140 by 180 cm. (Private collection; exh. Gagosian Gallery, London).
Attributed works:
62. Hers is a lush situation, by Richard Hamilton. 1958. Oil, cel­lulose, metal foil and collage on panel, 81.3 by 121.9 cm. (Pallant House Gallery, Chichester; exh. Gagosian Gallery, London).
Exhibition Review
Recent exhibitions of British art
07/2006 | 1240 | 148
Pages: 497-499
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related names
Reviewer:
Wright, Barnaby (Wright, Barnaby)
Subjects
artists:
Smith, Matthew, 1879-1959 / Wynter, Bryan / Heron, Patrick / Reynolds, Alan / Moon, Jeremy / Hoyland, John / Hamilton, Richard
dates:
2000-2009
places:
London / England
print:
British painting
private galleries:
Browse & Darby, London, Great Britain / Jonathan Clark Fine Art, London, Great Britain / Richard Green, London, Great Britain / Annely Juda Fine Art, London, Great Britain / Rocket Gallery, London, Great Britain / Nevill Keating Pictures, London, Great Britain / Beaux Arts Gallery, London, Great Britain / Alan Cristea Gallery, London, Great Britain
subjects:
Reviews / Exhibitions / British painting / Prints / British
subjects:
Reliefs / Drawings / Woodcuts / Digital technology / Digital art
Reviewed Items
subjects:
Alan Reynolds. Circling the Square | institution: Annely Juda Fine Art
subjects:
Bryan Wynter 1915–1975. Paintings, Drawings & Kinetic Sculptures: 1960–1975 | institution: Jonathan Clark Fine Art
subjects:
Heron. The Shape of Colour | institution: Richard Green
subjects:
Jeremy Moon (1934–1973). 1969 grid paintings | institution: Rocket Gallery
subjects:
John Hoyland. Works from the 1970s and 1980s | institution: Nevill Keating Pictures
subjects:
Matthew Smith 1879–1959 | institution: Browse & Darby
subjects:
Richard Hamilton. Painting by Numbers | institution: Alan Cristea Gallery
Illustrations
Attributed works:
66. Still life with fruit, by Matthew Smith. c.1950. Canvas, 30.5 by 40.6 cm. (Exh. Browse & Darby, London).
Attributed works:
67. Tidal surge, by Bryan Wynter. c.1964. Canvas, 182.9 by 122 cm. (Exh. Jonathan Clark Fine Art, London).
Attributed works:
68. Four in deep cadmium, by Patrick Heron. 1964. Canvas, 167.6 by 152.4 cm. (Exh. Richard Green, London).
Attributed works:
69. Untitled [5/69], by Jeremy Moon. 1969. Acrylic on canvas, 101.6 by 132.1 cm. (Exh. Rocket, London).
Attributed works:
70. Structures – group IV, no.24, by Alan Reynolds. 2004. Prepared card on wood base, 117 by 117 by 4 cm. (Exh. Annely Juda Fine Art, London).
Attributed works:
71. 29.4.75, by John Hoyland. 1975. Acrylic on cotton duck, 91.5 by 76 cm. (Exh. Neville Keating Pictures, London).
Attributed works:
72. The annunciation, by Richard Hamilton. 2005. Inkjet digital print, 68 by 59.4 cm. (sheet) (Exh. Alan Cristea Gallery, London).
Publication Received
Video Art.
07/2005 | 1228 | 147
Pages: 500-501
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related names
Reviewer:
Schubert, Karsten (Schubert, Karsten)
Subjects
print:
Digital technology
subjects:
Surveys / Videos / Video / Digital technology / Digital art
Reviewed Items
subjects:
Video Art. | author: Rush, Michael
Book Review
Internet Art: the Online Clash of Culture and Commerce [and: Internet Art] [and: Digital Art]
07/2005 | 1228 | 147
Pages: 499
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related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
Subjects
print:
Internet and art history
subjects:
Internet and art history / Digital art
subjects:
Conceptual art / Art market
Reviewed Items
subjects:
Digital Art. | author: Paul, Christiane
subjects:
Internet Art. | author: Greene, Rachel
subjects:
Internet Art: the Online Clash of Culture and Commerce. | author: Stallabrass, Julian
Exhibition Review
Demand, Hirst, Hume. New York
05/2005 | 1226 | 147
Pages: 352-353
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related names
Reviewer:
Lawrence, James (Lawrence, James)
Subjects
artists:
Demand, Thomas
artists:
Hirst, Damien
artists:
Hume, Gary
dates:
2000-2009
museums and institutions:
Museum of Modern Art, New York, United States
places:
United States / New York
print:
Contemporary art
private galleries:
Matthew Marks Gallery, New York, United States
private galleries:
Gagosian Gallery, New York, United States
subjects:
Reviews / Exhibitions / Photographs / Photography / Digital technology / Digital art
subjects:
Documentaries
subjects:
British painting
Reviewed Items
subjects:
Carnival | institution: Matthew Marks Gallery
subjects:
The elusive truth | institution: Gagosian Gallery (Chelsea)
subjects:
Thomas Demand | institution: Museum of Modern Art
Illustrations
Attributed works:
60. Kitchen (Küche), by Thomas Demand. 2004. Chromogenic colour print, 133 by 165 cm. (Collection of the artist; exh. Museum of Modern Art, New York).
Attributed works:
61. Podium, by Thomas Demand. 2000. Chromogenic colour print, 296 by 178 cm. (Collection of the artist; exh. Museum of Modern Art, New York).
Attributed works:
62. Mortuary, by Damien Hirst. 2003-04. 304.8 by 457.2 cm. (Exh. Gagosian Gallery, New York).
Attributed works:
63. Nicola as an orchid, by Gary Hume. 2004. Enamel on aluminium, 256 by 168 cm. (Exh. Matthew Marks Gallery, New York).
Exhibition Review
'BitStreams' and 'Data Dynamics'. New York
06/2001 | 1179 | 143
Pages: 394-395
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related names
Reviewer:
Tillyard, Virginia (Tillyard, Virginia)
Subjects
dates:
2000-2009
museums and institutions:
Whitney Museum of American Art, New York, United States
places:
United States / New York
subjects:
Exhibitions / Reviews / Digital art
Illustrations
Attributed works:
102. Closed Circuit, by Lutz Bacher. 1997-2000. Digital Video Animation on DVD. (Collection of the Artist, Courtesy American Fine Arts, New York; Exh. Whitney Museum of American Art, New York).
Attributed works:
103. Six-Color Video Wall, by Diana Thater. 2000. Six Video Monitors, Six DVDs, Six DVD Players. (Whitney Museum of American Art, New York).
Attributed works:
104. Apartment, by Marek Walczak and Martin Wattenberg. 2001. Website and Networked Installation, Computers, Printer, Desk and Projector. (Commissioned by New Radio and Performing Arts Inc.; Exh. Whitney Museum of American Art, New York).
Attributed works:
105. Ecosystm, by John Klima. 2000. Mixed Media. (Exh. Whitney Museum of American Art, New York).