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Book Review
Pierre Guérin (1774–1833)
05/2021 | 1418 | 163
Pages: 474-475
related names
Reviewer:
Mansfield, Elizabeth (Mansfield, Elizabeth)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Pierre Guérin (1774–1833) By Mehdi Korchane. 400 pp. incl. 168 col. + 9 b. & w. ills. (Mare et Martin, Paris, 2018), €65. ISBN 979–10–92054–70–5. | :
Illustrations
Attributed works:
5. The return of Marcus Sextus, by Pierre Guérin. 1799. Oil on canvas, 217 by 243 cm. (Musée du Louvre, Paris; Bridgeman Images).
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Advertisements March 2002 (front)
03/2002 | 1188 | 144
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
A Young Woman in a Brocade Gown, by Willem Drost. c.1654. 62 by 50 cm. (Wallace Collection, London)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Leonardo da Vinci (Anchiano 1452-1519 Cloux). A Rider on a Rearing Horse. Metalprint Reinforced with Pen and Brown Ink on Pink Prepared Paper, 141 × 119 mm
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Pablo Picasso. La Femme qui pleure I 1937 Etching, Drypoint, Aquatint and Scraper on Montval Paper, Baer 623 iii/vii from the Edition of Only 15 in This State, Signed and Numbered in Pencil, 27 3/16 × 19 7/8 Inches (690 × 494 mm)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Adolph von Menzel (1815-1905). The Vestry of the Serviten-Cloister in Innsbruck. Signed at Bottom Left: A Menzel/Innsbruck. The Drawing Has Been Made during Menzel's Journey to Austria in Summer. Pencil, 20.6 × 26.2 cm.
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] A Fine Late George I Walnut Sofa.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Jean Tassel (Langres, 1608-1667). Christ Gathering Together His Garments after the Flagellation. Oil on Copper, 18.5 × 22 cm.
Attributed works:
[Christian Kappis, Ernst August Strasse 21, Diepholz, Germany] The Repose on the Flight into Egypt. titian.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Sarah Lucas. Where Does It All End?
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] A Flowering Cactus (Heliocereus Speciosus), by Pierre-Joseph Redouté (1759-1840). Watercolour, 54.2 × 41 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Guitar and Port Bottle, by Pablo Picasso (1881-1979). Watercolour on Paper, 23.5 × 17 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Head of a Bearded Man, by Pierre-Narcisse Guérin (1774-1833). Oil on Paper Marouflé on Cardboard, 42.7 × 33.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jan van Goyen (Leiden 1596 - The Hague 1656). River Landscape with Passengers and Cows on a Ferry. Black Chalk and Grey Wash, 118 × 200 mm. Signed: VG 1651
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] La Dame de charité, by Jean-Baptiste Greuze (1725-1805). Watercolour, 49 × 66 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Medusa Head, by Godfried Maes (1649-1700). Pen and Brown Ink over Black Chalk, 24.3 × 18.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portrait of a Boy Wearing a Blue Jacket, Signed and Dated by Benedetto Luti, 1717. Pastel, 40.5 × 33 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] St Bruno in Prayer, by Giacomo Cavedone (1577-1660). Black Chalk, with Stumping and White Gouache Highlights on Beige Paper. 33.6 × 21.9 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] St John the Baptist in Prison Receiving the Reply from Christ, by Samuel van Hoogstraten (1627-78). Pen and Ink with Brown Wash and White Highlights over Black Chalk. 19 × 24.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The Flight into Egypt, by Adam Elsheimer. Pen and Brown Ink, 7.2 × 9.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Towards 1930, by Frantisek Kupka (1871-1957). Watercolour and Gouache, 26.8 × 18.7 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Young Woman Asleep in an Armchair, by Louis-Roland. Trinquesse (1746-1800). Red Chalk, 31.2 × 26.3 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Calm Sea with Ships near the Shore, by Jan van de Cappelle. Oil on Canvas, 57.2 × 66 cm.
