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145 articles
Article
Aby Warburg’s Hertziana lecture, 1929
08/2023 | 1445 | 165
Pages: 852–873
related names
Author:
Sears, Elizabeth (Sears, Elizabeth)
Subjects
art literature:
art literature:
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
1. The lecture hall in the Bibliotheca Hertziana, Palazzo Zuccari, Rome. Photograph, c.1995. (Bibliotheca Hertziana, Rome).
Attributed works:
10 and 11. Panel I of the Hertziana lecture, photographs by Pompeo Sansaini. 1929. Hand-numbered, 1–35. (Warburg Institute Archive, London).
Attributed works:
12. Detail of Fig.7, showing a carved relief of the Justice of Trajan.
Attributed works:
13. Detail of The children of Venus, showing a dancing couple, attributed to Baccio Baldini. c.1464. Engraving, 32 by 21.5 cm. (British Museum, London).
Attributed works:
14. Detail of The children of Venus, showing a dancing couple, attributed to Baccio Baldini. c.1465. Engraving, 25.5 by 18 cm. (British Museum, London).
Attributed works:
15. Panel VIb of the Hertziana lecture, photograph by Pompeo Sansaini. 1929. The panel includes two depictions of the Battle of Constantine, by Piero della Francesca (nos.216–17) and Giulio Romano (no.215). (Warburg Institute Archive, London).
Attributed works:
16. Chart sketched by Aby Warburg, 8th February 1929. Media represented in the twelve Hertziana ‘plates’ following the C-sketches consisting of 287 photographs distributed across nine screens before the discarding of Plate VI. (Warburg Institute Archive, London).
Attributed works:
17. The monument to Giordano Bruno, Campo dei Fiori, Rome, by Ettore Ferrari. 1889. Bronze. The statue is on the site of Bruno’s execution on 17th February 1600. (Photograph the author).
Attributed works:
2. Gertrud Bing, Aby Warburg and Franz Alber in their sitting room at the Palace Hotel, April 1929. In the background is a screen constructed for the Hertziana lecture: to the left, the first eight of the twenty photographs by Pompeo Sansaini documenting the image-series; to the right, a scattering of photographs that had been on display. (Warburg Institute Archive, London).
Attributed works:
3 and 4. The evolution of Hertziana Panel 1 (‘Energetic inversion’) in arrangements of photographs sketched by Gertrud Bing. Demonstration evening (5th December 1928) and A-series (January 1929). See also Figs.5 and 6. (Warburg Institute Archive, London).
Attributed works:
5 and 6. The evolution of Hertziana Panel 1 (‘Energetic inversion’) in arrangements of photographs sketched by Gertrud Bing. The B-series and the (final) C-series (January 1929). (Warburg Institute Archive, London).
Attributed works:
7. The first terrace of Purgatory: the marble reliefs and the repentance of the proud: an illustration for Purgatorio, Canto X of Dante’s Divine Comedy, by Sandro Botticelli. c.1488–92. Metalpoint and brown ink on parchment, 32.2 by 47 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Attributed works:
8. Adoration of the shepherds, by Domenico Ghirlandaio. 1485. Oil on panel, 167 by 167 cm. (S. Trinita Florence; photograph © Raffaello Bencini; Bridgeman Images).
Attributed works:
9. Detail of a relief below the tomb of Francesco Sassetti, showing Sassetti being mourned, attributed to Giuliano da Sangallo. 1485–90. Pietra serena. (S. Trinita, Florence).
Book Review
Interpreting Art
03/2023 | 1440 | 165
Pages: 350
related names
Reviewer:
Johnson, Jennifer (Johnson, Jennifer)
Subjects
Reviewed Items
subjects:
Interpreting Art By Sam Rose. 136 pp. incl. 38 col. ills. (UCL Press, London, 2022), £40. ISBN 978–1–80008–179–6. | :
Book Review
Francis Bacon – In the Mirror of Photography: Collecting, Preparatory Practice and Painting
03/2023 | 1440 | 165
Pages: 346-348
related names
Reviewer:
Hammer, Martin (Hammer, Martin)
Subjects
Reviewed Items
subjects:
Francis Bacon – In the Mirror of Photography: Collecting, Preparatory Practice and Painting By Katharina Günther. 446 pp. incl. 51 col. + 107 b. & w. ills. (De Gruyter, Berlin, 2022), £62.40. ISBN 978–3–11–072062–4. | :
Illustrations
Attributed works:
6. Figure getting out of a car, by Francis Bacon. 1944. Oil on canvas, 144 by 128.6 cm. (Courtesy Estate of Francis Bacon).
