By using this website you agree to our Cookie policy

Search

100 articles
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
03/2024 | 1452 | 166
Pages: 278–285
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Recollection of the festival (Courage, Knowledge and Labour collaborate to establish the reign of Concord), by Jean-Charles Cazin. 1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91 cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas, 74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin. c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83. Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin. 1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles; Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84. Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin. c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
Article
Becoming ‘obeliscal’: Van Gogh, ancient Egypt and the global Orient – II: obelisks
04/2023 | 1441 | 165
Pages: 394-411
related names
Author:
Hall, James (Hall, James)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Landscape in Provence by night, by Vincent van Gogh. 1890. Oil on canvas, 90.6 by 72 cm. (Kröller-Muller Museum, Otterlo; Bridgeman Images).
Attributed works:
10. Orchard in blossom, bordered by cypresses, by Vincent van Gogh. 1888. Oil on canvas, 64.9 by 81.2 cm. (Kröller-Muller Museum, Otterlo).
Attributed works:
11. Cypresses and two women, by Vincent van Gogh. 1890. Oil on canvas, 91.6 by 72.4 cm. (Kröller-Müller Museum, Otterlo; Bridgeman Images).
Attributed works:
12. Statue of a married couple. Egyptian (Giza), 2620–2500 BC. 97.7 by 48 cm. (Musée du Louvre, Paris).
Attributed works:
13. Landscape with cottages and boundary post on the Spaarndammerdijk (‘L’Obelisque’), by Rembrandt. c.1650. Etching and drypoint, 8.2 (arched) by 16.1 cm. (British Museum, London).
Attributed works:
14. Starry night, by Vincent van Gogh. 1889. Oil on canvas, 73.7 by 92.1 cm. (Museum of Modern Art, New York; Bridgeman Images).
Attributed works:
15. The Simplest Egyptian house (ground plan), 1875. Engraving, 6.5 by 3.5 cm. (From E.-E. Viollet-le-Duc: Histoire de l’Habitation Humaine: depuis les temps préhistoriques jusqu’à nos jours, Paris 1875, p.90, fig.33: A Garden. B Food Store. C Latrines. D Pigeons. E Chickens. F Medicines. G Courtyard. H and I Bedrooms).
Attributed works:
16. The simplest Egyptian house, 1875. Engraving, 10 by 9 cm. (From E.-E. Viollet-le-Duc: Histoire de l’Habitation Humaine: depuis les temps préhistoriques jusqu’à nos jours, Paris 1875, p.91, fig.34).
Attributed works:
17. Egyptian House at the Exposition Universelle, by Charles Garnier. 1889. (Photograph by G. Massiot & cie).
Attributed works:
18. The raising of the Luxor obelisk. 1836. Gilt bronze inset into the granite base of the Luxor obelisk, place de la Concorde, Paris. (Wikicommons).
Attributed works:
19. Height of the Eiffel Tower compared with the world’s principal monuments. Engraving. (From G. Tissandier: La Tour Eiffel de 300 mètres: description du monument, sa construction, ses organes mécaniques, son but et son utilité, Paris 1889, p.3, fig.1).
Attributed works:
2. The place de la République, Arles, with the obelisk fountain and the Church of Sainte-Anne. (Photograph Wolfgang Moroder).
Attributed works:
20. The Eiffel Tower, by Georges Seurat. ?1889. Oil on panel, 25.1 by 15.7 cm. (Fine Arts Museums of San Francisco; NPL – DeA Picture Library; Bridgeman Images).
Attributed works:
21. The illumination of the Eiffel Tower, by Georges Garen. After 6th May 1889. Chromolithograph, 52.5 by 34 cm. (Wikicommons).
Attributed works:
22. Opening of the Exposition Universelle, by M. Gérardin. Engraving. (Le Monde Illustré, 11th May 1889, pp.316–17).
Attributed works:
23. Egyptian head and figure study, by Vincent van Gogh. 1890. Chalk on paper, 31.4 by 23.9 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
24. Box containing a figurine and a mummified element. Egyptian, 664–332 BC. Paint, wood, linen and human remains, 12.3 by 3.5 by 3.3 cm. (Musée du Louvre, Paris).
Attributed works:
25. Wheatfield, with cypresses, by Vincent van Gogh. 1889. Oil on canvas, 73.2 by 93.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Sir Thomas Elyot, by Hans Holbein the Younger. c.1532–34. Black and coloured chalks, white body colour and brush and ink on pale pink prepared paper, 27.8 by 20.8 cm. (sheet). (Royal Collection Trust / © HM King Charles III 2023).
