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10 articles
Book Review
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre
05/2023 | 1442 | 165
Pages: 569-571
related names
Reviewer:
Laing, Alastair (Laing, Alastair)
Subjects
Reviewed Items
subjects:
Jean-Baptiste Greuze et ses têtes d’expression: La fortune d’une genre By Yuriko Jackall. 320 pp. incl. 29 col. + 45 b. & w. ills. (CTHS and INHA, Paris, 2022), €38. ISBN 978–2–7355–0939–3. | :
Illustrations
Attributed works:
3. A woman (Madame Greuze) with a furtrimmed hood drawn over her head, detail from La Dame de Charité, by Jean Baptiste Greuze, above a sketch of the painting, by Jean Massard. 1772. Etching and engraving, 23.7 by 15.8 cm. (British Museum, London).
Book Review
Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture
02/2021 | 1415 | 163
Pages: 181-183
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
Subjects
Reviewed Items
subjects:
Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture By Jacqueline E. Jung. 340 pp. incl. 211 col. + 322 b. & w. ills. (Yale University Press, New Haven and London, 2020), £60. ISBN 978–0–300–21401–7. | :
Illustrations
Attributed works:
3. Faces of Wise and Foolish Virgins, seen from the ground and in natural light, arranged to show heightening of emotional expressions. Magdeburg, c.1240–50. (Photographs Jacqueline E. Jung).
Article
Avatars of Antiquity III: Reading the Passions
01/2021 | 1414 | 163
Pages: 40-51
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Dead Christ mourned (‘The three Maries’), by Annibale Carracci. c.1603 or c.1606. Oil on canvas, 92.8 by 103.2 cm. (National Gallery, London).
Attributed works:
10. An experiment with an air pump, by Joseph Wright of Derby. 1768. Oil on canvas, 183 by 244 cm. (National Gallery, London).
Attributed works:
11. Virgin Mary with the infant Christ, attributed to Leonardo da Vinci. c.1472. Terracotta, height 49 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Self-portrait, attributed to Nicolas Poussin. c.1630. Red chalk on paper, 25.6 by 19.7 cm. (British Museum, London).
Attributed works:
13. Detail of The Lamentation, by Giotto, showing a grieving angel. c.1304. Fresco. (Arena Chapel, Padua).
Attributed works:
14. Detail of The School of Athens, by Raphael, showing Euclid with pupils. c.1510. Fresco. (Vatican Museums).
Attributed works:
15. Preparatory study for head of St John the Evangelist, by Domenichino. c.1622–25. (Royal Library, Windsor; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020).
Attributed works:
16. The dying Alexander, Roman copy of c.AD 100 of a Hellenistic sculpture of c.200 BC. Marble, height 72 cm, including modern bust. (Gallerie degli Uffizi, Florence).
Attributed works:
17. Niobe and her daughter, Roman, c.AD 100, after a Hellenistic sculpture of c.300 BC. Pentelic marble, height 228 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
18. Marsyas by Balthasar Permoser. c.1680–85. Marble, height 68.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Massacre of the Innocents, by Guido Reni. 1611–12. Oil on canvas, 268 by 170 cm. (Pinacoteca Nazionale, Bologna).
Attributed works:
20. Bust of Caracalla. c.AD 212. Marble, height 65 cm. (Museo Archeologico Nazionale, Naples).
Attributed works:
22. Death of Cleopatra, by Henri-Joseph-François Baron de Triqueti. 1859. Ivory with bronze, height including base 38 cm. (Private collection, London).
Attributed works:
3. Drawing illustrating Horror, by Charles Le Brun. c.1667. Black chalk on paper, 20.5 by 18.4 cm. (Musée du Louvre, Paris).
Attributed works:
4. Detail of Moses defending the daughters of Jethro, by Charles Le Brun. 1686. Oil on canvas, 113 by 122 cm. (Galleria Estense, Modena).
Attributed works:
5. Detail of The penitent Magdalen, by Charles Le Brun. c.1656–57. (Musée du Louvre, Paris).
Attributed works:
6. Chelsea Pensioners receiving the London Gazette Extraordinary of Thursday, 22nd June 1815, announcing the Battle of Waterloo, by David Wilkie. 1816–22. Oil on panel, 97.2 by 158.1 cm. (Wellington Museum, Apsley House, London).
