By using this website you agree to our Cookie policy

Search

56 articles
Article
Dāvūd Gürcü, Ottoman refugee and Girodet’s first Mamluk model
05/2024 | 1454 | 166
Pages: 479-487
related names
Author:
Dowad, Thadeus (Dowad, Thadeus)
Subjects
dates:
Illustrations
Attributed works:
1. The revolt of Cairo, 21st October 1798, by Anne-Louis Girodet. 1810. Oil on canvas, 365 by 500 cm. (Musée national des châteaux de Versailles et de Trianon, Versailles; Bridgeman Images).
Attributed works:
2. Katchef Dahouth, by Anne-Louis Girodet. 1804. Oil on canvas, 144.7 by 133 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Mustapha, by Anne-Louis Girodet. 1819. Oil on canvas, 59 by 46 cm. (Musée Girodet, Montargis; Bridgeman Images).
Attributed works:
5. Portrait of a Mamelouk, by Horace Vernet. 1810. Oil on canvas, 75 by 61.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Portrait of Jean Baptiste Belley, by Anne-Louis Girodet. 1797. Oil on canvas, 158 by 111 cm. (Musée national des châteaux de Versailles et de Trianon, Versailles; Bridgeman Images).
Attributed works:
7. Roustam Raza, by Jacques-Nicolas Paillot de Montabert. 1806. Oil on canvas, 152 by 125.5 cm. (Musée de l’Armée, Paris).
Article
A portrait by Richard Westall of the poet Eleanor Porden
04/2024 | 1453 | 166
Pages: 358–367
related names
Author:
Bryant, Barbara (Bryant, Barbara)
Subjects
dates:
Illustrations
Attributed works:
1. Reverse of Fig.2, showing the handwritten inscription on the stretcher.
Attributed works:
10. Design for a couch, by Thomas Hope. 1807. Engraving. (From Household Furniture and Interior Decoration, Executed From Designs By Thomas Hope, London, pl.xxviii, nos.2 and 3).
Attributed works:
11. Thetis bringing the armour to Achilles, by John Flaxman. 1805. Engraving. (From The Iliad of Homer Engraved from the Compositions of John Flaxman RA Sculptor, London, pl.xix).
Attributed works:
2. Eleanor Anne Porden, here attributed to Richard Westall. 1807. Oil on canvas, 113 by 143.8 cm. (© Christie’s Images; Bridgeman Images; Krannert Art Museum, Champaign IL).
Attributed works:
3. Eleanor Porden, by John Flaxman. 1807. Graphite on paper, 15.9 by 11.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Photograph of a lost drawing of Eleanor Porden. (Derbyshire Record Office, Matlock).
Attributed works:
5. Detail from J. Horwood’s Plan, showing 59 Berners Street. (From J. Horwood: Plan of the Cities of London and Westminster, the Borough of Southwark and parts adjoining shewing every house, London 1794).
Attributed works:
6. Portrait of Richard Westall, R.A., by Thomas Lawrence and Richard Westall. Mid-1790s. Graphite on paper, 21.4 by 16.3 cm. (© Christie’s Images; Bridgeman Images; private collection).
Attributed works:
7. Expiation of Orestes, by William Bond, after Richard Westall. 1810. Stipple engraving, 35.3 by 30.5 cm. (From J. Britton et al.: The Fine Arts of the English School, London 1812).
Attributed works:
8. Reconciliation of Helen and Paris, after his defeat by Menelaus, by Richard Westall. c.1805. Oil on panel, 127 by 101 cm. (Tate).
Attributed works:
9. Detail of Fig.2, showing the frieze on the vase.
Article
Turner, Ossian and the Royal Academy
07/2022 | 1432 | 164
Pages: 658-663
related names
Author:
MacDonald, Murdo (MacDonald, Murdo)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Ben Lomond Mountains, Scotland: The Traveller – Vide Ossian’s War of Caros, by J.M.W. Turner. 1802. Oil on canvas, 64.1 by 98.8 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
2. Detail of Fig.1, showing Hidallan and Lamor.
Attributed works:
3. Rubha Mor with Ben Lomond in the background (formerly A wooded bay with mountains beyond; perhaps Loch Lomond at Inveruglas), by J.M.W. Turner. 1801. Chalk, graphite and watercolour on paper, 29.5 by 43 cm. (Tate; DO3426; Turner Bequest LVIII 47).