Attributed works:
[Exh. TEFAF Maastrich] A River Landscape with Three Fishermen near a Waterfall, by Jacob van Ruisdael. Oil on Canvas, 84.5 × 98 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Young Woman as Fortune, by Godfried van Schalcken. Oil on Canvas, 34.5 × 27.5 cm.
Attributed works:
[Exh. TEFAF Maastrich] An Old Man Standing beside a Table with a Vanitas Still Life, by the Monogrammist IS (Active 1633-58). Oil on Canvas, 63.5 × 52.1 cm.
Attributed works:
[Exh. TEFAF Maastrich] Anne Hogarth, by William Hogarth. Oil on Canvas.
Attributed works:
[Exh. TEFAF Maastrich] Attic Black Figure Amphora. A Nude Satyr Clasping a Fleeing Maenad. c.521-515 BC. Class of the Cabinet des médailles 218, Nikasthenic Subgroup.
Attributed works:
[Exh. TEFAF Maastrich] Ideas for Stone Sculpture, by Henry Moore, 1937. Pencil, Pen, Black Ink and Gouache on Paper, 26 × 20.3 cm.
Attributed works:
[Exh. TEFAF Maastrich] Ivory Diptych Leaf, French c.1360-80. 12.7 × 10.9 cm.
Attributed works:
[Exh. TEFAF Maastrich] La femme qui pleure. III, by Pablo Picasso. 1937. Etching with Aquatint, 34.5 × 24.6 cm.
Attributed works:
[Exh. TEFAF Maastrich] Sumerian Stone Cup, Decorated with a Procession of Three Bulls. Mesopotamian, Uruk Period, 3500-3100 B. C. Steatite, ht 8.2 cm., Diameter at Lip 6.1 cm.
Attributed works:
[Exh. TEFAF Maastrich] The Reconciliation of Jacob and Esau, by Karel van Mander. c.1600. Oil on Panel, 59 × 135 cm.
Attributed works:
[Exh. TEFAF Maastrich] Wooded Landscape, by Meindert Hobbema. 96.5 × 31 cm.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Francesco Barbieri Called Il Guercino. Cento 1591 ∼ 1666 Bologna. Recto: Esther, Fainting, Supported by Two Attendants. Pen and Brown Ink. 10 × 4 7/10 Inches. (252 by 192mm.)
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Firenze, Italy] Alessandro Algardi (Bologna 1598 - Rome 1654). The Baptism of Christ. Gilded Terracotta, 58 × 50 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Claude Gellée, Called Claude Lorrain (Chamagne 1604/5? - 1682.Rome). A Cappricio of an Italianate Harbour at Sunset. Oil on Canvas, 40.5 × 55.5 cm (16 × 21 7/8 Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Sir Thomas Lawrence Pra (1769-1830). Portrait of Andrew Reid (1783-1801). Oil on Canvas, 124.5 × 100 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Claude Lorrain. Lorraine 1600 - 1682 Rome. The Dance on the Riverbank (La Danse au bord de l'eau). Etching; c. 1634. Mannocci 13, State vi A (Of VII). A Very Fine, Rich Impression with Very Strong Effects of Sunlight.
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Pieter Codde (1599 - Amsterdam - 1678). A Portrait of the Family Twent in an Interior. Signed in Monogram, and Dated 1633. Oil on Panel. 19¼ × 30 in. (48.5 × 76 cm)
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Jean-Baptiste Greuze. Tournus 1725-1805 Paris. La Dame de Charité (The Charitable Woman). Brush and Brown Ink, Grey and Brown Wash, Heightened with White 490 × 660mm
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Nicolas Lancret (1690 - 1743). Le Joueur de Musette (ca. 1735), Red Chalk. 17.5 × 14.8 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] George Romney 1734-1802. A Study for Milton and His Daughters. Oil on Canvas. Size: 24 × 30 Inches (628 × 762 MM) Painted Circa 1792-4
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Theodoor van Loon (Brussels 1581/2 - 1667 Leuven). Council of the Gods. Black Chalk Underdrawing, Pen & Brown Ink & Wash. 295 × 415 mm.
