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58 articles
Article
A portrait by Richard Westall of the poet Eleanor Porden
04/2024 | 1453 | 166
Pages: 358–367
related names
Author:
Bryant, Barbara (Bryant, Barbara)
Subjects
dates:
Illustrations
Attributed works:
1. Reverse of Fig.2, showing the handwritten inscription on the stretcher.
Attributed works:
10. Design for a couch, by Thomas Hope. 1807. Engraving. (From Household Furniture and Interior Decoration, Executed From Designs By Thomas Hope, London, pl.xxviii, nos.2 and 3).
Attributed works:
11. Thetis bringing the armour to Achilles, by John Flaxman. 1805. Engraving. (From The Iliad of Homer Engraved from the Compositions of John Flaxman RA Sculptor, London, pl.xix).
Attributed works:
2. Eleanor Anne Porden, here attributed to Richard Westall. 1807. Oil on canvas, 113 by 143.8 cm. (© Christie’s Images; Bridgeman Images; Krannert Art Museum, Champaign IL).
Attributed works:
3. Eleanor Porden, by John Flaxman. 1807. Graphite on paper, 15.9 by 11.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Photograph of a lost drawing of Eleanor Porden. (Derbyshire Record Office, Matlock).
Attributed works:
5. Detail from J. Horwood’s Plan, showing 59 Berners Street. (From J. Horwood: Plan of the Cities of London and Westminster, the Borough of Southwark and parts adjoining shewing every house, London 1794).
Attributed works:
6. Portrait of Richard Westall, R.A., by Thomas Lawrence and Richard Westall. Mid-1790s. Graphite on paper, 21.4 by 16.3 cm. (© Christie’s Images; Bridgeman Images; private collection).
Attributed works:
7. Expiation of Orestes, by William Bond, after Richard Westall. 1810. Stipple engraving, 35.3 by 30.5 cm. (From J. Britton et al.: The Fine Arts of the English School, London 1812).
Attributed works:
8. Reconciliation of Helen and Paris, after his defeat by Menelaus, by Richard Westall. c.1805. Oil on panel, 127 by 101 cm. (Tate).
Attributed works:
9. Detail of Fig.2, showing the frieze on the vase.
Short Notice
Domenico Guidi in Padula: a rediscovered ‘Annunciation’
11/2023 | 1448 | 165
Pages: 1206-1209
related names
Shorter Notice by:
Ciarlo, Nicola (Ciarlo, Nicola)
Subjects
dates:
Illustrations
Attributed works:
1. Detail of The Holy Family, with St Elizabeth, St Zacharias and John the Baptist, by Domenico Guidi. c.1676–85. Marble, 491.5 by 190.7 cm. (S. Agnese in Agone, Rome; photograph Enea Abbaticchio).
Attributed works:
2. The dream of St Joseph, by Domenico Guidi. c.1695–99. Marble, 302 by 190 cm. (Capocaccia Chapel, S. Maria della Vittoria, Rome; Bibliotheca Hertziana, Max Planck- Institut für Kunstgeschichte, Rome; photograph Enrico Fontolan).
Attributed works:
3. Virgin Mary, here attributed to Domenico Guidi. c.1699–1701. Marble, 84 by 65 by 31 cm (with socle). (Charterhouse of S. Lorenzo, Padula; courtesy Ministero della Cultura, Direzione regionale Musei della Campania, Naples; photograph Giuseppe Panza).
Attributed works:
4. Archangel Gabriel, here attributed to Domenico Guidi. c.1699–1701. Marble, 94 by 81 by 39 cm (with socle). (Charterhouse of S. Lorenzo, Padula; courtesy Ministero della Cultura, Direzione regionale Musei della Campania, Naples; photograph Giuseppe Panza).
Attributed works:
5. Bust of the Virgin annunciate, by Domenico Guidi. c.1670. Marble and red limestone, 89 by 76 cm. (Princely Collections, Lichtenstein, Vaduz-Vienna; photograph Scala, Florence).
