• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
3 articles
Book Review
Venice Disputed 1550–1600. Marc’Antonio Barbaro and Venetian Architecture
01/2013 | 1318 | 150
Pages: 35-36
Subscribe to read
related names
Reviewer:
Schofield, Richard (Schofield, Richard; Schofield, Richard V.; Schofield, R. V.)
Subjects
artists:
Palladio, Andrea
dates:
1500-1599
patrons:
Barbaro, Marcantonio
places:
Venice
subjects:
Italian architecture / Architectural history / Venetian
Illustrations
Attributed works:
42. Cross section of the Redentore, by Andrea Palladio (Centro Internazionale di Studi di Architettura Andrea Palladio, Venice)
Article
New light on Battista Franco in Venice: part I: the Barbaro Chapel in S. Francesco della Vigna and the Scuola del Nome di Gesù
11/2006 | 1244 | 148
Pages: 747-753
Subscribe to read
related names
Author:
Howard, Deborah (Howard, Deborah)
Author:
Varick Lauder, Anne (Varick Lauder, Anne)
Subjects
artists:
Franco, Battista
buildings:
San Francesco della Vigna, Venice, Italy
dates:
1550-1559
patrons:
Barbaro, Daniele Matteo Alvise, Cardinal, 1514 - 1570 / Barbaro, Marcantonio
places:
Venice / Italy
print:
Franco, Battista
subjects:
Italian painting / Altarpieces / Commissions / Contracts
subjects:
Jesus Christ: Baptism
subjects:
Confraternities
subjects:
Dating
Illustrations
Attributed works:
19. The baptism of Christ, by Battista Franco. c.1552–54. Canvas, 340 by 190 cm. (Cappella Barbaro, S. Francesco della Vigna, Venice).
Attributed works:
20. Fig.19 in its eighteenth-century framing. (Photograph Osvaldo Böhm, Venice).
Attributed works:
23. South door of S. Francesco della Vigna, Venice, with the monument to Domenico Trevisan. c.1555. (Photograph Deborah Howard).
Western art unattributed:
21. Site of the Scuola del Nome di Gesù, Venice, from the Nuova planimetria della Città di Venezia, 1845–56. The Scuola is marked ‘h’.
Western art unattributed:
22. The symbol of the Name of Jesus, fresco on the vault of the Drapperia wing of the Rialto market. After 1520? (Photograph M. Longair).
Short Notice
'Spalliere' Paintings by Paolo Veronese
08/1981 | 941 | 123
Pages: 476+478-481
Subscribe to read
related names
Author:
Falla, Paul (Falla, Paul)
Author:
Pignatti, Terisio (Pignatti, Terisio)
Subjects
artists:
Veronese, Paolo
dates:
1550-1599
patrons:
Barbaro, Marcantonio
places:
Italy / Venice
sources:
Ovid
subjects:
Italian painting / Furniture
subjects:
Classical mythology
Illustrations
Attributed works:
21. Atalanta and Meleager, by Paolo Veronese. 25.4 by 110.5 cm. (Museum of Fine Arts, Boston).
Attributed works:
22. Diana and Actaeon, by Paolo Veronese. 25.4 by 110.5 cm. (Museum of Fine Arts, Boston).
Attributed works:
23. Olympus, by Paolo Veronese. 25.4 by 110.5 cm. (Museum of Fine Arts, Boston).
Attributed works:
24. Venus and Jupiter, by Paolo Veronese. 25.4 by 110.5 cm. (Museum of Fine Arts, Boston).
Attributed works:
25. The Rape of Europa, by Paolo Veronese. 25 by 88 cm. (Rasini Collection, Milan).
Attributed works:
26. Minerva, by Paolo Veronese. 28 by 16 cm. (Pushkin Museum, Moscow).
Attributed works:
27. Diana, by Paolo Veronese. (Villa Barbaro Volpi, Maser).
Attributed works:
28. Detail of Fig.22. [Diana and Actaeon, by Paolo Veronese. 25.4 by 110.5 cm. (Museum of Fine Arts, Boston).]
Attributed works:
29. Cephalus and Procris, by Paolo Veronese. 38 by 80 cm. (Private Collection, London).
Attributed works:
30. Detail of Fig.29. [Cephalus and Procris, by Paolo Veronese. 38 by 80 cm. (Private Collection, London).]