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46 articles
Article
A portrait by Richard Westall of the poet Eleanor Porden
04/2024 | 1453 | 166
Pages: 358–367
related names
Author:
Bryant, Barbara (Bryant, Barbara)
Subjects
dates:
Illustrations
Attributed works:
1. Reverse of Fig.2, showing the handwritten inscription on the stretcher.
Attributed works:
10. Design for a couch, by Thomas Hope. 1807. Engraving. (From Household Furniture and Interior Decoration, Executed From Designs By Thomas Hope, London, pl.xxviii, nos.2 and 3).
Attributed works:
11. Thetis bringing the armour to Achilles, by John Flaxman. 1805. Engraving. (From The Iliad of Homer Engraved from the Compositions of John Flaxman RA Sculptor, London, pl.xix).
Attributed works:
2. Eleanor Anne Porden, here attributed to Richard Westall. 1807. Oil on canvas, 113 by 143.8 cm. (© Christie’s Images; Bridgeman Images; Krannert Art Museum, Champaign IL).
Attributed works:
3. Eleanor Porden, by John Flaxman. 1807. Graphite on paper, 15.9 by 11.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Photograph of a lost drawing of Eleanor Porden. (Derbyshire Record Office, Matlock).
Attributed works:
5. Detail from J. Horwood’s Plan, showing 59 Berners Street. (From J. Horwood: Plan of the Cities of London and Westminster, the Borough of Southwark and parts adjoining shewing every house, London 1794).
Attributed works:
6. Portrait of Richard Westall, R.A., by Thomas Lawrence and Richard Westall. Mid-1790s. Graphite on paper, 21.4 by 16.3 cm. (© Christie’s Images; Bridgeman Images; private collection).
Attributed works:
7. Expiation of Orestes, by William Bond, after Richard Westall. 1810. Stipple engraving, 35.3 by 30.5 cm. (From J. Britton et al.: The Fine Arts of the English School, London 1812).
Attributed works:
8. Reconciliation of Helen and Paris, after his defeat by Menelaus, by Richard Westall. c.1805. Oil on panel, 127 by 101 cm. (Tate).
Attributed works:
9. Detail of Fig.2, showing the frieze on the vase.
Article
Avatars of Antiquity II: Drapery as metaphor
12/2020 | 1413 | 162
Pages: 1056-1071
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
places:
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 41 by 27.5 cm. (Royal Academy of Arts, London).
Attributed works:
10. Draped female torso, from the Acropolis, Xanthos. 470–460 BC. Marble, height 123.8 cm. (British Museum, London).
Attributed works:
11. Rebecca at the well, by Nicolas Poussin. 1648. Oil on canvas, 118 by 199 cm. (Musée du Louvre, Paris).
Attributed works:
12. Detail from Paul preaching at Athens, by Raphael. c.1516. Body colour on paper mounted on canvas, whole canvas 320 by 390 cm. (Royal Collection, on loan to the Victoria and Albert Museum, London).
Attributed works:
13. Drapery study for the high priest in the Trial and martyrdom of St Stephen, by Edward Poynter. 1872. Black chalk on buff paper, 27.6 by 27.1 cm. (Royal Academy of Arts, London).
Attributed works:
14. Drapery study for the kneeling handmaiden in Semiramis founding Babylon, by Edgar Degas. 1860–62. Graphite with lead-white body colour and blue wash on paper, 24.4 by 31.1 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Cymon and Iphigenia by Frederic Leighton. c.1884. Oil on canvas, 162.6 by 327.7 cm. (Art Gallery of New South Wales, Sydney).
Attributed works:
16. Drapery study by Leonardo. c.1475–82. Brown-grey wash and lead white on linen prepared with a pale grey ground, 220 by 139 cm. (Cabinet des Dessins, Musée du Louvre, Paris).
Attributed works:
17. Detail of Virgin and Child, by Masaccio. 1426. Egg tempera on wood, whole panel 134.8 by 73.5 cm. (National Gallery, London).
Attributed works:
18. The penitence of Mary Magdalene, by Charles Le Brun. 1655. Oil on canvas, 252 by 171 cm. (Musée du Louvre, Paris).
Attributed works:
19. Heliodorus driven from the Temple, by Eugène Delacroix. 1855–61. Mural, 751 by 485 cm. (Chapelle des Anges, Saint-Sulpice, Paris)
Attributed works:
2. Detail of an Antique mural painting of a dancer, by Filippo Morghen after Camillo Paderni. Engraving, 38 by 48 cm. (page). (From Le pitture antiche d’Ercolano e contorni, I, Naples 1757).