Attributed works:
6. Detail of Fig.1, showing the face of the Virgin.
Attributed works:
7. Detail of Fig.3, showing the face of the Virgin.
Letter
Moore, not Monti
10/2023 | 1447 | 165
Pages: 1052
related names
Author:
Ciani Sciolla, Albertina (Ciani Sciolla, Albertina)
Subjects
Illustrations
Attributed works:
1. Monument to Isabella Kemeys Cooper, by Christopher Moore. 1838. (St Edward King and Martyr, Goathurst, Somerset).
Article
A newly identified portrait by Sir Nathaniel Bacon
07/2022 | 1432 | 164
Pages: 641-649
related names
Author:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Illustrations
Attributed works:
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7 cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys, here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2 by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky, Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon. c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving, 35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne, London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned 1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
Article
The finding of the infant Bacchus
02/2022 | 1427 | 164
Pages: 180-183
related names
Author:
Hendrikman, Lars (Hendrikman, Lars)
Subjects
dates:
sources:
Illustrations
Attributed works:
5. Young Bacchus, after Godfried Maes. After 1762. Oil on canvas, 63 by 54.7 cm. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
6. Fig.5, photographed in 2012 before cleaning and removal of overpaint in 2020. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
7. The finding of the infant Bacchus on Chios, by Godfried Maes. Last quarter of the 17th century. Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Courtesy F. Baulme Fine Arts).
Attributed works:
8. The infant Bacchus entrusted to the nymphs of Nysa; the death of Echo and Narcissus, by Nicolas Poussin. 1657. Oil on canvas, 122.6 by 180.5 cm. (Harvard Art Museums).
Attributed works:
9. Bacchus turns Acoetes’ crew into dolphins, by Godfried Maes. Last quarter 17th century, Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Leiden University Library, Print Room).
Article
The Lapis Lazuli Egg in the Cleveland Museum of Art
09/2021 | 1422 | 163
Pages: 828-831
related names
Author:
Solon, Chad (Solon, Chad)
Subjects
artists:
media:
subjects:
Illustrations
Attributed works:
11. The Lapis Lazuli Egg, attributed to Peter Carl Fabergé. c.1885–90. Gold, enamel, lapis lazuli, pearls, diamonds and rubies, 5.9 by 4.5 cm. (Cleveland Museum of Art).
Attributed works:
12. View of Fig.11, showing the egg fully closed.
Attributed works:
13. Detail of Fig.11, showing the hinge. (Object file, Cleveland Museum of Art).
Attributed works:
14. View of Fig.11 showing the egg fully open. (Object file, Cleveland Museum of Art).
Attributed works:
15. The Rosebud Egg and its surprises, photographed at Wartski, London. c.1927. (Photograph courtesy Wartski).
Attributed works:
16. Detail of a vitrine in an exhibition in the Von Dervis mansion, St Petersburg, showing objects loaned by Empress Alexandra Feodorovna. 1902. The crown is just visible behind the train, to the right of the supporting strut. (Courtesy Kremlin Armoury Museum, Moscow).
Attributed works:
17. Detail of a photograph of Henry Bainbridge and Agathon Fabergé at the Exhibition of Russian Art at 1 Belgrave Square, London, 1935. The Rosebud Egg is visible in its case (now lost) on the third shelf from the bottom, with the crown just in front of its case. (Topical Press Agency/ Hulton Archive/Getty Images).
Attributed works:
18. The Rosebud Egg, by Peter Carl Fabergé, 1895. Gold, diamonds and enamel, 6.8 by 3 cm. (The Link of Times Foundation; Getty Images).
