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856 articles
Article
Girodet’s ‘Coriolanus taking leave of his family’ rediscovered
10/2023 | 1447 | 165
Pages: 1094–1105
related names
Author:
Wile, Aaron (Wile, Aaron)
Subjects
dates:
sources:
Illustrations
Attributed works:
1. Coriolanus taking leave of his family, by Anne-Louis Girodet de Roussy-Trioson. 1786. Oil on canvas, 114 by 146 cm. (National Gallery of Art, Washington).
Attributed works:
10. Horatius killing his sister Camilla, by Anne-Louis Girodet de Roussy- Trioson. 1785. Oil on canvas, 111 by 148 cm. (Musée Girodet, Montargis).
Attributed works:
11. Oath of the Horatii, by Anne-Louis Girodet de Roussy-Trioson Girodet after Jacques-Louis David. 1786. Oil on canvas, 130.2 by 166.7 cm. (Toledo Museum of Art).
Attributed works:
12. Death of Socrates, by Jacques-Louis David. 1787. Oil on canvas, 129.5 by 196.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of Fig.1, showing the pose of Coriolanus and his eldest son.
Attributed works:
14. Detail of Fig.1, showing the altar to the household gods.
Attributed works:
15. Scene from a deluge, by Anne-Louis Girodet de Roussy-Trioson Girodet. 1806. Oil on canvas, 494 by 341 cm. (Musée du Louvre, Paris; Photo Josse; Bridgeman Images).
Attributed works:
16. Intervention of the Sabine women, by Jacques-Louis David. 1799. Oil on canvas, 385 by 522 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
2. Coriolanus leaving his family to fight against his fatherland, by Henri de Favanne. 1725. Oil on canvas, 97.5 by 130 cm. (Musée d’Auxerre; akg-images).
Attributed works:
3. Coriolanus taking leave of his wife to join the Volscians in their attack upon Rome, by Étienne Aubry. c.1780. Oil on canvas, 146.7 by 196.2 cm. (Mount Holyoke College Art Museum, South Hadley).
Attributed works:
4. Coriolanus entreated by his mother, by Nicolas Poussin. c.1650. Oil on canvas, 112 by 198.5 cm. (Musée Poussin, Les Andelys).
Attributed works:
6. Detail from Roman album no.8, by Jacques-Louis David. 1775–80. Pen and black ink, brown and grey wash, black chalk, some red chalk and chalk wash on paper, mounted to album leaves, 48.7 by 33 cm. (Morgan Library and Museum, New York).
Attributed works:
7. Detail of Fig.1, showing the pose of Veturia.
Attributed works:
8. Coriolanus taking leave of his wife. Last quarter of the eighteenth century. Oil on canvas, 125 by 169 cm. (Musée d’Art et d’Histoire, Cholet; RMN-Grand Palais; Gérard Blot).
Attributed works:
9. Horatius killing his sister Camilla, by Jacques-Louis David. 1781. Ink on paper, 27.5 by 38.7 cm. (Albertina, Vienna; akg-images).
Western art unattributed:
5. Detail of Brutus. Roman, 4th century BC. Bronze, height 69 cm. (Capitoline Museums, Rome; photograph Luisa Ricciarini; Bridgeman Images).
Exhibition Review
Giovanni Bellini: Influences Croisées Musée Jacquemart-André, Paris 3rd March–17th July
06/2023 | 1443 | 165
Pages: 643-647
related names
Reviewer:
Brown, Beverly Louise (Brown, Beverly Louise)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Giovanni Bellini: Influences Croisées Musée Jacquemart-André, Paris 3rd March–17th July | :
Illustrations
Attributed works:
10. The painting in Fig.9, photographed c.1996. (From J. Anderson: Giorgione: The Painter of Poetic Brevity, Paris 1997, p.321).
Attributed works:
7. Birth of the Virgin, by Jacopo, Gentile and Giovanni Bellini. c.1460–65. Tempera and oil on canvas, 112 by 152 cm. (Galleria Sabauda, Turin; exh. Musée Jacquemart- André, Paris; Bridgeman Images).