Attributed works:
4. Self-portrait with portrait of Gauguin, by Émile Bernard. 1888. Oil on canvas, 46 by 56 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
5. Self-portrait dedicated to Paul Gauguin, by Vincent van Gogh. 1888. Oil on canvas, 61.5 by 50.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA; Bridgeman Images).
Attributed works:
6. The blue coffee-pot, by Émile Bernard. 1888. Oil on canvas, 55.2 by 45.8 cm. (Kunsthalle, Bremen).
Attributed works:
7. Still-life with blue enamel coffeepot, earthenware and fruit, by Vincent van Gogh. 1888. Oil on canvas, 65 by 81 cm. (Private collection; Lefevre Fine Art Ltd, London; Bridgeman Images).
Attributed works:
8. Stela of Princess Nefertiabet, with funerary feast. Egyptian, 2590– 2533 BC. Limestone with black, yellow and red paint, 37.7 by 52.5 by 8.3 cm. (Musée du Louvre, Paris).
Attributed works:
9. A Sunday on the Grande-Jatte, by Georges Seurat. 1884–86. Oil on canvas, 208 by 308 cm. (Art Institute of Chicago; Bridgeman Images).
Article
Becoming ‘obeliscal’: Van Gogh, ancient Egypt and the global Orient – I: figures
03/2023 | 1440 | 165
Pages: 280-301
related names
Author:
Hall, James (Hall, James)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pots and apples, by Emile Bernard. 1887. Oil on canvas, 46.2 by 55.2 cm. (Musée d’Orsay, Paris; © RMN-Grand Palais; Hervé Lewandowski).
Attributed works:
10. Hathoric capital from Dendera. Egyptian, 332–30 BC. Limestone, 52.5 by 46 by 11.5 cm. (Musée du Louvre, Paris).
Attributed works:
11. Nude girl, seated, by Vincent Van Gogh. 1886. Oil on canvas, 27.1 by 23.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
12. Seated girl and Venus statuette, by Vincent Van Gogh. 1886. Chalk on paper, 47.5 by 62 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
13. Self-portrait as a sphinx, by Léopold Armand Hugo. 1871. Etching on paper, 34 by 25 cm. (Rodin Museum, Paris).
Attributed works:
14. Self-portrait, by Vincent Van Gogh. 1889. Oil on canvas, 65 by 54.2 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
15. Galerie Henri IV, the Louvre, looking northwards. 1885. (From C. Aulanier: Le musée Charles X et le département des antiquités égyptiennes (Histoire du palais et du musee du Louvre 8), Paris 1961, p.60).
Attributed works:
16. Bonaparte before the Sphinx (‘Oedipus’), by Jean-Léon Gérôme. 1886. Oil on canvas, 61.6 by 101.9 cm. (Hearst Castle, San Simeon CA; Bridgeman Images).
Attributed works:
17. Self-portrait at the easel, by Vincent Van Gogh. 1886. Oil on canvas, 46.5 by 38.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation; © Fine Art Images; Bridgeman Images).
Attributed works:
18. Self-portrait at the easel, by Vincent Van Gogh. 1887–88. Oil on canvas, 65.1 by 50 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation; © Fine Art Images; Bridgeman Images).
Attributed works:
19. Napoleon, after a plaster model by Antoine-Denis Chaudet. 1807–09. Marble, 59 by 28.5 by 26.0 cm. (Victoria and Albert Museum, London).
Attributed works:
21. Aristotle, by Nicola Billy, after Giovanni Domenico Campiglia. 1750. Engraving, 23 by 16.5 cm. (including text). (From G.G. Bottari: Musei Capitolini tomus primus(-quartus), Rome 1750, I, no.8).
Attributed works:
22. Egyptian figure, by Carlo Gregorii after Giovanni Domenico Campiglia. 1755. Engraving, 34.5 by 17.5 cm. (including text). (From G.G. Bottari: Musei Capitolini tomus primus(-quartus), Rome 1755, III, no.86).
Attributed works:
23. Brutus, drawn after a plaster cast. 1869. Lithograph, 45 by 62 cm. (From C Bargue and J.-L. Gérôme: Cours de dessin, Paris 1869, I, pl.52).
Attributed works:
24. Portrait statue. Engraving, 19 by 13 cm. (internal frame). (From Comte de Caylus, Recueil d’antiquités égyptiennes, étrusques, grecques, romaines et gauloises, Paris 1752, I, pl.1)
Attributed works:
25. Dante, drawn after a plaster cast. 1869. Lithograph, 45 by 62 cm. (From C Bargue and J.-L. Gérôme: Cours de dessin, Paris 1869, I, pl.34).