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Giovanni Francesco Barbieri, Called il Guercino. Cento 1591 - 1666 Bologna. Study of an Angel and of a Putto. Pen and Brown Ink. 212 × 193 mm
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jean-Baptiste Camille Corot, Cavalier passant devant un étang. Fusain sur papier teinté, 312 × 483 mm, signé en bas à Gauche. Daté par Martin Dieterle des anées 1850-60.
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] Leopold Rottmann (Heidelberg 1812 - 1881 Munich). A Panoramic View over a Valley in Southern Germany (Detail below). Gouache on Two Sheets of a Sketchbook, 8 × 35.5 cm. Signed and Dated on the Old Mount: L. Rottmann Fecit 1846
Attributed works:
[Simois Gestion de Arte, Salustiano Olozaga 5, Madrid 28001, Spain] Ventura Rodriguez (1717-1785). Dos géneros, o formas de molduras para guarnecer las Colgoduras de los cuartos del Palacio de S. A. de la Villa de Arenas en su propia magnitud. Pencil and Black Ink on Paper, Signed and Dated Madd. 16 de 1783. Ventura Rdrgz. 320 × 426mm.
Attributed works:
[Tate Gallery, Millbank, London, UK] Barbara Hepworth, Three Forms, 1935
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Henry Fuseli (Zurich 1741 - 1825 London). Portrait of Martha Hess. Pencil: 1778/79: 400 × 230 mm
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Giovanni Antonio Canal, Called il Canaletto (1697 - Venice - 1768). Houses and a Walled Garden by a Canal. Pen and Brown Ink and Brown and Grey Wash over Black Chalk, Brown Ink Framing Lines. Inscribed by the Artist on the Mount, l.c., Idea. 204 × 304 mm (8 × 12 Inches)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Maerten van Heemskerck. Heemskerck 1498-1574 Haarlem. The Stoning of St. Stephen, 1566. Signed and Dated, Lower Right, Maerten/van/Heemskerck/Inventor/1566. Pen and Brown Ink over Black Chalk, with Brown Ink Framing Lines, Some Outlines Incised. 7 3/4 x 10 7/8 Inches (196 × 252 mm)
Book Review
La mort de Brutus de Pierre-Narcisse Guerin
05/1998 | 1142 | 140
Pages: 330
related names
Reviewer:
Wrigley, Richard (Wrigley, Richard)
Subjects
Reviewed Items
subjects:
La mort de Brutus de Pierre-Narcisse Guerin | author: Bordes, Philippe
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Advertisements January 1998 (front)
01/1998 | 1138 | 140
Pages: i-xx
Subjects
artists:
artists:
subjects:
Illustrations
Attributed works:
St Cecilia, by Pietro da Cortona. 143.5 by 108.9 cm. (National Gallery, London; Exh. Palazzo Venezia, Rome; See Calendar).
Attributed works:
[Agnew's, 43 Old Bond Street, London] Pier Francesco Mola (1612-1666). Two Studies of Saint Cecilia (Recto); Studies of the Madonna and Child (Verso). Black Chalk, Pen and Brown Ink, Brown and Red Wash With Inscription 'Mola (verso)' 18.6 × 25.4 cm
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Claude Gellée, Called Le Lorrain. Moses and the Burning Bush. 1663. Graphite and Black Chalk with Brown and Light Grey Wash. 194 × 200 mm.
Attributed works:
[Berry-Hill Galleries, Inc., 11 East 70th Street, New York, New York] Luca Giordano 1634-1705. The Triumph of Bacchus and the Triumph of Neptune and Amphitrite. (Modello for the Ceiling Fresco of the Palazzo Medici-Riccardi). Oil on Canvas, $47frac{3}{4}times 74frac{3}{4}$ Inches
Attributed works:
[Charles Ratton & Guy Ladiere, 14 rue de Marignan, 75008, Paris] Giovanni Francesco Romanelli (1610-1662). Musicians on a Balcony. Pen and Brown Ink, Brown Wash, 95 × 121 mm.