Attributed works:
8. Crucifixion, by Giovanni Bellini. c.1470. Tempera, oil (?) and gold on panel, 54.5 by 30 cm. (Museo Correr, Venice; exh. Musée Jacquemart- André, Paris).
Attributed works:
9. Virgin and Child, by the circle of Romanino. c.1517. Oil on panel, 68 by 48.1 cm. (Gemäldegalerie, Berlin; exh. Musée Jacquemart- André, Paris).
Exhibition Review
Renoir: Rococo Revival
11/2022 | 1436 | 164
Pages: 1150-1153
related names
Reviewer:
Bailey, Colin B. (Bailey, Colin B.; Bailey, Colin)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Renoir: Rococo Revival Edited by Alexander Eiling, Juliane Betz and Fabienne Ruppen. 328 pp. incl. 350 col. + b. & w. ills. (Hatje Cantz, Berlin, 2022), £50. ISBN 978–3–7757–5134–6. | :
Illustrations
Attributed works:
12. Installation view of Renoir: Rococo Revival at the Städel Museum, Frankfurt, 2022, showing The promenade, by Auguste Renoir. 1870. Oil on canvas, 81.3 by 64.8 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
13. After the luncheon, by Auguste Renoir. 1879. Oil on canvas, 100.5 by 81.3 cm. (Städel Museum, Frankfurt).
Attributed works:
14. The swing, by Auguste Renoir. 1876. Oil on canvas, 92 by 73 cm. (Musée d’Orsay, Paris).
Exhibition Review
Picasso–El Greco
10/2022 | 1435 | 164
Pages: 1008-1011
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Picasso–El Greco Kunstmuseum Basel 11th June–25th September | :
Illustrations
Attributed works:
1. Penitent Magdalene, by El Greco. c.1580– 85. Oil on canvas, 101.6 by 81.9 cm. (Nelson Atkins Museum of Art, Kansas City; exh. Kunstmuseum
Attributed works:
2. Nu assis, by Pablo Picasso. 1909–10. Oil on canvas, 92.1 by 73 cm. (© Succession Picasso; ProLitteris, Zurich; Tate, London; exh. Kunstmuseum Basel).
Attributed works:
3. Le couple, by Pablo Picasso. 1967. Oil on canvas, 195 by 130 cm. (© Succession Picasso; ProLitteris, Zurich; Kunstmuseum Basel; photograph Martin P. Bühler).
Book Review
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity
08/2022 | 1433 | 164
Pages: 822-823
related names
Reviewer:
Bann, Stephen (Bann, Stephen)
Subjects
Reviewed Items
subjects:
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity By Richard Thomson. 288 pp. incl. 257 col. + b. & w. ills. (Yale University Press, New Haven and London, 2021), $70. ISBN 978–0–300– 25710–6. | :
Illustrations
Attributed works:
5. Golden age, by Emile-René Ménard. 1908. Oil on canvas, 352 by 287 cm. (Musée d’Orsay, Paris; © RMN-Grand Palais; photograph Michel Urtado and Mathieu Rabeau).
Article
The source for Lutyens’s Memorial to the Missing of the Somme
08/2022 | 1433 | 164
Pages: 773-779
related names
Author:
Hopkins, Andrew (Hopkins, Andrew)
Subjects
dates:
Illustrations
Attributed works:
1. Memorial to the Missing of the Somme, Thiepval, designed by Edwin Lutyens and built 1927–32. (Wikimedia Commons).
Attributed works:
10. Plan and elevations of the Memorial to the Missing of the Somme, Thiepval, by Roderick Gradidge. 1995. Pen and ink on paper, 15 by 13 cm. (Private collection).
Attributed works:
11. Arch of the Four Winds, Rome, wall of the central arch with ancient and modern spolia. (Photograph the author, 2022).