Attributed works:
26. Study and Genius unveil ancient Egypt to Greece, by François- Edouard Picot. c. 1827. Oil on canvas, 478 by 600 cm. (Musée du Louvre, Paris; © Photo Josse; Bridgeman Images).
Attributed works:
28. Julian Père Tanguy, by Vincent Van Gogh. 1887–88. Oil on canvas, 92 by 75 cm. (Rodin Museum, Paris; © Peter Willi; Bridgeman Images).
Attributed works:
29. Predominance of the Dimension of Width: Egyptian Temple, by Lé on Gaucherel. 1876. Engraving, 4.3 by 11.5 cm. (From C. Blanc: Grammaire des Arts du Dessin, Paris 1876, p.88).
Attributed works:
3. Exposition Universelle: L’Histoire de L’Habitation Humaine. Wood engraving. (From Le Monde Illustré, 25th May 1889, p.344).
Attributed works:
30. Maurice Appert seated, by Georges Seurat. Before 1888. Conté crayon and gouache on paper, 31 by 24 cm. (Private collection; Lefevre Fine Art Ltd, London; Bridgeman Images).
Attributed works:
31. Self-portrait with bandaged ear, by Vincent Van Gogh. 1889. Oil on canvas, 60.5 by 50 cm. (Courtauld Gallery, London; Bridgeman Images).
Attributed works:
4. Egyptian House, Exposition Universelle of 1889, by Charles Garnier. 1889. Watercolour on paper, 94.7 by 63.5 cm. (Archives nationales, Paris, CP/F/12/4055/D/A, pièce 10).
Attributed works:
5. Egyptian head, by Vincent Van Gogh, 1890. Chalk on paper, 31.4 by 23.8 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
6. View in North Transept, by Matthew Digby Wyatt after P.H. Delamotte. 1854. Chromolithograph, 18.2 by 26.4 cm. (From Views of the Crystal Palace and Park, Sydenham, London 1854; photograph Yale Center for British Art, New Haven CT).
Attributed works:
7. The Egyptian Hall of the Louvre, visitors in front of the Grand Sphinx, by Guillaume Larrue. c.1880. Oil on canvas, 69 by 88 cm. (Musée du Louvre, Paris; © Josse; Bridgeman Images).
Attributed works:
8. Middle Egypt – the Sphinx, by Maxime du Camp. December 1849; printed 1851. Salted paper print from paper negative, 42.8 by 29.5 cm. (Royal Collection Trust; © His Majesty King Charles III 2022).
Attributed works:
9. Head of a woman (Gordina de Groot), by Vincent Van Gogh. 1885. Oil on canvas, 42.7 by 33.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation; Bridgeman Images).
Non-western art unattributed:
2. The god Re-Horakhty being brought offerings, with fruit on his lap. Egyptian, 943–735(?) BC. Painted wood, 20.8 by 15.7 by 3.6 cm. (Musée du Louvre, Paris).
Non-western art unattributed:
27. Detail of a statue of Ankh. Egyptian, 2700–2620 BC. Diorite, 62.5 by 20.5 by 32.5 cm. (Musée du Louvre, Paris).
Western art unattributed:
20. Sepa. Egyptian, 2700–2620 BC. Painted limestone, 169 by 44 by 50.5 cm. (Musée du Louvre, Paris).
Article
Rejection and revenge: Adolphe Willette, Jacques-Louis David and Henri Gervex
12/2022 | 1437 | 164
Pages: 1210-1215
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Parce Domine, parce populo tuo!, by Adolphe Willette. 1884. Oil on canvas, 200 by 390 cm. (Musée de Montmartre, Paris; © Archives Charmet / Bridgeman Images).
Attributed works:
2. A meeting of the painting jury, by Henri Gervex. 1885. Oil on canvas, 299 by 419 cm. (Musée d’Orsay, Paris; © Peter Willi / Bridgeman Images).
Attributed works:
3. The tennis court oath, by Jacques-Louis David. 1791. Graphite, pen and sepia wash heightened with white on paper, 65 by 105 cm. (Musée national du Château de Versailles; Bridgeman Images).
Attributed works:
4. The painting jury – a sketch of the painting by Gervex after Jacques-Louis David, by Adolphe Willette. Photomechanical process, 31 by 45 cm. (Le Chat noir, 2nd May 1885).