Attributed works:
20. Ariadne on Naxos, by G.F. Watts. 1867–75. Oil on canvas, 75 by 94 cm. (Guildhall Museum, London).
Attributed works:
21. Divine figures from the east pediment of the Parthenon, Athens, believed to represent Venus reclining on the lap of her mother, Dione, by Phidias or associate. 438–432 BC. Marble, length 233 cm. (British Museum, London).
Attributed works:
22. Captive Andromache, by Frederic Leighton. c.1888. Oil on canvas, 195.6 by 406.4 cm. (City Art Gallery, Manchester).
Attributed works:
23. Detail of the figure of Amor in the chimneypiece made for the residence of Cornelius Vanderbilt II on Fifth Avenue at 57th Street, Manhattan, by Augustus Saint-Gaudens. c.1881–83. Limestone, height of chimneypiece 468.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
24. Dido receiving Aeneas and Cupid disguised as Ascanius, by Francesco Solimena. 1710. Oil on canvas, 207.2 by 310.2 cm. (National Gallery, London).
Attributed works:
3. One of the ‘attitudes’ of Lady Hamilton, by Tommaso Piroli after Friedrich Rehberg. Engraving, 26.9 by 20.8 cm. (From F. Rehberg: Drawings Faithfully Copied from Nature at Naples, n.p. 1794, fig.7).
Attributed works:
4. Veiled and masked dancer. Alexandria(?), c.100 BC. Bronze, height 20.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Detail of Two dancers, after Antonio Canova. 1799. Tempera on paper. (Casa Canova, Possagno).
Attributed works:
6. Hebe, by Antonio Canova. 1816–17. Marble with gilt metal, height 158 cm. (Pinacoteca Civica, Forlì).
Attributed works:
7. Veiled woman (Allegory of Purity), by Antonio Corradini. 1717–25. Carrara marble. (Museo del Settecento Veneziano, Ca Rezzonico, Venice).
Attributed works:
8. Hebe, by Bertel Thorvaldsen. 1819–23. Marble, height 152.2 cm. (Thorvaldsen Museum, Copenhagen).
Western art unattributed:
9. Kore, from the Temple of Hera, Samos. 570–60 BC. Marble, height 192 cm. (Musée du Louvre, Paris).
Letter
Modelling and mapping Flaxman’s monument to William Murray
08/2020 | 1409 | 162
Pages: 644-645
Article
John Flaxman’s funerary monument for the 1st Earl of Mansfield in Westminster Abbey
04/2020 | 1405 | 162
Pages: 276-287
related names
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
artists:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. The monument to the 1st Earl of Mansfield (foreground), in the north transept aisle, Westminster Abbey, London, by Frederick Evans. Photograph (detail), c.1915–30. (  Country Life; Bridgeman Images).
Attributed works:
11. Model for the monument to the 1st Earl of Mansfield, by John Flaxman. c.1795–96. Bronzed plaster, height 85.5 cm. (Sir John Soane’s Museum, London).
Attributed works:
12. The monument to William Murray, 1st Earl of Mansfield, by John Flaxman. Completed 1801. Marble, height 468 cm. (Westminster Abbey, London;   The Dean and Chapter of Westminster).
Attributed works:
13. Lord Mansfield’s monument, by Thomas Williamson and Thomas Sutherland after François Huët-Villiers. Aquatint, 29 by 20 cm. (From R. Ackermann: The History of the Abbey Church of St Peter’s Westminster, London 1812, II, plate 56).
Attributed works:
2. Sketch plan of the west aisle of the north transept, Westminster Abbey, showing the original position of the monument to the 1st Earl of Mansfield and the position to which it was moved in 1933. (Westminster Abbey, London;   The Dean and Chapter of Westminster).
Attributed works:
3. Design for the monument to the 1st Earl of Mansfield, by John Flaxman. 1793. Pen, ink and wash on paper, 19.4 by 15.8 cm. (Kunsthalle, Hamburg).
Attributed works:
4. Design for the monument to the 1st Earl of Mansfield, by John Flaxman. 1793. Pen, ink and wash on paper, 24.7 by 18.5 cm. (Scone Palace, Perthshire).
Attributed works:
5. Design for the figure of Justice on the monument to the 1st Earl of Mansfield, from a sketchbook by John Flaxman. c.1793. Pencil on paper, 10.5 by 8.25 cm. (Victoria and Albert Museum, London).
