Sargent and Fashion.
Edited by Erica E. Hirschler, with Caroline
Corbeau-Parsons, James Finch and
Pamela A. Parmal. 248 pp. incl. numerous
col. ills. (Tate Publishing, 2024), £32.
ISBN 978–1–84976–859–7. |
:
subjects:
Sargent and Fashion
Tate Britain, London
22nd February–7th July |
:
Illustrations
Attributed works:
18. Lady
Helen Vincent,
Viscountess
d’Abernon, by
John Singer
Sargent. 1904.
Oil on canvas,
158.8 by 108 cm.
(Birmingham
Museum of Art,
Birmingham AL;
exh. Tate Britain,
London).
Attributed works:
19. Dr Pozzi
at Home, by
John Singer
Sargent. 1881.
Oil on canvas,
201.6 by 102.2
cm. (Hammer
Museum, Los
Angeles; exh.
Tate Britain,
London).
Attributed works:
20. Madame
X, by John
Singer Sargent.
1883–84. Oil on
canvas, 208.6
by 109.9 cm.
(Metropolitan
Museum of Art,
New York; exh.
Tate Britain,
London).
Boldini: Pleasures and Days
Petit Palais, Paris
29th March–24th July |
:
Illustrations
Attributed works:
10. Emiliana
Concha de Ossa,
by Giovanni
Boldini. 1888.
Pastel on paper
mounted on
canvas, 219.7 by
120 cm. (Private
collection; exh.
Petit Palais,
Paris).
Attributed works:
11. Conversation
in the café, by
Giovanni Boldini.
1879. Oil on
panel, 28 by 41
cm. (Private
collection; exh.
Petit Palais,
Paris).
Attributed works:
12. A corner of
the painter’s
table, by
Giovanni Boldini.
c.1897. Oil on
panel, 120 by
38.5 cm. (Musée
Giovanni Boldini;
exh. Petit Palais,
Paris).
Book Review
Antonio Mancini: Catalogo ragionato dell’opera. Volume I: La pittura a olio; and Volume II: Repertori
Antonio Mancini: Catalogo ragionato
dell’opera. Volume I: La pittura a olio;
and Volume II: Repertori
By Cinzia Virno. Two vols, 720 pp. incl. 100 col.
+ 1500 b. & w. ills. (De Luca Editori d’Arte, Rome,
2019), £325. ISBN 978–88–6557–396–9. |
:
Illustrations
Attributed works:
6. John Severinus Conway, by Antonio
Mancini. 1887. Oil on canvas, 105 by 71 cm.
(Private collection).
Short Notice
A continuous line in Boccioni drawings at the Metropolitan Museum of Art, New York
10. Seated woman, by Umberto Boccioni.
c.1908–9. Graphite on paper, 38.1 by 26 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
11. Seated male nude, by Umberto Boccioni.
c.1908–09. Graphite on paper, 38.1 by 26 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
12. Study for ‘The dream – Paolo and
Francesca’, by Umberto Boccioni. 1908–10.
Graphite, charcoal, colored pencil, and wash
on paper, 23.2 by 46.7 cm. (Metropolitan
Museum of Art, New York).
Attributed works:
13. Study for ‘The city rises’, by Umberto
Boccioni. 1910. Graphite on paper, 14 by 21 cm.
(Metropolitan Museum of Art, New York).
Attributed works:
6. Study for ‘Female figure’, by Umberto
Boccioni. 1911. Graphite on paper, 61 by 48.6
cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Female figure, by Umberto Boccioni. 1911.
Oil on canvas, 135 by 93 cm. (Museo del
Novecento, Milan; Bridgeman Images).
Attributed works:
8. Study for ‘States of mind: The farewells’,
by Umberto Boccioni. 1911. Graphite on paper,
48.6 by 61 cm. (Metropolitan Museum of Art,
New York).
Attributed works:
9. The dream – Paolo and Francesca, by
Umberto Boccioni. 1908–09. Oil on canvas,
140 by 130 cm. (Private collection).
Book Review
A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture. By Sharon Hecker; Medardo Rosso: Experiments in Light and Form. By Sharon Hecker and Tamara H. Schenkenberg; Medardo Rosso: Sight Unseen and his Encounters with London. Edited by Sharon Hecker and Julia Peyton-Jones
45. Installation view of 1913: The Shape of Time including (background) Deconstruction of the planes of a lamp, by Ardengo Soffici (Estorick Collection, London; exh. Henry Moore Institute, Leeds); and (foreground) Development of a bottle in space, by Umberto Boccioni (Private collection; exh. Henry Moore Institute, Leeds)
Attributed works:
46. Wrestlers, by Henri Gaudier-Brzeska (Sherwin Collection, Leeds; exh. Henry Moore Institute, Leeds)