Attributed works:
[Christie's New York 502 Park Avenue] Domenikos Theotokopoulos, El Greco (1541-1614). A Boy Lighting a Candle. Signed in Cursive Greek, Oil on Canvas 24 × 20 in. (61 × 50.8 cm.) Estimate upon Request.
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Nicolò dell'Abbate (Modena 1506-1571 Fontainebleau). Design for a Ceiling A Youth Playing a Lute with Three Ladies. Black Chalk, Pen and Brown Ink, Brown Wash Heightened with White, 35 × 47 cm.
Attributed works:
[Christie's, 502 Park Avenue, New York, New York] Paolo Caliari, Called Paolo Veronese (1528-1588). The Deposition. Pen and Brown Ink, Brown Wash 170 × 263 mm. Estimate $80,000-$120,000 (£50,000-£70,000)
Attributed works:
[Colnaghi, 15 Old Bond Street, London] Giuliano Bugiardini 1475 - Florence - 1554 Virgin and Child. Oil on Panel: 87.5 × 65 cms
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London] Louis Nicolas Lemasle Interior of the Palazzo Reale, Naples, with Ferdinando II, Queen Cristina and the Prince of Capua. Oil on Canvas Laid on Board, 98.4 × 124 cms.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Pietro da Cortona Cortona 1596 / 1669 Rome. The Three Fates c.1631. Black Chalk, Pen and Grey Ink, Brush and Grey Wash, Heightened with White, On Brownish-Grey Paper 180 × 169 mm (7 1/10 × 6 7/10 Inches)
Attributed works:
[Hill-Stone, Park Avenue, New York, New York] Arent van Bolten. Zwolle c.1573 - before 1633 Leuwarden. A Witch Wearing Wings Looking into a Mirror. Drawing in Brown Pen and Wash over Black Chalk. Another Autograph Version is in the Arent van Bolten Album at the British Museum.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Ferdinand Bol (Dordrecht 1616-1680 Amsterdam). The Philosopher. Oil on Canvas, 44¼ by 42½ Inches (112 by 108 cm.)
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Felice Giani (1758-1823), Amore e Gelosia, Watercolour, Pencil, Pen and Grey Ink. Inscribed 'Giani' in Grey Ink at the Lower Left, 420 × 324 mm.
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New york, New York] Pierre-Narcisse Guérin Study for Phaedra and Hippolytus, Circa 1802. Pen and Brown Wash with Graphite 9.2 by 11.1 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Michelangelo Buonarroti (1475-1564). Christ and the Woman of Samaria, with a Separate Sketch of a Man Looking up Black Chalk with Traces of White Chalk. 435 by 337mm (17¼ by 13½ in.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London] Orazio Samacchini Bologna 1532 - 1577 Bologna. Putti Supporting a Baldaquino. Pen and Brown Ink and Wash over Black Chalk Inscribed: Cabinet Crozat-D'Argenville-Brunet (Verso) 200 × 158 mm; $7frac{7}{8}times 6frac{3}{16}$ in.
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Jan Cossiers 1600 Antwerp 1671. Head of a Young Child. Black, Red and White Chalk 250 × 200 mm.
Advertisements
Advertisements February 1991(front)
02/1991 | 1055 | 133
Pages: i-xvi
Subjects
advertisements:
artists:
subjects:
Illustrations
Attributed works:
[Bruno Scardeoni, 54 Via Nassa, Lugano] Antonello Gaggini (Palermo, 1478/79 1536). Virgin and Child and God the Father. Marble. 66 × 41 cm.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13 Dusseldorf/ 61 East 77th Street, New York] Otto Greiner, 1869 Leipzig - München 1916. Study for 'Ganymed' (Engraving 1898. Vogel 69). Black and Red Chalk on Simili-Japan Paper. 311 × 500 mm.
