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7 articles
Article
Reversing the roles: Van Dyck's portrait of Lady Elizabeth Thimbleby with her sister Dorothy Savage
02/2009 | 1271 | 151
Pages: 79-83
related names
Author:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
Author:
Safer, Michelle (Safer, Michelle)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
4. Lady Elizabeth Thimbleby with her sister Dorothy Savage (?), by Anthony van Dyck. c.1635. Canvas, 132 by 149.9 cm. (National Gallery, London).
Attributed works:
5. Lady Elizabeth Thimbleby with her sister Dorothy Savage (?), probably from the workshop of Anthony van Dyck. c.1635–37?. Canvas, 130.8 by 154.3 cm. (Private Collection, New York).
Attributed works:
6. Dorothy, Viscountess Andover (?) (formerly known as Elizabeth, Lady Thimbleby), by Anthony van Dyck. c.1637. Canvas, 113 by 99 cm. (Private Collection).
Short Notice
An early work by Jacob Jordaens rediscovered
02/2006 | 1235 | 148
Pages: 107–108
related names
Author:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
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artists:
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subjects:
Illustrations
Attributed works:
46. The adoration of the shepherds, by Jacob Jordaens. 1616. Canvas, transferred from panel, 106.7 by 76.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
The adoration of the shepherds, by Jacob Jordaens. c.1615. Panel, 89.2 by 111.1 cm. (Private collection, USA, on loan to the Metropolitan Museum of Art, New York)
Short Notice
Rembrandt's 'Man in a Gorget and Plumed Cap' in the J. Paul Getty Museum
07/1995 | 1108 | 137
Pages: 458-462
related names
Author:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
54. Self-Portrait, by Rembrandt van Rijn. 1629. Panel, 89.5 by 73.5 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
55. Old Man in a Fur Cap, by Rembrandt van Rijn. 1630. Panel, 22.2 by 17.7 cm. (Tiroler Landesmuseum Ferdinandeum, Innsbruck).
Attributed works:
56. Man in a Gorget and Plumed Cap, by Rembrandt van Rijn. Panel, 65 by 51 cm. (J. Paul Getty Museum, Malibu).
Attributed works:
57. X-Radiograph of Fig.56. [Man in a Gorget and Plumed Cap, by Rembrandt van Rijn. Panel, 65 by 51 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
58. Infra-Red Reflectogram of the Monogram under the 'Rembrandt' Signature in Fig.56. [Man in a Gorget and Plumed Cap, by Rembrandt van Rijn. Panel, 65 by 51 cm. (J. Paul Getty Museum, Malibu).]
Attributed works:
59. Detail of Fig.56. [Man in a Gorget and Plumed Cap, by Rembrandt van Rijn. Panel, 65 by 51 cm. (J. Paul Getty Museum, Malibu).]
Short Notice
De Witte and Houckgeest: Two New Paintings from Their Years in Delft
11/1986 | 1004 | 128
Pages: 802-805
related names
Author:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
Subjects
dates:
places:
Illustrations
Attributed works:
24. Old Church in Delft with Pulpit, by Gerard Houckgeest. Here Dated 1651. 49 by 41 cm. (Rijksmuseum, Amsterdam).
Attributed works:
25. Old Church in Delft, from the Southern Aisle to the Northeast, Here Attributed to Gerard Houckgeest. 41.9 by 56 cm. (Collection of The Duke of Buccleuch and Queensberry, K. T.).
Attributed works:
26. Perspective Diagram of Fig. 25, with the Framing Device of Fig. 24 Indicated.
Attributed works:
27. Old Church in Delft, from the Southern Aisle to the Northeast, by Hendrick van Vliet. Signed and Dated 1660, 82.6 by 66 cm. (Metropolitan Museum of Art, New York).
Attributed works:
28. Old Church in Delft, from the Southern Aisle to the Northeast, Here Attributed to Emanuel de Witte. Panel, 51.2 by 39.4 cm. (Collection of the Earl of Warwick).
Attributed works:
29. Old Church in Delft with Pulpit, by Cornelis de Man. Probably 1660s. 64.1 by 77.4 cm. (The Art Institute of Chicago).
Article
Velázquez, Olivares, and the Baroque Equestrian Portrait
09/1981 | 942 | 123
Pages: 528-537
related names
Author:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
Author:
Moffitt, John F. (Moffitt, John F.)
Subjects
dates:
places:
Illustrations
Attributed works:
34. Equestrian Portrait of the Count-Duke Olivares, by Velázquez. 313 by 239 cm. (Museo del Prado, Madrid).
Attributed works:
35. Equestrian Portrait of the Count-Duke Olivares, by Velázquez. 124.5 by 101.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
36. Julius Caesar, from the Twelve Caesars, by Antonio Tempesta. 1596. (Metropolitan Museum of Art, New York).
Attributed works:
37. Otho, from the Twelve Caesars, by Stradanus c. 1590. (Metropolitan Museum of Art, New York).
Attributed works:
38. Equestrian Monument of Philip IV, by Pietro Tacca. 1634-40. (Plaza de Oriente, Madrid).
Attributed works:
39. Plate 15, Antoine de Pluvinel's 'Maneige Royal', Paris 1623, by Crispijn van de Passe the Younger. (Metropolitan Museum of Art, New York).