Attributed works:
6. Design for the monument to the 1st Earl of Mansfield, from a sketchbook by John Flaxman. c.1793. Pencil on paper, 10.5 by 8.25 cm. (Victoria and Albert Museum, London).
Attributed works:
7. William Murray, 1st Earl of Mansfield, by Francesco Bartolozzi after Joshua Reynolds. 1786. Stipple engraving, 48.5 by 36.1 cm. (British Museum, London).
Attributed works:
8–10. Designs for the monument to the 1st Earl of Mansfield, by John Flaxman. c.1795–96. Pencil, pen, ink and wash on paper; frontal view, 22 by 14.2 cm.; from left, 22.8 by 17.7 cm.; from right, 22 by 15.5 cm. (UCL Art Museum, University College London).
Exhibition Review
John Flaxman. Berlin
07/2009 | 1276 | 151
Pages: 491-492
related names
Reviewer:
Marchand, Eckart (Marchand, Eckart)
Subjects
artists:
dates:
places:
print:
subjects:
Reviewed Items
subjects:
John Flaxman und die Renaissance. Ein Meister des Klassizismus im Dialog mit Masaccio und Donatello | institution: Skulpturensammlung und Museum für Byzantinische Kunst, Bode-Museum
Illustrations
Attributed works:
57. Virgin and Child (the Pazzi Madonna), by Donatello. c.1420. Marble, 74.5 by 69.5 cm. (Skulpturensammlung und Museum für Byzantinische Kunst, Bode-Museum, Berlin).
Attributed works:
58. Adoration of the Magi, by John Flaxman. c.1792–94. Marble, 22.8 by 43 cm. (Private collection, Great Britain, on temporary loan to the Skulpturensammlung und Museum für Byzantinische Kunst, Bode-Museum, Berlin).
Attributed works:
59. Adoration of the Magi and Joseph’s dream, by John Flaxman. c.1792–94. Pen and grey wash over graphite, 19.5 by 15.9 cm. (British Museum, London; exh. Skulpturensammlung und Museum für Byzantinische Kunst, Bode-Museum, Berlin).
Advertisements
Advertisements January 2008 (Front)
01/2008 | 1258 | 150
Pages: [i-xviii]
Subjects
collectors and dealers:
subjects:
Illustrations
Attributed works:
[Christie's Old Master & 19th Century Drawings, sale: 24 January, 2008] François Boucher (1703-1770). A seated female nude. Black, red and white chalk on buff paper, 36.4 by 29.2 cm.
Attributed works:
[Christie's Old Master and 19th Century Drawings, New York, 24 January 2008] Jean-Baptiste Hilair (Audun-Le-Tiche 1753-after 1822 Paris). Portrait of Sultan Ab-dul Hamid I. Signed and dated 'JB. Hilair 1788', bodycolor, 660 x 490 mm. $150,000-250,000.
Attributed works:
[David Tunick, Inc. 19 East 66th Street, 18-26 January, 2008] Circle of Marten van Heemskerck (1498-1574). Bust of a man with elaborate hair, seen in profile. Pen and brown ink, 8.8 by 6 cm.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, France] Girolamo Genga (Urbino, circa 1476-1551). The Virgin suckling the Child, with the young St John the Baptist. Circa 1510. Oil on panel, 95 x 73 cm.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, France] Paolo Gerolamo Piola (Genoa, 1666-1723). Salome with the Head of Saint John the Baptist. Oil on canvas, 132.5 x 102.5 cm
Attributed works:
[Galeries Dominique Hurtebize, Cannes, at Palm Beach Fine Art & Antiques Fair] Maurice de Vlaminck (1876-1958). Les maisons. Signed and dated at bottom right. Oil on canvas, 50 by 65 cm.
Attributed works:
[Hill-Stone Inc., Box 273, Gracie Station, New York] Carl Moser (Austrian, Bolzano 1873-1939 Bolzano). Young Breton Girl. Crayon, pastel and gouache. 1904. A study for the woodcut of the same subject. 273 x 195 mm. 10¾ x 7⅝ inches.
Attributed works:
[Hill-Stone Inc., exhibiting at: Winter Antiques Show, Seventh Regiment Armory, 17-27 January, 2008] Bernardino Gatti, called Sojaro (1495/1500-1576). A draped figure holding a spear, possibly from an Ascension. Drawing in black chalk, pen and brown ink.