Book Review
Iteration: Episodes in the Mediation of Art and Architecture
07/2021 | 1420 | 163
Pages: 646-647
related names
Reviewer:
Darling, Elizabeth A. (Darling, Elizabeth A.)
Subjects
Reviewed Items
subjects:
Iteration: Episodes in the Mediation of Art and Architecture Edited by Robin Schuldenfrei. 210 pp. incl. 10 col. + 91 b. & w. ills. (Routledge, Abingdon, 2020), £34.99. ISBN 978–1–138–39248–9. | :
Illustrations
Attributed works:
9. The National Herbarium of New South Wales, Royal Botanic Gardens, Sydney, c.1895. (Photograph Alexander Grant).
Article
The Art of Conservation XI. Mary Merrifield’s quest: a new methodology for technical art history
06/2017 | 1371 | 159
Pages: 465-475
related names
Author:
Veliz, Zahira (Veliz, Zahira; Véliz Bomford, Zahira; Veliz, Z.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
23. Key to the Picture of the Meeting of the Fine Arts Commission 1846, by George Scharf. 1872 (National Portrait Gallery, London)
Attributed works:
24. Title page of A Practical Treatise on Painting in Fresco, Oil & Distemper. By Cennino Cennini, edited by Giuseppe Tambroni, translated and annotated by Mary P. Merrifield, London 1844 (National Gallery Library, London, NG Tech.Lib.75.02 CEN)
Attributed works:
25. A page from Mary Philadelphia Merrifield's copybook of letters (East Sussex Record Office, The Keep, Brighton)
Attributed works:
26. The family of Darius before Alexander, by Paolo Veronese. 1565-67 (National Gallery, London)
Attributed works:
27. Portrait of Felice Schiavoni, by Natale Schiavone. c.1825 (Galleria Nazionale d'Arte Moderna, Venice)
Attributed works:
28. St Sebastian, by Titian. 1570 (State Hermitage Museum, St Petersburg)
Attributed works:
29. St Mary Magdalene, by Titian. 1565 (State Hermitage Museum, St Petersburg)
Attributed works:
30. Sporochinus comosus, by Mary Philadelphia Merrifield. 1870-80 (Department of Plant Sciences, University of Cambridge)
Western art unattributed:
22. Mary Philadelphia Merrifield. c.1870 (East Sussex Record Office, The Keep, Brighton)
Publication Received
Mariette and the Science of the Connoisseur in Eighteenth-Century Europe. By Kristel Smentek
04/2016 | 1357 | 158
Pages: 299
related names
Reviewer:
Vogtherr, Christoph Martin (Vogtherr, Christoph Martin)
Subjects
collectors and dealers:
dates:
subjects:
Publication Received
Contemporary Art and Classical Myth
10/2012 | 1315 | 154
Pages: 722
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
Publication Received
Storia moderna dell’arte in Italia. Dalla pittura di storia alla storia della pittura 1859–1883
07/2011 | 1300 | 153
Pages: 488
related names
Reviewer:
Serafini, Paolo (Serafini, Paolo)
Subjects
places:
Reviewed Items
subjects:
Storia moderna dell’arte in Italia. Dalla pittura di storia alla storia della pittura 1859–1883 | author: Barocchi, Paola
Article
Art History Reviewed XI: Hans Belting’s ‘Bild und Kult: eine Geschichte des Bildes vor dem Zeitalter der Kunst’, 1990
01/2011 | 1294 | 153
Pages: 40-45
related names
Author:
Hamburger, Jeffrey (Hamburger, Jeffrey)
Subjects
art literature:
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