Attributed works:
7. Detail of Fig.6, showing the face of the woman reading the list of the dead.
Attributed works:
8. Woman with a mania for gambling, by Théodore Géricault. c.1822. Oil on canvas, 77 by 65 cm. (Musée du Louvre, Paris).
Attributed works:
9. Marriage à-la-Mode: 2, The tête à tête, by William Hogarth. c.1743. Oil on canvas, 69.9 by 90.8 cm. (National Gallery, London).
Western art unattributed:
2. Detail of the Laocoön group, showing the face of Laocoön. (Museo Pio-Clementino, Vatican; Scala Archive).
Western art unattributed:
21. Fragmentary metope relief from the Temple of Zeus, Olympia, showing Athena receiving slain monster birds. c.460–50 BC. Marble, height 157 cm. (Musée du Louvre, Paris).
Publication Received
Strukturen und Schauplätze der Gestik. Gebärden und ihre Handlungsorte in der Malerei des ausgehenden Mittelalters. By Florens Deuchler.
11/2015 | 1352 | 157
Pages: 796
related names
Reviewer:
Kauffmann, C. M. (Kauffmann, C. M.; K., C. M.)
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dates:
Publication Received
Tronies. Das Gesicht in der Frühen Neuzeit. Edited by Dagmar Hirschfelder and León Krempel.
02/2015 | 1343 | 157
Pages: 110
related names
Reviewer:
Cornelis, Bart (Cornelis, Bart; C., B.)
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dates:
museums and institutions:
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Book Review
Drawing Acts: Studies in Graphic Expression and Representation
08/2002 | 1193 | 144
Pages: 506
related names
Reviewer:
Ames-Lewis, Francis (Ames-Lewis, Francis; Lewis, Francis Ames; Ames-Lewis, F.)
Subjects
Reviewed Items
subjects:
Drawing Acts. Studies in Graphic Expression and Representation | author: Rosand, David
Book Review
L'expression des passions. Ausdruck als Darstellungsproblem in der franzosischen Kunst und Kunsttheorie des 17. und 18. Jahrhunderts
11/1992 | 1076 | 134
Pages: 733
related names
Reviewer:
Puttfarken, Thomas (Puttfarken, Thomas)
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Reviewed Items
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L'expression des passions. Ausdruck als Darstellungsproblem in der franzosischen Kunst und Kunsttheorie des 17. und 18. Jahrhunderts | author: Kirchner, Thomas
Article
Line As a Means of Expression in Modern Art (Continued)
02/1919 | 191 | 34
Pages: 62-63+66-67+69
related names
Author:
Fry, Roger E. (Fry, Roger E.; Fry, Roger (R. F.; R. E. F.); F., R. E.; Fry, R. E.; F., R.; F.)
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artists:
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Illustrations
Attributed works:
I. Water-Colour and Pastel Colour Drawing by Modigliani
Attributed works:
II. Pencil Drawings. a) Nude Woman by Gaudier-Brzeska. b) Portrait of Mlle. G. by Modigliani
Attributed works:
III. Drawings. a) Pencil, by Edward Wolfe. b) Ink, by Nina Hamnett
Article
Line as a Means of Expression in Modern Art
12/1918 | 189 | 33
Pages: 201-203+205-208
related names
Author:
Fry, Roger E. (Fry, Roger E.; Fry, Roger (R. F.; R. E. F.); F., R. E.; Fry, R. E.; F., R.; F.)
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artists:
artists:
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Illustrations
Attributed works:
Pen-and-Ink by Henri Matisse
Attributed works:
Pencil Drawing by Henri Matisse
Attributed works:
Pencil Drawings. By Walter Sickert. By Duncan Grant
Attributed works:
Portrait of Monsieur Massine, by Pablo Picasso
Article
The Function of Emotion in Painting
10/1907 | 55 | 12
Pages: 23-26
related names
Author:
Clutton-Brock, Arthur (Clutton-Brock, Arthur; Brock, Arthur Clutton-; Brock, A. Clutton)
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