Attributed works:
[Hollis Taggart Galleries, New York, at Palm Beach Fine Art & Antiques Fair] Oscar Bluemner (1867-1938). Still life. 1939. Signed and dated on verso: Hans Burkhardt 1939. Oil on canvas, 40.6 by 50.8 cm.
Attributed works:
[Jack Kilgore & Co., 154 East 71st Street, New York. Recent acquisitions January 14 to February 12, 2008. Exhibiting at The European Fine Art Fair, Maastricht, March 7 to 16] Ferdinand Bol (Dordrecht 1616-1680 Amsterdam). The Death of Dido. Oil on canvas, 66½ by 66 inches (169 by 167.5 cm).
Attributed works:
[L'Antiquaire & The Connoisseur Inc., 36 East 73rd Street, 18-26 January, 2008] Giovanni Benedetto Castiglione (1611-1670). Two camels. Oil and wash on paper, 35.5 by 27 cm.
Attributed works:
[Margot Gordon Fine Art, Master Drawings in New York, January 18-February 16, 2008, Shepherd & Derom Galleries, 58 East 79 Street, New York City] Bernardo Strozzi (Genoa 1581-1644 Venice). Allegory of Charity. Oil on paper, 31.5 x 27 cm
Attributed works:
[Mia N. Weiner, exhibiting at: L'Antiquaire and The Connoisseur, 36 East 73rd Street, 18-26 January, 2008] Abraham Bloemaert (1597-1671). A group of figures. Black chalk underdrawing, pen and dark brown ink, brush and brown wash, white gouache heightening, 15.2 by 11.8 cm.
Attributed works:
[Nathalie Motte Masselink, exhibiting at: Kate Ganz USA Ltd. 25 East 73rd Street, 18-26 January, 2008] Bartolomeo Biscaino (1632-1657). St Michael and the fall of the rebel angels. Red chalk on fine laid paper, 17.3 by 15.9 cm. Inscribed in brown ink at lower left: Biscaino, verso: Studies of a Virgin and Child.
Attributed works:
[Noortman Master Paintings, Maastricht, at Palm Beach Fine Art & Antiques Fair] Paul Cézanne. Paysage d'hiver. Oil on canvas, 58.8 by 72.5 cm.
Attributed works:
[Richard Green, London, at Palm Beach Fine Art & Antiques Fair]. Ben Nicholson (1894-1962). Painted relief [west Penwith]. Oil and gesso on carved relief, 52.7 by 84.8 cm. Signed, inscribed and dated 1946 on reverse.
Attributed works:
[Robert Simon Fine Art, Satis House, Tower Hill Road, Tuxedo Park, New York] Lorenzo di Credi (Florence 1459/60-1537). Madonna and Child. Oil on panel, 78 x 58 cm.
Attributed works:
[Sotheby's Old Master Drawings. The Jeffrey E. Horvitz Collection of Italian Drawings, sale: 23 January, 2008] Giovanni Francesco Barbieri, called il Guercino. The head of a man in profile, looking up. Pen and brown ink and wash, 17.8 by 17.8 cm.
Attributed works:
[Sotheby's: The Jeffrey E. Horvitz Collection of Italian Drawings, auction in New York, 23 January 2008] Giovanni Battista Tiepolo. The Head of an Oriental with Large Moustache and a Turban. Estimate $80,000-120,000.
Attributed works:
[The Fine Art Society PLC, exhibiting at: Dickinson, 19 East 66th Street, 18-26 January, 2008] Charles Rennie Mackintosh (1868-1928). Yew blossom. 1915. Watercolour over pencil, 22.6 by 20.3 cm.
Attributed works:
[W.M. Brady & Co., 22 East 80th Street, New York. Old Master Drawings and Oil Sketches, January 22-February 14, 2008] Giovanni Francesco Barbieri, called Il Guercino (Cento 1591-1666 Bologna). A Boy and a Child. Red chalk and stumping, 6⅞ x 7⅞ inches (174 x 200 mm).
Attributed works:
[W.M. Brady Inc., New York, 22 East 80th Street, 22 January-14 February, 2008] John Flaxman RA. Scene from medieval history. Pen and gray ink and gray wash, over black chalk, 47 by 62 cm.
Attributed works:
[W.M.Brady Inc., 22 East 80th Street, 22 January-14 February, 2008] Carlo Maratti (1625-1713). A Triton holding a conch shell. Black and red chalk heightened with white, 310 by 253 cm. Inscribed on the old mount, verso: C. Maratti.