Attributed works:
40. Equestrian Portrait of Philip IV, by Velázquez. 1634-35. 301 by 314 cm. (Museo del Prado, Madrid).
Attributed works:
41. Detail of Fig. 34. [Equestrian Portrait of the Count-Duke Olivares, by Velázquez. 313 by 239 cm. (Museo del Prado, Madrid).]
Attributed works:
42. Sitio y Socorro de Fuenterrabia, Madrid 1793 (first ed. 1639), by Juan de Palafox y Mendoza. (The Hispanic Society of America, New York).
Attributed works:
43. In Adulari Nescientem, from Andrea Alciati's 'Emblemata', Antwerp, 1581. (Metropolitan Museum of Art, New York).
Attributed works:
44. Prince Baltasar Carlos in the Riding School, by Velázquez. 207.5 by 142.5 cm. (The Grosvenor Estate).
Attributed works:
45. The Taking of Breisach, by Jusepe Leonardo. 1634. (Museo del Prado, Madrid).
Attributed works:
46. The White Horse, by Velázquez. (Palacio Real, Madrid).
Attributed works:
47. Frontispiece of 'Origin y Dignidad de la Caza' by Juan Mateos. 1634. (The Hispanic Society of America, New York).
Attributed works:
48. The Battle of Marignano, from 'Mediceae... victoriae et triumphi', by Philipp Galle. 1583. (Metropolitan Museum of Art, New York).
Article
The Three 'Parables' by Barent Fabritius with a Chronological List of His Paintings Dating from 1660 Onward
05/1977 | 890 | 119
Pages: 316+319-327
related names
Author:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
12. The Centurion Cornelius, by Barent Fabritius. (Art Gallery, York).
Attributed works:
6. Lazarus and the Rich Man, by Barent Fabritius. Canvas, 95 by 287 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. The Prodigal Son, by Barent Fabritius. Canvas, 95 by 287 cm. (Rijksmuseum, Amsterdam).
Attributed works:
8. The Pharisee and the Publican, by Barent Fabritius. Canvas, 95 by 287 cm. (Rijksmuseum, Amsterdam).
Attributed works:
9. 'The Parables', by Barent Fabritius (Figs.6, 7, 8) Side by Side.
Western art unattributed:
10. Interior of the Lutheran Church at Leiden, from Les délices de Leide, 1712.
Western art unattributed:
11. Lutheran Church, Leiden; View to the West (Photo).
Article
The 'View in Delft' by Carel Fabritius
02/1976 | 875 | 118
Pages: 61-73
related names
Author:
Liedtke, Walter A. (Liedtke, Walter A.; Liedtke, Walter)
Subjects
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
10. Postcard Photograph of the New Church in Delft, c. 1900. (Gemeentearchief, Delft).
Attributed works:
11. Detail of Fig. 2, with an Added Sketch Completing the viola da gamba.
Attributed works:
12. Detail of Fig. 3. [View in Delft, Carel Fabritius]
Attributed works:
13. Detail of Vermeer's Concert. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
14. New Church at The Hague, by Bartholomeus van Bassen. 1650. (Gemeentemuseum, The Hague).
Attributed works:
15. Interior of the New Church in Delft, by Gerard Houckgeest. 1651. (Mauritshuis, The Hague).
Attributed works:
16. Jan Vredeman de Vries, Perspectiva..., The Hague and Leiden, 1604-05, Plate 1.
Attributed works:
17. Samuel Marolois, Perspective..., Amsterdam, 1628, Plate 21 (Fig. XC-XCI).
Attributed works:
2. View in Delft, by Carel Fabritius. Signed and Dated 1652. Canvas Stuck on Walnut, 15.4 by 31.6 cm. (National Gallery, London).
Attributed works:
3. Photograph of a Photograph of the View in Delft Mounted on a Hemicylindrical Surface Within a Reconstruction of a Perspective Box (See Figs. 5, 6), with an Added Sketch Reconstructing the Bottom of the Viola da gamba as it Would Appear on the Floor of the Box from the Peephole.
Attributed works:
4. Detail of Fig. 3. [View in Delft, Carel Fabritius]
Attributed works:
7. Detail of a Plan of Delft by D. F. de Wit (Delft Batavorum; Amsterdam, 1670?). Note 'X' by Bridge to upper Right of the Church. Courtesy of The British Library.
Attributed works:
8. Photograph of the New Church in Delft from Fabritius's Vantage-Point.
Attributed works:
9. Detail of Fig. 3. [View in Delft, Carel Fabritius]
Attributed works:
B. Baldassare Lanci's Drawing Device (From Vignola, Le due regole della prospettiva practica..., Rome, 1583, p. 61).
Western art unattributed:
5. Interior View of a Reconstruction of a Perspective Box; Wood, Translucent Paper, and a Museum Photograph 28.5 cm. Wide.
Western art unattributed:
6. Exterior View of a Reconstruction of a Perspective Box Seen in Fig. 5.
Western art unattributed:
A. Plans of Four Suggested Reconstructions of a Perspective Box in Which the View in Delft Would Have been Mounted: A. Martin and Schuurman; B. Roosen-Runge; C. Liedtke; D. Williams and Kemp.