Attributed works:
5. Masthead of Le Chat Noir, no.1 (14th January 1882), by Henri Pille. (Private collection).
Book Review
Capitale e crocevia: Il mercato dell’arte nella Roma sabauda
10/2022 | 1435 | 164
Pages: 1042-1043
related names
Reviewer:
Coen, Paolo (Coen, Paolo)
Subjects
art literature:
dates:
places:
subjects:
Reviewed Items
subjects:
Capitale e crocevia: Il mercato dell’arte nella Roma sabauda Edited by Andrea Bacchi and Giovanna Capitelli. 336 pp. incl. 170 col. + b. & w. ills. (Silvana Editoriale, Milan, 2020), €30. ISBN 978–88–366–4757–6. | :
Book Review
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity
08/2022 | 1433 | 164
Pages: 822-823
related names
Reviewer:
Bann, Stephen (Bann, Stephen)
Subjects
Reviewed Items
subjects:
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity By Richard Thomson. 288 pp. incl. 257 col. + b. & w. ills. (Yale University Press, New Haven and London, 2021), $70. ISBN 978–0–300– 25710–6. | :
Illustrations
Attributed works:
5. Golden age, by Emile-René Ménard. 1908. Oil on canvas, 352 by 287 cm. (Musée d’Orsay, Paris; © RMN-Grand Palais; photograph Michel Urtado and Mathieu Rabeau).
Article
Caillebotte’s ‘Interior’: image and text
06/2022 | 1431 | 164
Pages: 581-582
related names
Author:
Lilley, Ed (Lilley, Ed; Lilley, Ed)
Subjects
dates:
Illustrations
Attributed works:
11. Interior, by Gustave Caillebotte. 1880. Oil on canvas, 118 by 89 cm. (Private collection).
Article
The Victorian high-altar reredos in St Paul’s Cathedral, London
08/2020 | 1409 | 162
Pages: 646-657
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The high-altar reredos in St Paul’s Cathedral, London, designed by Thomas Garner and made by Farmer and Brindley. 1888. Photograph by A.F. Kersting, c.1939. (© The Courtauld Institute of Art, London).
Attributed works:
10–12. Angels, by Attilio and Furio Piccirilli for Farmer and Brindley. c.1887. Marble with gilding and imitation rosso antico marble, each 73 by 40 cm. (Private collections; courtesy Bonhams).
Attributed works:
13. The Jesus Chapel, St Paul’s Cathedral, London. Photograph, c.1900. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
14. The high altar, St Paul’s Cathedral, London, following bomb damage. Photograph by Arthur Cross and Fred Tibbs, 1940. (London Metropolitan Archives).
Attributed works:
15. Cherubs, by Farmer and Brindley. c.1887. Marble with gilding. Each 107 by 61 cm. (Private collection; photograph Christie’s).
Attributed works:
2. The nave of St Paul’s Cathedral, looking east. 1870s. Photograph by London Stereoscopic Company. (Mary Evans Picture Library).
Attributed works:
3. The altar in the chapel, Temple Newsam, Yorkshire, by Bodley and Garner. 1877. Photograph, 1948. (Leeds Libraries, www.leodis.net).
Attributed works:
4. Model of a proposed reredos for St Paul’s Cathedral, London, by Charles Hopson after a design by Christopher Wren. c.1696. Oak, 119.3 by 91.4 by 62.5 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
5. Sir Christopher Wren’s altar piece, a study for the completion of the apse of St Paul’s, by F.C. Penrose. c.1860. Watercolour, 96 by 56 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
6. Design for the high-altar reredos, St Paul’s Cathedral, London, by Thomas Garner. c.1885. Pencil, pen and ink on paper, 56 by 35.3 cm. (St Paul’s Cathedral Library; © The Chapter of St Paul’s Cathedral).
Attributed works:
7. Virgin and Child, by Jean Guillemin for Farmer and Brindley. c.1887. Marble, 142 by 58 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
8. Christ, by Jean Guillemin for Farmer and Brindley. c.1887. The cross was added after 1950. Marble, height 196 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
9. St Paul, by Farmer and Brindley. c.1887. Marble, height 138 cm. (Private collection; photograph Sotheby’s, London).
Article
Herkomer’s ‘Drawing and engraving on wood’ and Van Gogh
07/2020 | 1408 | 162
Pages: 584-591
related names
Author:
Alessi, Vincent (Alessi, Vincent)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Sunday at Chelsea Hospital, by Hubert von Herkomer. Unknown engraver. Wood engraving. (Published in the Graphic, 18th February 1871; Bridgeman Images).