Non-western art unattributed:
[Royal-Athena Galleries, London, at Palm Beach Fine Art & Antiques Fair] Egyptian limestone relief of Sai-Em-Petref, XIXth Dynasty, c.1313-1185 BC. Height: 60 cm. Width: 37 cm.
Western art unattributed:
[Brenske Gallery, Munich, at Palm Beach Fine Art & Antiques Fair] Crete, 1st half 17th century. Birth of Christ. Egg tempera on gesso on wood, 34.7 by 28.9 cm.
Western art unattributed:
[Emanuel von Baeyer, exhibiting at: Stiebel Ltd. 252 East 68th Street, 18-26 January, 2008] French, first half of the eighteenth century. Mackerel. Black chalk, with traces of red chalk and graphite, oiled black chalk. Size of sheet: 11.4 by 31.2 cm.
Western art unattributed:
[Numisart Ancient Art, Maximiliansplatz 15, Munich, Germany, exhibiting at the Palm Beach Fine Art & Antique Fair, February 1-10, 2008] An unique Attic red-figured pelike depicting a bird man actor, circa late 5th century BC.
Western art unattributed:
[Numisart Ancient Art, Munich, at Palm Beach Fine Art & Antiques Fair] A Roman marble portrait head of Menander. Circa 2nd-3rd century AD.
Advertisements
Advertisements January 2007 (front)
01/2007 | 1246 | 149
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Ranunculus, Enemones and Jasmin, by Alexis-Nicolas Perignon (1726-1782). Black chalk with bodycolour and grey wash an blue paper, 31.6 by 22.4 cm. Exhibition: Adam Williams Fine Art, 50 East 78th Street, 19-27 January 2007]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Sir Joshua Reynolds. 1723-1792. Portrait of a young Lady, possibly the artist's niece Mary Johnson.. c. 1760. Oil on canvas, 23 1/2 x 17 7/8 inches (59.7 x 45.4 cm)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Giovanni Battista Tiepolo (Venice 1696-1770 Madrid). The Adoration of the Magi. Black chalk, pen and brown ink, brown wash. 15 7/8 x 11 9/19 in. (404 x 294mm)]
Attributed works:
[Christie’s. New York. 20 Rockefeller Plaza. NY 10020. Hans Baldung Grien (Schwabisch Gmund 1484/5-1545 Strasburg). Head of a man, in three-quarter-profile to the left. With numbers '3' and '57' (verso). Black chalk on light brown paper, the corner tips made up. 13x8 1/4in. (330x208mm).]
Attributed works:
[Emmanuel von Baeyer, London. Arcadian landscape with two figures and a shepherd, by Johann Friedrich Ludwig Oeser (1751-1792). 1779. Watercolour in blue wash over pencil and brown brush. A black framing line, 18.1 by 25 cm. Signed: 'J.L. Oeser'. Exhibition: Paul McCarron Fine Prints and Drawings, The Graham Gallery Building, 1014 Madison Avenue, 19-27 January 2007.]
Attributed works:
[G. G. Boerner, New York & Dusseldorf. Seated woman with feathered hat, by Armand Seguin (1869-1903). Pen and black ink over traces of pencil with wash in varying shades of gray and pale yellow watercolour an the face and hands of the figure, on heavy buff coloured wove 'Bristol' paper, 22 by 11.4 cm. Exhibition: 23 East 73rd Street, 19-27 January 2007.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte. Paris. Lorenzo Pasinelli. Bologna, 1629-1700. Venus and Two Putti in a Landscape. Oil on canvas, 38x50,5 cm.]
Attributed works:
[Hazlitt, Gooden & Fox. 38 Bury Street, St. James’s London. SW1Y 6BB. Pietro di Francesco degli Orioli (1458-1496) The Nativity. Tempera on panel, 66.5 x 49.5 cm (26 3/8x19 1/2 in)]
Attributed works:
[Kate Ganz, USA, Ltd. 25 East 73rd Street, New York, NY 10021. Portrait of a man with blue hat, by Francesco Paolo Michetti. Signed bottom right: 'Michetti'. Pastel of buff colored paper, 52 by 37.5 cm. Exhibition: 25 East 73rd Street, 19-27 January 2007.]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. Margareta de Heer (before 1603-1665). Signed and dated, lower right: Margareta de Heer/Fecit 1665. Study of Flowers, Insects and Shells. Watercolour and gouache, with gum arabic on vellum. Size: 6 7/8n x 10" w (17.4 x 25.5cm)]
Attributed works:
[L’Antiquaire & The Connoisseur Inc. 36 East 73rd Street, New York. River harbour, by Giuseppe Galli di Bibiena (1696-1756). Black chalk, black and brown ink, gray and brown wash on cream laid paper, ruled border in black ink, 47.1 by 69.6 cm. Exhibition: 36 East 73rd Street, 19-27 January 2007.]