Attributed works:
19. The crown in the Lapis Lazuli Egg shown from the side. (Cleveland Museum of Art).
Attributed works:
20. The side view of the pendant to the Lapis Lazuli Egg. (Cleveland Museum of Art).
Article
A newly discovered figure study for Francesco Vanni’s ‘Return of the Holy Family from Egypt’
06/2021 | 1419 | 163
Pages: 503-507
related names
Author:
Kämpf, Tobias (Kämpf, Tobias)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. The return of the Holy Family from Egypt, by Francesco Vanni. 1598. Oil on canvas, 236 by 153 cm. (SS. Quirico e Giulitta, Siena; Lensini Foto).
Attributed works:
2. Draped standing young woman, here attributed to Francesco Vanni. 1598 or shortly before. Red chalk on paper, 21.2 by 11.1 cm. (Wallraf- Richartz-Museum, Cologne).
Attributed works:
3. The return of the Holy Family from Egypt, by Gaetano Vascellini. 1795. Etching after a drawing by Carlo Bozzolini. (From M. Lastri: L’Etruria pittrice, Florence 1795, II, pl.LXXX).
Attributed works:
4. The return of the Holy Family from Egypt, by Francesco Vanni. 1598 or shortly before. Black and red chalk with brown wash on paper, 26.9 by 18.1 cm. (Museum of Art and Archaeology, University of Missouri, Columbia MO).
Attributed works:
5. The return of the Holy Family from Egypt, by Francesco Vanni. 1598 or shortly before. Pen-and-ink on paper, 11.7 by 8.3 cm. (Galleria degli Uffizi, Florence).
Exhibition Review
Russian Avant-Garde at the Museum Ludwig. Original and Fake: Questions, Research, Explanations
03/2021 | 1416 | 163
Pages: 280-282
related names
Reviewer:
KociaŁkowska, Kamila (KociaŁkowska, Kamila)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Russian Avant-Garde at the Museum Ludwig. Original and Fake: Questions, Research, Explanations Museum Ludwig, Cologne 26th September 2020– 7th February 2021 | :
Illustrations
Attributed works:
14. Proun, formerly attributed to El Lissitzky and dated 1923. Tempera on paper, 61 by 40 cm. (Museum Ludwig, Cologne; photograph Rheinisches Bildarchiv, Cologne).
Attributed works:
15. Infra-red reflectogram of the painting in Fig.14. (Courtesy Museum Ludwig, Cologne, and Restaurierungszentrum Düsseldorf; photograph Ulrik Runeberg and Inken Holubec).
Attributed works:
16. Painterly architectonic, formerly attributed to Liubov Popova and dated c.1920. Oil on canvas, 57.5 by 44 cm. (Museum Ludwig, Cologne; photograph Rheinisches Bildarchiv, Cologne).
Attributed works:
17. Painterly architectonic, by Liubov Popova. 1918. Oil on canvas, 45 by 53 cm. (Museo Nacional Thyssen- Bornemisza, Madrid; exh. Museum Ludwig, Cologne).
Article
A statue of Marcantonio Colonna by Guglielmo della Porta
11/2020 | 1412 | 162
Pages: 928-937
related names
Author:
Extermann, Grégoire (Extermann, Grégoire)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Marcantonio Colonna, here attributed to Guglielmo della Porta. c.1572–74. Marble, height 240 cm. (Palazzo dei Conservatori, Rome; © Roma – Sovrintendenza capitolina ai beni culturali).
Attributed works:
10. Detail of Fig.1, showing two horn-playing tritons on the cuirass.
Attributed works:
11. Detail of Fig.1, showing the cingulum.
Attributed works:
12. Detail of a drawing depicting a cingulum, by Pierre Jacques de Reims. c.1572–74. Pen on paper, sheet 14.6 by 11 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
13. Detail of Fig.1, showing a lappet with tritons and nereids.
Attributed works:
14. Detail of Fig.1, showing a lappet with a triton and nereid.
Attributed works:
15. Detail of Fig.1, showing a lappet with a putto and dolphin.
Attributed works:
16. Detail of a drawing depicting Eros and a dolphin, by Pierre Jacques de Reims. c.1572–74. Pen on paper, sheet 14.5 by 11 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
17. Detail of Henri IV, by Nicolas Cordier, showing two lappets, one with a man slaying a lion and another with an Amazon. 1606–08. Bronze. (S. Giovanni in Laterano, Rome).