Attributed works:
[Colnaghi, 14 Old Bond Street, London/ 21 East 67th Street, New York] Salvator Rosa. Naples 1615 - Rome 1673. Tobias and the Angel. Oil on Canvas: 65 × 50 cms
Attributed works:
[Edmund Peel & Asociados Spanish representatives for Sotheby's, Plaza de la Independencia, Madrid/ Pasaje Domingo 2, Barcelona] Juan de Arellano (1614-1676), Vase of Flowers with Fruit, Signed Juan de Arellano, Oil on Canvas, 98.5 × 63 cm. Estimate: 70.000.000-90.000.000 ptas. (£380,000-490,000)
Attributed works:
[Front cover] Portrait of Richard Gallo, by Gustave Caillebotte. 1881. 97.2 by 116.6 cm. (Nelson-Atkins Museum of Art, Kansas City).
Attributed works:
[Paul Mitchell, 99 New Bond Street, London] The Battle of Constantine and Licinius, by Peter Paul Rubens. 1622. Panel, 37.2 × 57.5cm. (The Nelson-Atkins Museum of Art, Kansas City [55-40]).
Attributed works:
[Phillips, 101 New Bond Street, London] John E. Ferneley Senior (1782-1860), "Morning, Hyde Park", Signed and Dated 1833, Oil on Canvas, 91cm × 83.5cm. Estimate: £40,000-£60,000.
Attributed works:
[Piero Corsini, 162 East 63rd Street, New York] Jusepe de Ribera. Játiva 1591 - Naples 1652. St. Matthew and the Angel. Oil on Canvas. 86.3 × 69.8 cm.
Attributed works:
[Richard L. Feigen & Company, 6 Ryder Street St James, London/ 49 East 68th Street, New York] Pierre-Narcisse Guerin, The Return of Marcus Sextus, c.1799, Oil on Paper Mounted on Canvas, 14½ by $16frac{3}{4}$ Inches (36.83 by 42.55 cm)
Attributed works:
[Sabrina Forster, Poststrasse 3, Dusseldorf]The Anonymous Liechtenstein Master Working about 1550. The Circumcision. Pen and Brown Ink, Brown Wash, Heightened with White. On Ochre Tinted Paper. 138 × 203 mm.
Attributed works:
[The European Fine Art Fair] Le Sens des Realités René Magritte. Oil on Canvas. 175 × 115 cm. 1963. Provenance: Alexander Iolas. Private English. Collection. Private Dutch Collection. Collectie Drs Loek Brons B. V. Amsterdam Lit.: René Magritte. H. Torckzyner. New York 1977. Page 155
Western art unattributed:
[Otto Naumann, Ltd, 4 East 74th Street New York] Anon. Dutch 17th Century. Panel 4½ × 3½ ins.
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Leaf from a Choirbook. Bologna. Early 13th Century.
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Advertisements April 1988 (Front)
04/1988 | 1021 | 130
Pages: ii-xxxii
Subjects
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
Reflection with Two Children (Self-Portrait), by Lucian Freud. 1965. 91.5 by 91.5 cm. (Thyssen-Bornemisza Collection, Lugano; Exh. Hayward Gallery, London).
Attributed works:
[Ader-Picard-Tajan, 12 rue Favart, Paris] Vigée le Brun (Elisabeth Louise), Portrait of Marie-Antoinette. Canvas, 93.3 × 74.8 cm. 36¾ × 29 7/16 in. Signed and Dated Lower Right. LE Vigée Le Brun 1778
Attributed works:
[Alinari, IDC, P.O Box 11205, Leiden] Florence, Bargello. Donatello, David.
Attributed works:
[Beaux Arts, York Street, Bath] John Bellany May 21 - Jun 30
Attributed works:
[C.G. Boerner Inc., 61 East 77th Street, New York] Giovanni Benedetto Castiglione. Brush Drawing, Red Paint on Laid Paper. 405 × 568 mm.
Attributed works:
[Carré Rive Gauche - Bernard Dragesco/Didier Cramoisan, 13 rue de Beaune, Paris] A Sèvres écuelle. Hand Paste. Black Lacquer, Polychrome, Gold and Platinum Decoration. Marked 'Sèvres' in Gold Painter's Mark of Lecot, c.1795-1800.
Attributed works:
[Carré Rive Gauche - Antony Embden, 15 Quai Voltaire, Paris] Neptune, Attributed to Tiziano Aspetti. C.1580-90 (Venice).Bronze with Natural Patina and Black Lacquer. 28 cm.