Attributed works:
[Margot Gordon. 58 East 79 Street. New York. Mattia Preti. Taverna 1613-1699. Red chalk. 378x275 mm.]
Attributed works:
[Mia N. Weiner. New York. The treachery of Delila, by Enrico Scuri (1806-1884). Black and ochre chalks, charcoal, brush and grey and ochre washes with white gouache. On multiple pieces of blue and grey paper, 61.2 by 69 cm. Exhibition: At L'Antiquaire and The Connoisseur, 36 East 73rd Street, 19-27 January 2007]
Attributed works:
[Otto Naumann Ltd. 22 East 80th Street. New York. Property from Otto Naumann Ltd. Gallery Sale: Carstian Luyckx, A Still Life with a Gilt Cup and Glass Holder, Silver Beaker, Nautilus Shell, Fruit and Oysters, signed on the ledge Carstian Luickx, oil on copper, 14 by 20 in. 36.9 by 50.8 cm]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Abigail before David, by Maerten van Heemskerck. 1566. Signed and dated lower centre: '1566 Heemskerck/inventor'. Pen and brown ink on paper, 19.6 by 25 cm. Exhibition: 34 East 69th Street, 19-27 January 2007]
Attributed works:
[Richard L. Feigen & Company. 34 East 69th Street. New York, NU 10021. Mattia Preti, called Il Cavaliere Calabrese, Davis Playing the Harp Before Saul, circa 1670. Oil on canvas, 208.5 by 301.8 cm.]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. Head of an Italian boy, by Edgar Degas (1834-1917). 1859. Inscribed and dated lower right: 'Flor 1859'; marked with the estate stamp, lower left: 'Degas' (Lugt 658). Black chalk, 30.2 by 23.5cm. Exhibition: Master Drawings, Oil Sketches and sculpture, 22 East 80th Street, January 23 - February 15, 2007]
Attributed works:
[W. M. Brady & Co. 22 East 80th Street. New York. John Flaxman. York 1755-1826 London. Angels Guiding a Soul to Heaven. Pen and gray ink and gray wash, 19x28 inches (482x710 mm)]
Non-western art unattributed:
[The Getty Publications. Illustration: Saint Basil with Liturgical Scroll, Holy Monastery of Saint Catherine, Sinai, Egypt, from Holy Image, Hallowed Ground: Icons from Sinai.]
Western art unattributed:
[Swann. 104 East 25th Street. New York, NY 10010. German Scholl, 16th century (after Martin Schongauer), Crozier with the Virgin and Child and Music-Making Angels, pen and ink and pencil on cream laid paper.]
Article
Lord Egremont and Flaxman's 'St Michael Overcoming Satan'
06/2001 | 1179 | 143
Pages: 351-359
related names
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
39. St Michael Overcoming Satan, by John Flaxman. Marble, 335.3 cm. (Petworth House, The Egremont Collection, The National Trust).
Attributed works:
40. St Michael Overcoming Satan, by John Flaxman. Plaster, 77.8 cm. (Victoria and Albert Museum, London).
Attributed works:
41. St Michael Overcoming Satan, by John Flaxman. Plaster, 335.3 cm. (University College, London).
Attributed works:
42. St Michael, by Raphael. 268 by 160 cm. (Musée du Louvre, Paris).
Attributed works:
43. Academy Drawing of a Prone Figure, by John Flaxman. Pencil on Paper, 15.5 by 36.8 cm. (Victoria and Albert Museum, London).
Attributed works:
44. Detail of Fig.39. [St Michael Overcoming Satan, by John Flaxman. Marble, 335.3 cm. (Petworth House, The Egremont Collection, The National Trust).]
Attributed works:
45. The Archangel Michael Leaving Adam and Eve after Having Conducted Them Out of Paradise, by Thomas Phillips. 186 by 137 cm. (The Lord Egremont).
Attributed works:
46. Detail of Fig.39. [St Michael Overcoming Satan, by John Flaxman. Marble, 335.3 cm. (Petworth House, The Egremont Collection, The National Trust).]