Attributed works:
12. The Garibaldi Ossuary Mausoleum, Rome, designed by Giovanni Jacobucci and built 1939–41. (Wikimedia Commons).
Attributed works:
13. Some of the names of the Lost on the Memorial to the Missing of the Somme, Thiepval. (Photograph the author, 2022).
Attributed works:
2. Arch of the Four Winds, Rome, designed by Andrea Busiri Vici and built 1857–59, seen from the west. (Photograph Enrico Luciani, Comitato Gianicolo, Rome 2002).
Attributed works:
3. The destroyed casino dei Quattro Venti in 1849, by the circle of Stefano Lecchi. Watercolour on card, 43 by 60 cm. (Collezione Apolloni, Rome).
Attributed works:
4. The damaged Porta San Pancrazio, Rome, by Virginio Vespignani. 1854. Pen and coloured washes, 55 by 110 cm. (sheet). (Courtesy of Nuova Argos, Rome).
Attributed works:
5. The restored Porta San Pancrazio, Rome, by Virginio Vespignani. 1854. Pen and coloured washes, (sheet 55 by 110 cm. (sheet). (Courtesy of Nuova Argos, Rome).
Attributed works:
6. The Arch of the Four Winds, Rome, seen from the west. (Photograph the author, 2022).
Attributed works:
7. The Arch of the Four Winds, Rome, detail of the interior. (Photograph the author, 2022).
Attributed works:
8. The Arch of Janus (after Piranesi), Rome, by Thomas Girtin. 1798. Watercolour with pen and brown ink over graphite on paper, 21.1 by 30.8 cm. (Yale Center for British Art, New Haven).
Attributed works:
9. The Arch of Constantine, Rome, by Charles Smeaton. 1855. Albumen print on card, 23 by 18.5 cm. (The British School at Rome, Parker Collections).
Article
A Borromini-inspired church plan in eighteenth-century Lima
08/2022 | 1433 | 164
Pages: 740-751
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
Illustrations
Attributed works:
2. Los Huérfanos, Lima. (Photograph the author).
Attributed works:
1. The south façade of the Church of the Sacred Heart of Jesus of the Orphans (Los Huérfanos), Lima, by Cristóbal de Vargas, Juan de Matamoros, Manuel de Torquemada and others. 1758–66. (Photograph the author).
Attributed works:
10. Detail of the choir loft in Los Huérfanos, Lima. (Photograph the author).
Attributed works:
11. East wall of the nave, south entrance and choir loft of Los Huérfanos, Lima, by Manuel González Salazar. Before 1940. Photograph, 9.5 by 13 cm. (From H. Wethey: Colonial Architecture and Sculpture in Peru, Cambridge MA 1949).
Attributed works:
12. Detail of the southeast corner of the nave of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
13. The baptistery screen of Los Huérfanos, Lima. c.1766. Polychrome wood. (Photograph the author).
Attributed works:
14. Plan of the church dedicated to S. Carlo alle Quattro Fontane Esq. Francesco Borromini architect, by Giovanni Francesco Venturini. Engraving from G.G. de Rossi: Insignium Romae templorum prospectus exteriores interioresque, a celebrioribus architectis inventi, Rome 1684.
Attributed works:
15. The baptistery of Los Huérfanos, Lima. (Photograph Lucía Silva).
Attributed works:
16. The great courtyard, Colégio de Santo Tomás, Lima, by Fray Diego Maroto. Begun 1665. (Photograph the author).
Attributed works:
17. The dome of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Vicenzo Pirozzi; Bridgeman Images).
Attributed works:
18. The dome of the Chapel of San Martín de Porres, Monastery of Santo Domingo, Lima. Last third of the 18th century. (Photograph the author).
Attributed works:
3. The former Jesuit novitiate chapel of San Antonio Abad (now San Carlos), Lima, by Cristóbal de Vargas. 1758–66. (Photograph the author).