Attributed works:
[Carré Rive Gauche - Galerie Chereau, 10 rue de Beaune, Paris] Mercury, by Elie Delaunay. Oil on Canvas, 175 × 112 cm. Signed and Dated Rome 1859.
Attributed works:
[Carré Rive Gauche - J O Leegenhoek, 23 Quai Voltaire, Paris] Landscape with Figures, by Paul Bril (1554-1626). Pen and Brown Ink. 19 × 26.9 cm. Signed and Numbered 'Pawels Brill 66'.
Attributed works:
[Carré Rive Gauche - Marc Revillon D'Apreval, 23 Quai Voltaire, Paris] Harmonium, by Changuion, Aubert and Charasse. Rosewood with Ormolu Mounts 1847.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Wyndham Lewis, 'Red Portrait'. Oil on Canvas, 36¼ × 24¼ ins. Signed and Dated 1937
Attributed works:
[Daniel Blaise Thorens Fine Art Gallery AG, Aeschenvorstadt 15, Basle] «Pinasse d'Arcachon» Oel auf Leinwand, 1938, 130 × 89 cm signiert und datiert Le Corbusier
Attributed works:
[Frederick Cummings Fine Art, 146 West 57th Street, New York] Pierre Narcisse Guerin (1744-1833), Andromaque before Pyrrhus with Her Son, Astyanax. Oil on canvas 34 × 26 in. This large, beautifully painted sketch illustrating Racine's play of Andromaque is a preparatory work for Guérin's painting now in the Musée du Louvre (Inv. No. 5183), Paris. The large painting (3.42 × 4.57) was first shown at the Salon exhibition of 1810 ȧnd again in 1814. This sketch must be dated ca. 1809-10. Paintings by Guérin are extremely rare, most having been retained in French collections. The only American museum in possession of a work by him is the J. B. Speed Art Museum in Louisville, Kentucky.
Attributed works:
[Galerie Michael Werner, Gertrudenstrasse 24-28, Cologne] Markus Lüpertz "Hirte" [Shepherd]. Bronze, 230×95×65cm, 1986
Attributed works:
[Gallery Lingard at the Building Centre, 26 Store Street] LondonDesign for the Palace of Herberstein, Vienna, 1926. Pen & Ink with Wash 10 × 6½ Inches
Attributed works:
[La Galerie Pierre-Yves Gabus, 19 Cours de Rive, Geneva] Rolewinck Werner. Fasciclus temporum. Précieux incunable suisse imprimé au Prieuré de Rougemont par le moine H. Wirczburg en 1481.
Attributed works:
[Lawrence Fine art of Crewkerne, South Street, Crewkerne] Frances Hodgkins, Ibiza 1937. Signed Watercolour and Gouache. 21½″ (54.6)× 16¾″ (42.5)
Attributed works:
[Lawrence Fine art of Crewkerne, South Street, Crewkerne] Frances Hodgkins, Jugs. Signed Watercolour. 21″ (53.4)×16″ (40.6)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Bill Jacklin Charcoal Ruins: Girl Turning, 42nd Street 1987. Charcoal on Paper 60 × 40in./152.4 × 101.6 cm.
Attributed works:
[Matthew Schutz Ltd, 1025 Park Avenue, New York] An Exceptional Louis XVI Console, Circa 1785, Signed by David Roentgen. Veneered in mahogany, satinwood and thuya it is mounted in ormolu of the Finest Quality That Retains Its Original Gilding. The Top Is of bleu turquin Marble Inset with an Unusually Refined Openwork Gallery. Under the Marble the Case is Signed Roentgen Neuweid.
Attributed works:
[Mayor Rowan Gallery, 31A Bruton Place, London] John Golding 1.7 (Green) Acrylic and Mixed Media on Cotton Duck, 1986 60 × 78 Inches
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Frederic, Lord Leighton of Streeton, PRA, RWS 1830-1896. Athlete Struggling with a Python, Bronze. Inscribed F. Leighton dated 1877 and numbered XXVI. Inscrobed Pubd. by Ernest Brown & Phillips at the Leicester Square Galleries, Leicester, London: 20 inches high.