Attributed works:
2. A gipsy encampment on Putney Common, by Hubert von Herkomer. Unknown engraver. Wood engraving. (Published in the Graphic, 18th June 1870; Bridgeman Images).
Attributed works:
3. The East London Hospital for Children, by Matthew White Ridley. Engraved by Joseph Swain. Wood engraving. (Published in the Illustrated London News, 27th April 1872; Bridgeman Images).
Attributed works:
4. Miner, by Matthew White Ridley. Unknown engraver. Wood engraving. (Published in The Graphic, 15th April 1876; Bridgeman Images).
Attributed works:
5. Old man with a stick, by Vincent van Gogh. 1882. Lithograph, 48.1 by 25.2 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
6. At eternity’s gate, by Vincent van Gogh. 1882. Lithograph, 50 by 34 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation).
Attributed works:
7. Sorrow, by Vincent van Gogh. 1882. Lithograph, 38.9 by 29.2 cm. (Van Gogh Museum, Amsterdam; Van Gogh Foundation; Bridgeman Images).
Article
Van Gogh as mentally ill: his contested Oslo self-portrait
02/2020 | 1403 | 162
Pages: 88-101
related names
Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Pilz, Kathrin (Pilz, Kathrin)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Subjects
art literature:
art literature:
art literature:
art literature:
dates:
places:
Illustrations
Attributed works:
1. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 51.5 by 45.2 cm. (National Gallery, Oslo).
Attributed works:
10. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 40 by 31 cm. (Private collection).
Attributed works:
11. Madame Roulin and her baby, by Vincent van Gogh. 1888. Canvas, 63.5 by 51 cm. (Robert Lehman Collection, the Metropolitan Museum of Art, New York).
Attributed works:
12. Undergrowth, by Vincent van Gogh. 1889. Oil on canvas, 49 by 64.3 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
13. Image of Fig.1, superimposed with the X-radiograph, illustrating the initial outlines of the head, neck, shoulder, ear and lapel (with thanks to Heleen van Driel).
Attributed works:
14. Detail of the upper right edge of Fig.1, showing the paint to be less discoloured around the edges than in the picture plane.
Attributed works:
15. Micrograph of Fig.1 in raking light, showing the brushed texture of the paint in the lapel, partly flattened with a palette knife.
Attributed works:
16. Self-portrait as a ‘bonze’, by Vincent van Gogh. 1889. Oil on canvas, 61.5 by 50.3 cm. (Harvard Art Museums/Fogg Museum, Cambridge MA; bequest from the collection of Maurice Wertheim).
Attributed works:
17. Portrait of Peter Altenberg, by Max Oppenheimer. 1910. Whereabouts unknown. (From W. Michel: Max Oppenheimer, Munich 1911, p.3).
Attributed works:
18. The Arlésienne (Portrait of Marie-Julien Ginoux), by Vincent van Gogh. 1890. Oil on canvas, 60 by 50 cm. (Galleria Nazionale d’Arte Moderna, Rome).
Attributed works:
19. Entrance to a quarry, by Vincent van Gogh. 1889. Oil on canvas, 60 by 74.5 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
2. Self-portrait with bandaged ear and pipe, by Vincent van Gogh. 1889. Oil on canvas, 51 by 45 cm. (Private collection).
Attributed works:
20. Peter Altenberg, by Oskar Kokoschka. 1909. Oil on canvas, 76 by 71.5 cm. (Private collection, courtesy of Neue Gallery, New York).
Attributed works:
3. Armand Roulin, by Vincent van Gogh. 1888. Oil on canvas, 65 by 54 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
4. Self-portrait, by Edvard Munch. 1886. Oil on canvas, 33 by 24.5 cm. (National Museum, Oslo).
Attributed works:
5. and 6. Photograph of Fig.1 and its reverse, with an annotation by Eugène Blot: ‘Portrait de Van Gogh / oreille mutilée’. c.1909. (Cassirer-Archive, Zurich).
Attributed works:
7. Portrait of Vincent van Gogh, formerly attributed to Van Gogh. 1925– 28. Oil on canvas, 59.1 by 47.5 cm. (National Gallery of Art, Washington).
Attributed works:
8. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 57.8 by 44.5 cm. (National Gallery of Art, Washington).
Attributed works:
Opposite 9. Self-portrait, by Vincent van Gogh. 1889. Oil on canvas, 65 by 54 cm. (Musée d’Orsay, Paris).
load more