La Cappella Paolina. Edited by Maurizio De Luca, Arnold Nesselrath, Antonio Paolucci and Ulderico Santamaria; Michelangelo e la Cappella Paolina: Riflessioni e contributi sull’ultimo restauro. Edited by Antonio Paolucci and Silvia Danesi Squarzina
1. Soldiers, preparatory cartoon for the fresco Crucifixion of St Peter in the Cappella Paolina, Vatican Palace, by Michelangelo Buonarroti. 1546–50. Charcoal, black chalk and wash, 263 by 156 cm. (Museo Nazionale di Capodimonte, Naples; Bridgeman Images).
Publication Received
Michelangelo and the English Martyrs. By Anne Dillon
1. View of the Cappella Paolina, Vatican Palace, Rome.
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10. Scenographic Study, by Giorgio Vasari. Pen and Brown Ink with Brown Wash, 43.5 by 47.2 cm. (Uffizi, Florence).
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2. East Wall of the Cappella Paolina.
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3. West Wall of the Cappella Paolina.
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4. View of the Sala Regia, Vatican Palace, Rome.
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5. St Paul Speaking before King Agrippa, by Giorgio Vasari. 1573. Pen and Brown Ink with Brown Wash, Black Chalk under Drawing, 32.1 by 21.4 cm. (Metropolitan Museum of Art, New York).
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6. Christ Giving the Keys to St Peter, by Giorgio Vasari. 1573. Pen and Brown Ink with Brown Wash, Black Chalk under Drawing, 29.5 by 21 cm. (Whereabouts Unknown).
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7. Standing Figure, by Giorgio Vasari. Red Chalk, 38.4 by 13.2 cm. (Uffizi, Florence)
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8. Photomontage Reconstruction of Vasari's Scheme for the West Wall of the Cappella Paolina (Not to Scale).
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9. Photomontage Reconstruction of Vasari's Scheme for the East Wall of the Cappella Paolina (Not to Scale).