Attributed works:
4. Dolbadern Castle, North Wales, by J.M.W. Turner. 1800. Oil on canvas, 119.4 by 90.2 cm. (Royal Academy of Arts, London).
Attributed works:
5. Thomson’s Aeolian Harp, by J.M.W. Turner. 1809. Oil on canvas. 166.7 by 306 cm. (Manchester Art Gallery).
Attributed works:
6. Staffa, Fingal’s Cave, by J.M.W. Turner. 1831 to 1832. Oil on canvas, 95.1 by 122 cm. (Yale Center for British Art, Paul Mellon Collection).
Attributed works:
7. Glencoe, by J.M.W. Turner. c.1833. Watercolour, 9.4 by 14.3 cm. (Museum of Art, Rhode Island School of Design).
Article
John Flaxman’s funerary monument for the 1st Earl of Mansfield in Westminster Abbey
04/2020 | 1405 | 162
Pages: 276-287
related names
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
artists:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. The monument to the 1st Earl of Mansfield (foreground), in the north transept aisle, Westminster Abbey, London, by Frederick Evans. Photograph (detail), c.1915–30. (  Country Life; Bridgeman Images).
Attributed works:
11. Model for the monument to the 1st Earl of Mansfield, by John Flaxman. c.1795–96. Bronzed plaster, height 85.5 cm. (Sir John Soane’s Museum, London).
Attributed works:
12. The monument to William Murray, 1st Earl of Mansfield, by John Flaxman. Completed 1801. Marble, height 468 cm. (Westminster Abbey, London;   The Dean and Chapter of Westminster).
Attributed works:
13. Lord Mansfield’s monument, by Thomas Williamson and Thomas Sutherland after François Huët-Villiers. Aquatint, 29 by 20 cm. (From R. Ackermann: The History of the Abbey Church of St Peter’s Westminster, London 1812, II, plate 56).
Attributed works:
2. Sketch plan of the west aisle of the north transept, Westminster Abbey, showing the original position of the monument to the 1st Earl of Mansfield and the position to which it was moved in 1933. (Westminster Abbey, London;   The Dean and Chapter of Westminster).
Attributed works:
3. Design for the monument to the 1st Earl of Mansfield, by John Flaxman. 1793. Pen, ink and wash on paper, 19.4 by 15.8 cm. (Kunsthalle, Hamburg).
Attributed works:
4. Design for the monument to the 1st Earl of Mansfield, by John Flaxman. 1793. Pen, ink and wash on paper, 24.7 by 18.5 cm. (Scone Palace, Perthshire).
Attributed works:
5. Design for the figure of Justice on the monument to the 1st Earl of Mansfield, from a sketchbook by John Flaxman. c.1793. Pencil on paper, 10.5 by 8.25 cm. (Victoria and Albert Museum, London).
Attributed works:
6. Design for the monument to the 1st Earl of Mansfield, from a sketchbook by John Flaxman. c.1793. Pencil on paper, 10.5 by 8.25 cm. (Victoria and Albert Museum, London).
Attributed works:
7. William Murray, 1st Earl of Mansfield, by Francesco Bartolozzi after Joshua Reynolds. 1786. Stipple engraving, 48.5 by 36.1 cm. (British Museum, London).
Attributed works:
8–10. Designs for the monument to the 1st Earl of Mansfield, by John Flaxman. c.1795–96. Pencil, pen, ink and wash on paper; frontal view, 22 by 14.2 cm.; from left, 22.8 by 17.7 cm.; from right, 22 by 15.5 cm. (UCL Art Museum, University College London).
Book Review
Joseph-Benoît Suvée, 1743–1807: un artiste entre Bruges, Rome et Paris. By Sophie Join-Lambert and Anne Leclair
09/2019 | 1398 | 161
Pages: 788-789
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
places:
Illustrations
Attributed works:
5. Portrait of a man (Charles-Louis Trudaine de Montigny?), by Joseph-Benoît Suvée. 1794. Oil on canvas, 60 by 48.5 cm. (Musée des Beaux-Arts, Tours; photograph Dominique Couineau).
