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11 articles
Book Review
Lucian Freud: New Perspectives Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews
03/2024 | 1452 | 166
Pages: 316–319
related names
Reviewer:
Farey, Luke (Farey, Luke)
Subjects
art literature:
dates:
subjects:
Reviewed Items
subjects:
Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews By Richard Calvocoressi et al. 128 pp. incl. 83 col. + 16 b. & w. ills. (Gagosian, London, 2023), $100. ISBN 978–1–951449–47–6. | :
subjects:
Lucian Freud: New Perspectives By Daniel F. Herrmann et al. 224 pp. incl. 142 col. ills. (National Gallery Global, London, and Museo Nacional Thyssen-Bornemisza, Madrid, 2022), £35. ISBN 978–1–85709–686–6. | :
Illustrations
Attributed works:
12. Frank Auerbach, by Lucian Freud. 1975–76. Oil on canvas, 40 by 26.5 cm. (© Lucian Freud Archive and Bridgeman Images; private collection).
Attributed works:
13. Lorenza Mazzetti in Italy, by Michael Andrews. 1954. Oil on canvas, 196.3 by 145.3 cm. (© Estate of Michael Andrews and Tate; private collection).
Attributed works:
14. Large interior, W9, by Lucian Freud. 1973. Oil on canvas, 91.4 by 91 cm. (© Lucian Freud Archive and Bridgeman Images; Devonshire Collections, Chatsworth).
Exhibition Review
A century of figurative British painting
05/2018 | 1382 | 160
Pages: 423-425
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
26. Black nude, by Francis Newton Souza. 1961. Canvas, 181.5 by 121 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
27. The deer park, by Michael Andrews. 1962. Oil on board, 214 by 244.5 cm. (Tate Britain, London; exh. Tate Britain, London).
Attributed works:
28. Reclining figure, by Dorothy Mead. c.1954. Canvas, 92 by 122 cm. (The Sarah Rose Collection; exh. Tate Britain, London).
Exhibition Review
Michael Andrews. London
04/2017 | 1369 | 159
Pages: 330-331
related names
Reviewer:
Dalwood, Dexter (Dalwood, Dexter)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
62. SAX A.D.832 - Second Painting, by Michael Andrews. 1983 (Estate of Michael Andrews; exh. Gagosian, London)
Attributed works:
63. Light VII: A Shadow, by Michael Andrews. 1974 (Estate of Michael Andrews; exh. Gagosian, London)
Attributed works:
64. Thames Painting: The Estuary, by Michael Andrews. 1994-95 (Pallant House Gallery, Chichester; exh. Gagosian, London)
Exhibition Review
The Mystery of Appearance. London
02/2012 | 1307 | 154
Pages: 135-136
related names
Reviewer:
Treves, Toby (Treves, Toby)
Subjects
places:
print:
print:
print:
Reviewed Items
subjects:
The Mystery of Appearance: Conversations Between Ten British Post-War Painters | institution: Haunch of Venison
Illustrations
Attributed works:
50. A woman bathing (Study after Rembrandt), by Leon Kossoff. 1982. Canvas, 58.4 by 48.3 cm. (Private collection; exh. Haunch of Venison, London).
Attributed works:
51. Girl on a Turkish sofa, by Lucian Freud. 1966. Canvas, 26.7 by 34.9 cm. (Private collection; exh. Haunch of Venison, London).
Attributed works:
52. The room Tarzana, by David Hockney. 1967. Acrylic on canvas, 243.8 by 243.8 cm. (Private collection; exh. Haunch of Venison, London).
Advertisements
Advertisements November 2001 (front)
11/2001 | 1184 | 143
Pages: i-xvi
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
In Shade, Foot of Olga Gorge, Katatjuta (The Olgas), by Michael Andrews. 1987. Acrylic, 213.4 by 228.6 cm. (Private Collection; Exh. Tate Britain, London)
Attributed works:
[Bob P. Haboldt & Co., 70 rue de Faubourg Saint-Honore, Paris, France] Willem van Mieris (Leiden 1662-1747 Leiden). Joseph Interpreting the Pharaoh's Dream. Gouache on Vellum, 6 5/8 × 5½ in. (168 × 141 mm)
Attributed works:
[British Petroleum (BP) Advertisement] Collage of 4 images. Royal Opera House. National Portrait Gallery. Louise Courtnell Self Portrait (Detail) 1991. Cast Gold Mask, Quimbaya (Colombia) 600-1100AD. Singer. Sir Joshua Reynolds Self Portrait as a Deaf Man (Detail) c. 1775. Tate Britain. British Museum
Attributed works:
[Christie's, 8 King Street, London, UK] Gentile Bellini (Venice 1429-c. 1507). Cardinal Bassarion Attended by Two Monks in Prayer with the Bassarion Reliquary: Tabernacle Door for the Sala dell'Albergo of the Scuola di S. Maria dei Battuti della Carità, Venice, '1472'. Tempera with Gold and Silver on Panel. 40¼ × 14 5/8 in. (102.3 × 37.2 cm.). Estimate: £200,000-300,000
Attributed works:
[Christie's, 8 King Street, London, UK] Gustave Moreau (French, 1826-1898). Sainte Cécile (Les Anges lui annoncent son prochain martyre). Signed 'Gustave Moreau' (Lower Left). oil on Canvas. 28 3/8 x 23 5/8 in. (73.2 × 60 cm.). Painted in 1897. Estimate: £500,000-700,000
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Gian Paolo Panini (1691 - 1765). Study of a Bishop. Oil on Canvas: 30.5 × 16.4 cm.
Attributed works:
[De Bayser, 69 rue St Anne, Paris, France] Théodore Rousseau. Lisière de forêt à Boisrémond. 29 × 45 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] A Pair of William IV Soup Tureens, by Edward Barnard & Sons, London, 1831. