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51 articles
Article
Alonso Cano’s rediscovered ‘Immaculate Conception’ for San Alberto, Seville
12/2023 | 1449 | 165
Pages: 1290–1299
related names
Author:
Prieto Navarrete, Benito (Prieto Navarrete, Benito)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Immaculate Conception, here attributed to Alonso Cano. c.1628–29. Oil on canvas, 148.7 by 96 cm. (Private collection).
Attributed works:
10. Detail of Fig.6, showing the Immaculate Conception.
Attributed works:
11. Immaculate Conception with Miguel Cid, by Francisco Pacheco. 1619. Oil on canvas, 160 by 110 cm. (Cathedral of St Mary, Seville).
Attributed works:
12 and 13. Details of Fig.1 showing cherubs painted over angels in the top corners.
Attributed works:
14. Mary Magdalene de’ Pazzi, by Alonso Cano. c.1628–29. Oil on canvas, 116 by 55 cm. (Museum of Fine Arts, Seville).
Attributed works:
15. The drawing shown in Fig.6 with the surviving paintings from the altarpiece superimposed.
Attributed works:
2. St Francis of Borja, by Alonso Cano. 1624. Oil on canvas, 186 by 120 cm. (Museum of Fine Arts, Seville).
Attributed works:
3. The Crucified Christ appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. Christ the Saviour appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Christ bearing the Cross (Via Dolorosa), by Alonso Cano. c.1628–29. Oil on canvas, 166.5 by 101 cm. (Worcester Art Museum, Worcester MA).
Attributed works:
6. Preparatory drawing for an altarpiece with Christ bearing the Cross (Via Dolorosa) and the Immaculate Conception, by Alonso Cano. c.1628– 29. Pencil, pen and brown ink on paper, 38.9 by 27.9 cm. (Félix Palacios Remondo collection, Zaragoza).
Attributed works:
7. Detail of Fig.9, showing the upper part of the body and head.
Attributed works:
8. Detail of Fig.1, showing the upper part of the body and head.
Attributed works:
9. Immaculate Conception, by Diego Velázquez. c.1622. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Short Notice
Dogs, Vergers and Murillo’s ‘El Perdiguero’
12/2023 | 1449 | 165
Pages: 1333–1335
related names
Author:
Pullins, David (Pullins, David)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Don Andrés de Andrade y Cal, by Bartolomé Esteban Murillo. 1665–72. Oil on canvas, 200.7 by 119.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. Detail of Fig.1, showing the dog’s features.
Attributed works:
3. Portrait of a dog, by Domenico Maria Sani. c.1725–45. Oil on canvas, 123.5 by 169 cm. (Pinacoteca Civica, Forlí).
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
dates:
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Book Review
Las mujeres y las artes: Mecenas, artistas, emprendedoras y coleccionistas
03/2022 | 1428 | 164
Pages: 316-317
related names
Reviewer:
de Carlos Varona, María Cruz (de Carlos Varona, María Cruz)
Subjects
dates:
places:
Reviewed Items
subjects:
Las mujeres y las artes: Mecenas, artistas, emprendedoras y coleccionistas Edited by Beatriz Blasco Esquivias, Jonatan Jair López Muñoz and Sergio Ramiro Ramírez. 848 pp. incl. 138 b. & w. ills. (Abada Editores, Madrid, 2021), €33. ISBN 978–84–17301–64–4. | :
Article
A newly discovered ‘Immaculate Conception’ by Diego Velázquez
12/2020 | 1413 | 162
Pages: 1028-1037
related names
Author:
Cherry, Peter (Cherry, Peter)
Subjects
places:
Illustrations
Attributed works:
1. The Immaculate Conception, by Diego Velázquez. c.1618–19. Oil on canvas, 57.5 by 44 cm. (Private collection).
Attributed works:
2. The painting in Fig.1, photographed before cleaning in 2017.
Attributed works:
3. The Immaculate Conception, by Diego Velázquez. c.1618–19. Oil on canvas, 135 by 101.6 cm. (National Gallery, London).
Attributed works:
4. The Immaculate Conception, by Diego Velázquez. c.1617–18. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Attributed works:
5. X-radiograph of the painting in Fig.1 (Private collection).
Attributed works:
6. X-radiograph of the painting in Fig.3. (National Gallery, London).
Attributed works:
7. X-radiograph of the painting in Fig.4. (Fundación Focus, Seville).
Attributed works:
8. The Immaculate Conception with donor, by Francisco Pacheco. Signed and dated 1619. Oil on canvas, 160 by 110 cm. (Courtesy the Cathedral Chapter, Seville).