Attributed works:
[Phillips, 7 Blenheim Street, London] Pieter Codde (1599-1678), "A Musical Soiree," Oil on Panel, 27cm × 39.5cm. Estimate: £6,000-£8,000.
Attributed works:
[Piero Corsini Inc, 162 East 63rd Street, New York] Guido Cagnacci (Santarcangelo, 1601-Vienna, 1663), The Penitent Magdalene. Oil on Canvas, 35½ × 28⅛ Inches (90.2 × 71.4 cm.) Oil Sketch for the Altarpiece in Santa Maria Maddalena, Urbania
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Adam Pijnacker, Italianate Coastal Landscape, Circa 1656-1658, Oil on Panel, 23¾ by 36¼ inches (60.5 by 92 cm.)
Attributed works:
[Stoppenbach & Delestre Ltd, 25 Cork Street, London] Andre Derain (1880-1954). Donnemarie-en-Montois 1943. Oil on Canvas. 38.1 × 46.3 cm. 15 × 18¼ in. Signed Lower Right
Attributed works:
[Waddington Galleries, 2 & 34 Cork Street, London] Alfred Jensen Doric Order 1962 Oil on Canvas 54×54in/137.2×137.2cm
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Annibale Carracci, St. Francis in Meditation. Canvas, 57 × 71 cm, 22½ × 28 Inches
Attributed works:
[William Drummond at Kyburg Gallery, 39 Duke Street, London] Robert Streatfeild. A Traveller in Europe 1839 Until 1852
Western art unattributed:
[Carré Rive Gauche - Galerie Camoin, 9 Quai Voltaire, Paris] A Pair of Stools. Mahogany with Ormolu Ornamentation. Russia. Eighteenth Century.
Western art unattributed:
[Carré Rive Gauche - Galerie Chevalier, 17 Quai Voltaire, Paris] The Marriage of Theagenes and Chariclea. Wool and Silk. 305 × 374 cm, Paris, c.1620. Galerie Chevalier, 17 Quai Voltaire, Paris.
Western art unattributed:
[Carré Rive Gauche - Galerie Laroche, 12 rue de Beaune, Paris] Lion, One of a Pair. Wood. 45 × 75 × 30 cm. The Second One Slightly Longer. Italy. Twelfth Century.
Western art unattributed:
[Carré Rive Gauche - Galerie Perrin, 3 Quai Voltaire, Paris] Commode. Mahogany with White Marble Plaques and Ormolu Mounts. 91.5 × 130 × 64 cm. Russia. Last Quarter of the Eighteenth Century.
Western art unattributed:
[Carré Rive Gauche - Galerie Samarcande, 13 rue de Saint-Pères, Paris] Nymph. Marble. Height: 125 cm. Roman.
Western art unattributed:
[Carré Rive Gauche - Philippe Couque, 42 rue de l'Université, Paris] Fountain in the Shape of a Dolphin. Pottery with Overglaze. 48.5 × 36 cm, Hollitch (Hungary) 2nd Half of the Eighteenth Century.
Western art unattributed:
[Sotheby's, 34-35 New Bond Street, London] An Italian White Marble Bust of Cardinal Cesi (1500-1565). Height 25 in. (63.5 cm), Mid 16th Century. Estimate: Refer Department
Article
Who Painted David's 'Ugolino'?
11/1968 | 788 | 110
Pages: 620-623+625-626
related names
Author:
Rosenblum, Robert (Rosenblum, Robert; Rosenblum, Mr.)
Subjects
artists:
dates:
places:
places:
sources:
subjects:
subjects:
Illustrations
Attributed works:
35. Ugolino, Here Attributed to Fortuné Dufau. Salon of 1800. Canvas, 114 by 147 cm. (Musée des Beaux-Arts, Valence.)
Attributed works:
36. Return of Marcus Sextus, by Pierre-Narcisse Guérin. Salon of 1799. Canvas, 217 by 244 cm. (Musée du Louvre.)
Attributed works:
37. Ugolino, by Louis Gauffier. Pencil, 21 by 32 cm. (Musée Fabre, Montpellier.)
Attributed works:
38. Gustavus Vasa Haranguing the Peasants of the Dalarna, by Fortuné Dufau. Canvas, 195 by 164 cm. (Musée des Beaux-Arts, Marseille.)