Advertisements
Advertisements April 1997 (front)
04/1997 | 1129 | 139
Pages: i-xxiv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Giovanni Battista Tiepolo (Venice 1696 - 1770 Madrid). Studies of the Head of a Man, Seen from below and in Profile to the Right. Red and White Chalk. 28.5 × 21 cm
Attributed works:
[ Cailleux, 136 Faubourg Saint-Honoré, Paris ] Jacques Rousseau (Paris, 1630 - London, 1693) Landscape with a River. Red Chalk. H.138mm; W.189mm. Signed on the Margin: Rousseau del.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire ] Head of a Dog. By Joseph Charles Marin (1759-1834). Terracotta, Signed Marin on the Collar. Height: 18 cm. Width: 15 cm. Depth: 20 cm.
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Giovanni Battista Tiepolo Venice 1696 - 1770 Madrid. Christ on the Cross. Black Chalk, with Touches of White Chalk, on Blue Paper. 467 × 322 mm. ($18frac{3}{8}$ × $12frac{3}{4}$ in.). One of Only Three Early Drawings by Tiepolo Which are Preparatory Studies for Prints.
Attributed works:
[ Cover ] Fête champêtre, by Jean-Antoine Watteau. c.1718-21. Panel, 48.4 by 64.5 cm. (Art Institute of Chicago)
Attributed works:
[ Emmanuel Moatti, 134 Rue du Faubourg Saint Honoré, Paris ] Pierre-Paul Prud'hon Cluny, 1758 - Paris, 1823. Study for 'The Dream of Happiness', Black Pencil, with White Highlights on Blue Paper 29.5 cm × 45.5 cm. Circa 1819
Attributed works:
[ Galerie Berès, 25 Quai Voltaire, Paris ] Théodore Géricault (1791-1824) Scène Antique 1816. India Ink and Pencil Heightened with Gouache on Paper, 20 × 25.5 cm
Attributed works:
[ Galerie Siegfried Billesberger, Billesberger - Hof, Moosinning (Munich) ] Johann Wolfgang Baumgartner (Kufstein 1709 - 1761 Augsburg). Saint Ignatius from Loyola Preaching. Pen and Black and Grey Ink, Point of Brush in Grey, Grey Wash, Heightened with White, on Blue Paper. 11¼ × $13frac{3}{4}$ Inches (284 × 348 mm)
Attributed works:
[ Hazlitt, Gooden & Fox, 38 Bury Street, St. James, London ] Annibale Carracci (1560-1609) A Semi-Nude Boy Red Chalk Heightened with White on Buff Paper 277 × 192 mm. The Visitors of the Ashmolean Museum
Attributed works:
[ Hill Stone, Park Avenue, New York ] Jan Saenredam. 1565 - 1607. Allegory of the Triumph of the Netherlands over Spain. Engraving, 1600. Hollstein 120, the Rare First of Five States. Trimmed 3 to 4 mm at Right Otherwise in Fine Condition.
Attributed works:
[ Katrin Bellinger, Rauchstrasse 2, Munich ] Giovanni Francesco Barbieri, Called il Guercino (Cento 1591 - 1666 Bologna). The Triumph of Galatea. Pen and Brown Ink, Brown Wash, Squared in Black Chalk; 205 × 261 mm.
Attributed works:
[ Macmillan publishers, London ] Antonio Canova, The Three Graces, Marble, h.1.67m. 1815-17. © The Conway Library, Courtauld Institute of Art. From the Article Canova
Attributed works:
[ Patrick Derom Gallery, 1 Rue aux Laines, Brussels ] Xavier Mellery (1845-1921) La Renaissance italienne. Ink and Watercolour on Gold, 77 × 47 cm, Signed Lower Right,
Attributed works:
[ Paul Prouté S. A., 74 rue de Seine, Paris ] Lorenzo de Ferrari (Genoa 1680 - 1744). Angel Standing Holding a Decorative Object in the Shape of a Tassel. Black Chalk with White Highlights on Slightly Prepared Paper, 555 × 405 mm.