Attributed works:
4. The doorway in the west façade of Los Huérfanos, Lima. (Photograph the author).
Attributed works:
5. Plan of Los Huérfanos, Lima. (From E. Bonilla di Tolla et al.: Lima y el Callao, Lima and Seville 2009).
Attributed works:
6. The backsplash of one of three holy water stoups in Los Huérfanos, Lima. c.1766. Alabaster. (Photograph the author).
Attributed works:
7. The interior of Los Huérfanos, Lima, looking north. (Photograph Lucía Silva).
Attributed works:
8. The chancel of S. Carlo alle Quattro Fontane, Rome, by Francesco Borromini. 1638–41. (Photograph Andrea Jemolo; Bridgeman Images).
Attributed works:
9. Detail of the west wall of the nave of Los Huérfanos, Lima. (Photograph Lucía Silva).
Book Review
A Mediated Magic: The Indian Presence in Modernism 1880–1930
10/2021 | 1423 | 163
Pages: 977
related names
Reviewer:
Sarker, Archishman (Sarker, Archishman)
Subjects
Reviewed Items
subjects:
A Mediated Magic: The Indian Presence in Modernism 1880–1930 Edited by Naman P. Ahuja and Louise Belfrage. 184 pp. incl. 91 col.+ b. & w. ills. (Marg Foundation, Mumbai, and the Axel and Margaret Ax:son Johnson Foundation, Stockholm, 2019), $70. ISBN 978–9–383243–28–0. | :
Article
The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
07/2021 | 1420 | 163
Pages: 586-593
related names
Author:
Shaw, Samuel (Shaw, Samuel)
Subjects
Illustrations
Attributed works:
1. The brewer’s drayman, by Hubert Herkomer. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 20th November 1875; Bridgeman Images).
Attributed works:
2. The British rough, by William Small. 1875. Unknown engraver. Wood engraving. (First published in the Graphic, 26th June 1875; Bridgeman Images).
Attributed works:
3. A Cornish fisher-lad, by Arthur Hopkins. 1883. Unknown engraver. Wood engraving. (First published in the Graphic, 23rd June 1883; Bridgeman Images).
Attributed works:
4. The English pauper, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41; Bridgeman Images).
Attributed works:
5. The dress-maker, by Kenny Meadows. 1840. Engraved by John Orrin Smith. Engraving, 21.2 by 13.2 cm. (From Heads of the People, London 1840–41).
Attributed works:
6. Old Willie: The village worthy, by James Guthrie. 1886. Oil on canvas, 60.8 by 50.8 cm. (Kelvingrove Art Gallery and Museum, Glasgow; Bridgeman Images).
Attributed works:
7. Mamma Mia Poveretta, by Walter Sickert. c.1904. Oil on canvas, 46 by 38.2 cm. (Manchester Art Gallery; Bridgeman Images).
Attributed works:
8. Eli the thatcher, by William Rothenstein. 1913. Oil on canvas, 76.5 by 63.3 cm. (Manchester Art Gallery; Bridgeman Images).
Short Notice
Rubens and Dirce, a source in plain sight
02/2021 | 1415 | 163
Pages: 152-154
related names
Author:
Jaffé, David (Jaffé, David)
Subjects
places:
subjects:
Illustrations
Attributed works:
2. Farnese Bull (Punishment of Dirce) omitting restored elements, by Peter Paul Rubens. c.1607. Black chalk on white paper, 22.2 by 26.8 cm. (British Museum, London).
Attributed works:
3. The Farnese Hercules, by Peter Paul Rubens. c.1607. Black chalk on white paper, 22.2 by 26.8 cm. (verso of Fig.2). (British Museum, London).
Attributed works:
4. Rape of the Sabine women, by Peter Paul Rubens. 1635–36. Oil on panel, 169.9 by 236.2 cm. (National Gallery, London).
Attributed works:
5. Three nymphs with a cornucopia, by Peter Paul Rubens. c.1625–28. Oil on panel, 30.9 by 24.4 cm. (Dulwich Picture Gallery, London; Bridgeman Images).
Western art unattributed:
1. Farnese Bull (Punishment of Dirce). 1st century Roman copy of Hellenistic original. Marble, 3.7 by 2.95 m. (Museo Nazionale Archeologico, Naples; Bridgeman Images).
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