Studio Ceramics: British Studio Pottery
1900 to now
By Alun Graves, with a foreword by Tanya
Harrod. 416 pp. incl. 919 col. + b. & w. ills.
(Thames and Hudson, London and New York,
2023), £65. ISBN 978–0–500–48089–2. |
:
Illustrations
Attributed works:
7. Optical pot, by Elizabeth Fritsch. 1980.
Stoneware, height 31.1 cm. (Victoria and
Albert Museum, London).
Book Review
The Power and Fluidity of Girlhood in Henry Darger’s Art
The Power and Fluidity of Girlhood in
Henry Darger’s Art
By Leisa Rundquist. 126 pp. incl. 13 b. & w.
ills. (Routledge, Abingdon-on-Thames, 2021),
£44.99. ISBN 978–1–138–31455–9. |
:
Illustrations
Attributed works:
5. a) Are almost murdered themselves though
they fight for their lives typhoon saves them...
b) Vivian girls said Glandelinian tent, by Henry
Darger. Watercolour and pencil on paper, 55.9
by 223.5 cm. (Museum of Modern Art, New
York; Scala Archives).
1. Study of a bust at Lille, by John Singer Sargent. c.1877.
Oil on mahogany panel, 30.7 by 20.6 cm. (Private collection).
Attributed works:
10. The Maiden of Lille, by Arthur Mayeur. Drawing reproduced on
the cover of Lille et la région du nord en 1909, Lille 1909.
Attributed works:
2. The ‘Maiden of Lille’ in the Wicar galleries at the Palais des Beaux-Arts,
Lille, c.1892. (Palais des Beaux-Arts, Lille).
Attributed works:
4. The Maiden of Lille, by Aurelio Micheli. c.1909. Plaster, wax and
polychromy. (Letter Stiftung, Cologne).
Attributed works:
5. Jean-Jacques Henner’s studio in Paris, with a plaster cast of the
‘Maiden of Lille’ from the Kaiser Friedrich Museum, Berlin. Detail of a
photograph, c.1900. (Courtesy Henner Museum, Paris).
Attributed works:
6. Wolfgang Gurlitt’s music room at 113 Potsdamer Strasse, Berlin.
Photograph, c.1920. (Bildindex der Kunst und Architektur, Deutsches
Dokumentationszentrum für Kunstgeschichte, Bildarchiv Foto Marburg).
Attributed works:
7. The display of old-master drawings in the Royal Library at Windsor
Castle. Photograph by James Russell and Sons, 1910. (Manley family
collection).
Attributed works:
8. The plaster-cast room at the Museum of Fine Arts, Copley Square,
Boston. Photograph, 1902. (Museum of Fine Arts, Boston).
Attributed works:
9. The Maiden of Lille, in the Musée Wicar, Lille. Photograph by Robert
Jefferson Bingham, 1864. (Palais des Beaux-Arts, Lille).
Western art unattributed:
3. The Maiden of Lille. Possibly seventeenth or eighteenth century.
Beeswax, terracotta and glass, 44.5 by 30.3 by 19.5 cm. (Palais des Beaux-
Arts, Lille; photograph the author).
Lucian Freud: The
Self-portraits. With contributions
by David Dawson, Joseph Koerner,
Jasper Sharp and Sebastian Smee.
152 pp. incl. numerous col. ills.
(Royal Academy of Arts, London,
2019), £25. ISBN 978–1–912520–06–0. |
:
subjects:
The Lives of Lucian Freud: Youth
(1922–1968). By William Feaver. 704 pp.
incl. 50 b. & w. + 29 col. ills.
(Bloomsbury, London, 2019), £25.
ISBN 978–1–4088–5093–0. |
:
subjects:
Lucian Freud: The Self-portraits, Royal Academy of Arts, London. 27 October 2019–26 January 2020. |
:
For America: Paintings from the
National Academy of Design
Edited by Jeremiah William McCarthy and
Diana Thompson. 304 pp. incl. 200 col. ills.
(National Academy of Design and American
Federation of Arts, New York, and Yale
University Press, New Haven and London,
2019), |
:
Illustrations
Attributed works:
5. Self-portrait, by Andrew Wyeth. 1945. Egg
tempera on gessoed panel, 63.5 by 76.2 cm.
(National Academy of Design, New York).
Book Review
Wallpapers at Temple Newsam 1635 to the Present, A. Wells-Cole and B. Walker
5. Wallpaper fragment. c.1720. Coarse handmade
paper grounded in yellow, stencilled in
pale pink and block-printed in deep pink, 18.4
by 59.7 cm. (Temple Newsam, Leeds).
10. Napoleon III
visiting the Louvre,
by Nicolas Gosse.
1854. Canvas, 23
by 34 cm. (Musée
du Louvre, Paris;
exh. Cité de
l’architecture et du
patrimoine, Paris).
Attributed works:
11. El Escorial under
construction. 1576.
Pencil and wash
on paper, 50.5 by
77.3 cm. (Hatfield
House, Marquess
of Salisbury,
Hertfordshire;
exh. Cité de
l’architecture et du
patrimoine, Paris).
Attributed works:
12. Plug-in
city (2000) –
monumental
experience, by
Alain Bublex. 2003.
Chromogenic
print, 180 by
180 cm. (Centre
Pompidou, Paris;
exh. Cité de
l’architecture
et du patrimoine,
Paris).
Book Review
Jasper Johns: Pictures within Pictures,1980–2015. By Fiona Donovan