Attributed works:
[ Talabardon, 44 Rue Sainte - Anne, Paris ] Annibale Carracci (1560-1609). Hercules Resting, 1595. Black Chalk Heightened with White, 34.4 × 52 cm. First Thought for the Fresco in the Camerino at Palazzo Farnese
Attributed works:
[ The International Fine Art Fair, New York ] Antonio Manno The Prophet Daniel. Pen and Ink with Grey Wash and White Heightening. Squared for Transfer 33.5 by 44.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Cristofano Roncalli. Called Pomarancio A study of Two Heads Black and Red Chalk on Blue Paper 22 by 34.6 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Dante Gabriel Rossetti Study of Mrs Morris for Pandora. Pen over Traces of Pencil 17.8 by 11.4 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Francesco Fanelli Diana Bronze 40.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals Portrait of a Woman Aged 36, 1637. 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Frans Hals, Portrait of a Man Aged 37, 1637 93 by 67 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Giorgio de Chirico Portrait of Carlo Cirelli, Signed and Dated 1915 76 by 64 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Hendrick van Steenwijck the Younger, An Imaginary City Square Animated with Figures, Signed and Dated Lower Left 'Henn.V Steen/ 160[?8]'. Oil on Copper 25 × 36 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Constable Portrait of Ann or Jane Gubbins. Pencil 10.6 by 17 cm.
Attributed works:
[ The International Fine Art Fair, New York ] John Flaxman A Study of Two Women. Pen and Ink with Grey Wash.
Attributed works:
[ The International Fine Art Fair, New York ] John Singer Sargent Portrait of Sylvia Harrison. 147.2 by 83.8 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pierre Bonnard, Still Life with Faïence Plate 38 by 46.5 cm.
Attributed works:
[ The International Fine Art Fair, New York ] Pieter Brueghel the Younger (1564/5 - 1637/8). The Return from the Kermis. Signed. Panel: $22frac{7}{8}$ × 33¼ in / 58 × 84.5 cm
Attributed works:
[ The International Fine Art Fair, New York ] Renè Magritte L'Invention de la Vie, 1928 81 by 116 cm.
Attributed works:
[ The International Fine Art Fair, New York ] William Hogarth Portrait of Mrs Elizabeth Hoadly, Signed and Dated 1741 76 by 63.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Pierre Bonnard Nu à sa toilette. Red Chalk 34.5 by 21.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Alfonso Parigi Stage Design for 'Le Nozze degli Dei', 1637. Pen and Brown Ink with Grey Wash 27.6 × 39.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Charles-Joseph Natoire Young Man Kneeling. Black Chalk with White Heightening 25.5 by 20.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Claude Gellée Shepherds in a Landscape. Black Chalk, Pen and Brown and Grey Wash Heightened with White 24.4 by 40.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Eugène Delacroix Jewish Woman of Tangier. Watercolour over Graphite 22 by 14.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hans Bol: Landscape. Pen and Brown Ink with Wash 14.3 by 21.2 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Hubert Robert The Cupola of St Peter's, Rome. Red Chalk over Traces of Black Chalk 41.4 by 53.4 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jacopo Zanguidi, Called Bertoia Jacob's Dream. Pen and Brown Ink with Wash Heightened with White on Blue Paper, Squared in Red Chalk 29.8 by 25.9 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Jean-Baptiste Greuze La marchande de marrons. Pen and Black Ink with Grey and Bistre Wash 42 by 31.5 cm.
Attributed works:
[ The Salon du Dessin, Paris ] John 'Warwick' Smith Distant View of St Peter's and the Vatican, 1799. Watercolour 30.8 by 40.7 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Millet, Peasants Loading Barley into a Cart. 1854-58 31.1 by 47 cm.
Attributed works:
[ The Salon du Dessin, Paris ] Simon Vouet Armand-Jean du Plessis, Cardinal de Richelieu. Black and Red Chalk, Heightened with White. 27.4 × 21.1 cm.
Attributed works:
[ Thomas Le Claire, Elbchaussee 156, Hamburg ] Martinus Ro̵rbye 1803 Drammen (Norway) - Copenhagen 1848. View of Copenhagen Seen from the Stairs of the Slotskirken. Signed and Dated M. Ro̵rbye 1826, Pen and Watercolour, 210 × 260 mm.
Attributed works:
[ Whitefied Fine Art, 180 New Bond Street, London ] Detail from Allegory of Water by Paolo Fiammingo. Antwerp, Circa 1540-1596.
Western art unattributed:
[ H. W. Keil Ltd, Tudor House Broadway, Worcestershire ] A Rare 17th-Century Jacobean Oak Moulded Fronted Spice Cabinet Fitted with Small Drawers inside. Of fine Rich Colour. Height 2′8¼″ Width 2′6″ Depth 11½″
Letter
Flaxman's Relief of 'Satan's Flight from Paradise'
01/1990 | 1042 | 132
Pages: 31
related names
Author:
Fogelman, Peggy (Fogelman, Peggy)
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