Attributed works:
9. Education of the Virgin, here attributed to Diego Velázquez. c.1617–18. Oil on canvas, 168 by 137 cm. (Yale University Art Gallery, New Haven).
Exhibition Review
Montañés: maestro de maestros
08/2020 | 1409 | 162
Pages: 704-705
related names
Reviewer:
Ellis, Morlin (Ellis, Morlin)
Subjects
art literature:
places:
Reviewed Items
subjects:
Montañés: maestro de maestros Edited by Ignacio Cano Rivero, Ignacio Hermoso Romero and María del Valme Muñoz Rubio. 294 pp. incl.numerous col. ills. (Junta de Andalucía and Consejería de Cultura y Patrimonio Histórico, Seville, 2019), €30. ISBN 978–84–9959–337–1. | :
Illustrations
Attributed works:
13. The sculptor Juan Martínez Montañés, by Francisco Varela. 1616. Oil on canvas, 63 by 55.5 cm. (Ayuntamiento de Sevilla; on loan to the Fundación Fondo de Cultura de Sevilla (Focus)).
Attributed works:
14. St Francis Borgia, by Juan Martínez Montañés and Francisco Pacheco. c.1624. Polychromed wood, height 173.5 cm. (Church of the Annunciation, Seville Cathedral).
Attributed works:
15. St Joseph with the Christ Child, by Juan Martínez Montañés and an unknown polychromer. 1610–20 and eighteenthcentury. Polychromed wood, height 170 cm. (Church of Santa María Magdalena, Seville).
Book Review
Corpus Murillo: Biografía y documentos
04/2019 | 1393 | 161
Pages: 349-351
related names
Reviewer:
Cherry, Peter (Cherry, Peter)
Subjects
places:
Reviewed Items
subjects:
Corpus Murillo: Biografía y documentos By Pablo Hereza Lebrón. | :
Illustrations
Attributed works:
5. Archive housed in in the deconsecrated church of the convent of Montesión, calle Feria, Seville. Early 1980s. (Photograph Peter Cherry).
Exhibition Review
Francisco Pacheco. Seville
08/2016 | 1361 | 158
Pages: 668-670
related names
Reviewer:
McDonald, Mark (McDonald, Mark)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
68. Christ on the cross, by Francisco Pacheco. 1611 (Parroquia de Nuestra Señora de Consolación de El Coronil, Seville; exh. Museo de Bellas Artes, Seville)
Attributed works:
69. The dream of St Joseph, by Francisco Pacheco. 1617-20 (Real Academia de Bellas Artes de San Fernando, Madrid; exh. Museo de Bellas Artes, Seville)
Article
Giovanni Bandini’s ‘Venus’ and ‘Adonis’ for the Sevillian house of Juan de Arguijo in a sonnet by Lope de Vega
11/2015 | 1352 | 157
Pages: 758-763
related names
Author:
Loffredo, Fernando (Loffredo, Fernando)
Subjects
dates:
places:
Illustrations
Attributed works:
23. Adonis, by Giovanni Bandini. 1598 (Private collection)
Attributed works:
24. Rear view of Fig.23
Attributed works:
25. Venus, by Giovanni Bandini. 1598 (Location unknown; formerly in the Palace of Vizconde de Irueste, Madrid)
Attributed works:
26. Rear view of Fig.25
Attributed works:
27. Ferdinando I, by Giovanni Bandini. 1599 (Piazza Micheli, Liverno)
Attributed works:
28. Rear view of Fig.27
Attributed works:
29. Picus, King of Ausonia, by Giovanni Bandini (Boboli Gardens, Florence)
Attributed works:
30. Detail of Fig.23
Attributed works:
31. Detail of Fig.23
Attributed works:
32. Bust of Christ, by Giovanni Bandini (S. Vincenzo, Prato)
Attributed works:
33. Detail of Fig.29
Book Review
Diego Velázquez’s Early Paintings and the Culture of seventeenth-century Seville, T.J. Tiffany
10/2013 | 1327 | 155
Pages: 710
related names
Reviewer:
Marciari, John (Marciari, John)
Subjects
dates:
places:
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