Attributed works:
39. Alfred and Paul de Musset, by Fortuné Dufau. c.1815. Canvas, 56 by 46 cm. (Musée Carnavalet, Paris.)
Short Notice
Guérin, Delacroix and 'The Liberty'
05/1968 | 782 | 110
Pages: 270+273-275
related names
Author:
Ringbom, Sixten (Ringbom, Sixten)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
58. Drawing for Liberty, by Eugène Delacroix. Pencil, with Light Touches of White, 32.4 by 22.8 cm. (Musée du Louvre.) Photo. Archives Photographiques.
Attributed works:
59. Drawing for Liberty, by Eugène Delacroix. Pencil, with White Crayon on Brown Paper, 29.1 by 19.6 cm. (Musée du Louvre.) Photo. Archives Photographiques.
Attributed works:
60. Aurora and Cephalus, by Pierre-Narcisse Guérin. Canvas, 252 by 183 cm. (Musée du Louvre.) Photo. Archives Photographiques.
Attributed works:
61. Morpheus and Iris, by Pierre-Narcisse Guérin. Canvas, 281 by 178 cm. (Hermitage Museum, Leningrad.)
Article
Moratin, Inspirer of Géricault and Delacroix
09/1957 | 654 | 99
Pages: 302-309+311
related names
Author:
Florisoone, Michel (Florisoone, Michel)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
20. Cattle Market or Subduing the Bulls, by Théodore Géricault. 1818. Canvas, 56.5 by 48 cm. (Fogg Art Museum, Harvard University, Cambridge, Mass.)
Attributed works:
21. Christ Driving the Money-Changers from the Temple or Tauromachie, by Théodore Géricault. Pencil Drawing, 19.5 by 15.8 cm. (Museum, Orléans.)
Attributed works:
22. Bull Fighting with Dogs, by Théodore Géricault. Water-Colour, 21.9 by 32.2 cm. (Collection Marillier-Hébert, Paris.)
Attributed works:
23. Detail from Christ Driving the Money-Changers from the Temple, by Jean Jouvenet. 1706. (Museum, Lyons.)
Attributed works:
24. Bull Attacked by Dogs (Echan Los Perros), by Francisco Goya. Sheet 25 of the Tauromaquia Series, Published 1816. Etching, 20.9 by 31.1 cm.
Attributed works:
25. Bull Fighting (Taureau Combattant), by Louis Boulanger. Traced in Reverse for Lithography from the Water-Colour by Géricault Reproduced in Fig.22. 1825. (Bibliothèque Nationale, Paris.)
Attributed works:
26. Bull Attacked by Dogs, by Francisco Goya. ?1825. Lithograph.
Attributed works:
27. Indian Woman Bitten by a Tiger, by Eugène Delacroix. 1852. Canvas, 45 by 54 cm. (Private Collection.)
Attributed works:
28. Woman Carried off by a Horse, by Francisco Goya. Study for the Disparates Series. Red Chalk Drawing, 24.3 by 34.2 cm. 1812-19. (Museo del Prado, Madrid.)
Attributed works:
29. Entrance of the Crusaders into Constantinople, by Eugène Delacroix. Study for the Painting Reproduced in Fig.30. 1840. Canvas, 33 by 41 cm. (Musée Condé, Chantilly.)
Attributed works:
30. Entrance of the Crusaders into Constantinople, by Eugène Delacroix. Signed and Dated 1840. Canvas, 410 by 498 cm. (Louvre.)
Attributed works:
31. The Taking of Granada by the Catholics Don Fernando and Doña Isabel. Lithograph by Federico de Madrazo Serving as Frontispiece to the Madrid Edition (1831) of a Poem (1779) by Leandro Fernandez de Moratin.