Attributed works:
18. Detail of Fig.1, showing the face of Marcantonio Colonna.
Attributed works:
19. Detail of Fig.1, showing Colonna’s right sandal.
Attributed works:
2. Marcantonio Colonna, by Niccolò Pippi (Nicolas d’Arras). c.1584, with alterations by Ippolito Buzzi, 1610. Marble, height 246 cm. (Palazzo Colonna, Rome).
Attributed works:
3. Detail of Fig.1, showing the front of the helmet.
Attributed works:
4. Detail of Fig.1, showing the back of the helmet.
Attributed works:
5. Detail of the tomb of Francisco de Solis, which now forms part of the tomb of Paul III, by Guglielmo della Porta. c.1544–45. Bronze. (St Peter’s, Rome; sepia photograph courtesy Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte, Rome).
Attributed works:
6. Neptune calming the waters after the shipwreck of Aeneas, by Giulio Bonasone. Engraving, 22.8 by 32.1 cm. (Gabinetto Nazionale dei Disegni e delle Stampe, Bologna).
Attributed works:
7. Study of armour for the statue of Marcantonio Colonna, by Guglielmo della Porta. c.1572. Pen and brown ink, 28.6 by 29.8 cm. (Gabinetto dei Disegni e delle Stampe, Gallerie degli Uffizi, Florence).
Attributed works:
8. Studies of helmets for the statue of Marcantonio Colonna, by Guglielmo della Porta. c.1572. Pen and brown ink, 28.3 by 20.3 cm. (Gabinetto dei Disegni e delle Stampe, Gallerie degli Uffizi, Florence).
Attributed works:
9. Detail of Fig.8, showing a variant for the cuirass.
Western art unattributed:
20. Julius Caesar. First–second century. Marble, height 310 cm. (Capitoline Museum, Rome; Bridgeman Images).
Article
A sculpture of the Virgin Annunciate by Jean Guillaumet, called Jehan de Chartres
11/2020 | 1412 | 162
Pages: 922-927
related names
Author:
Ainsworth, Maryan W. (Ainsworth, Maryan W.; Ainsworth, Maryan)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Madeleine of Burgundy presented by St Mary Magdalene, by Jean Hey. c.1490. Oil on panel, 56 by 40 cm. (Musée du Louvre, Paris).
Attributed works:
10. Detail of Fig.6, showing the head of St Susanna.
Attributed works:
2. Virgin Annunciate, by Jean Guillaumet (Jehan de Chartres). c.1500–10. Limestone, 96.5 by 33 by 24 cm. (The Hearn Family Trust and Charles Hack; on loan to the Metropolitan Museum of Art, New York; © Sam Fogg Ltd.).
Attributed works:
3. Annunciation, by Jean Hey. c.1490–95. Oil on panel, 72 by 50.2 cm. (The Art Institute of Chicago, Mr and Mrs Martin A. Ryerson Collection).
Attributed works:
4. Detail of Fig.3, showing the Virgin.
Attributed works:
5. Detail of Fig.2, showing the upper torso.
Attributed works:
6. St Susanna, by Jean Guillaumet. c.1500–03. Limestone, 183 by 78 by 50 cm. (Musée du Louvre, Paris).
Attributed works:
7. St Peter, by Jean Guillaumet. c.1500–03. Limestone, 184.5 by 66 by 43 cm. (Musée du Louvre, Paris).
Attributed works:
8. St Anne, by Jean Guillaumet. c.1500–03. Limestone, 192 by 78 by 49 cm. (Musée du Louvre, Paris).
Attributed works:
9. Detail of Fig.2, showing the head of the Virgin.
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