Book Review
The Prints of Paul Sandby (1731–1809): A Catalogue Raisonné. By Ann V. Gunn
06/2018 | 1383 | 160
Pages: 521-523
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
6. The Fair Stationer in Hyde Park 1780, by Paul Sandby. 1780. Outline etching handcoloured with grey wash, 22.4 by 29.1 cm. (The British Museum, London).
Publication Received
Colin Morison (1734–1809). Antiquaria, storiografia e collezionismo tra Roma e Aberdeen. By Elisabetta Giffi.
01/2017 | 1366 | 159
Pages: 52
related names
Reviewer:
Cassidy, Brendan (Cassidy, Brendan; Cassidy, B.)
Subjects
collectors and dealers:
dates:
Article
‘A Child of Strawberry’: Thomas Barrett and Lee Priory, Kent
12/2015 | 1353 | 157
Pages: 836-842
related names
Author:
Lindfield, Peter N. (Lindfield, Peter N.)
Author:
Reeve, Matthew M. (Reeve, Matthew M.)
Subjects
collectors and dealers:
subjects:
Illustrations
Attributed works:
20. View of the south façade of Lee Priory, Kent, by John Dixon. 1785 (Yale Center for British Art, New Haven)
Attributed works:
21. View in the Saloon, entering into the Library, at Lee, by John Carter. 1791 (British Library, London)
Attributed works:
22. North view of Lee, the seat of Thos. Barrett Esqr., near Canterbury. Taken 1785, attributed to John Carter. 1785 (British Library, London)
Attributed works:
23. Strawberry Room, formerly at Lee Priory, Kent, by James Wyatt. c.1785 (Victoria and Albert Museum, London)
Attributed works:
25. View in the Walpole Closet at Lee, by John Carter. 1791 (British Library, London)
Attributed works:
26. Library bookcase from Lee Priory, by James Wyatt. c.1785-90 (Victoria and Albert Museum, London)
Attributed works:
27. View in the Library at Lee [taken from the entrance from the Saloon], by John Carter (British Library, London)
Attributed works:
28. Portrait of John Carter, FSA, by John Carter and Sylvester Harding. c.1817 (British Museum, London)
Attributed works:
29. Portrait of Thomas Barrett in his library at Lee, by John Carter. c.1817 (King's College, London)
Western art unattributed:
24. Plan of the piano nobile, Lee Priory, Kent, based on drawing by Sir George Scott, c.1785 (RIBA Library, SKB287/1; © Peter N. Lindfield)
Book Review
Gold, Jasper and Carnelian. Johann Christian Neuber at the Saxon Court
06/2013 | 1323 | 155
Pages: 420-421
related names
Reviewer:
Schroder, Timothy (Schroder, Timothy)
Subjects
dates:
places:
Illustrations
Attributed works:
69. Rectangular gold snuffbox set with mineralogical specimens, attributed to Johann Christian Neuber (Private collection, New York)
Article
New information on Lawrence’s ‘Portrait of Joseph Henry’
04/2013 | 1321 | 155
Pages: 246-249
related names
Author:
Scattone, Leslie M. (Scattone, Leslie M.)
Subjects
artists:
dates:
Illustrations
Attributed works:
37. Joseph Henry, by Thomas Lawrence. c.1805. Canvas, 75.9 by 63.2 cm. (Sarah Campbell Blaffer Foundation, Houston).
Attributed works:
38. Infra-red detail of Fig.37. (Photographed by Maureen Eck and Bert Samples).
Attributed works:
39. Infra-red detail of Fig.37. (Photographed by Maureen Eck and Bert Samples).
Attributed works:
40. William Lock the Younger, by Thomas Lawrence. c.1795-1800. Black chalk on prepared canvas, 66 by 48.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
41. George Hamilton-Gordon, 4th Earl of Aberdeen, by Thomas Lawrence. 1807-08. Canvas, 77.5 by 61 cm. (National Trust for Scotland, Haddow House; reproduced by kind permission of the National Trust for Scotland Photo Library).
load more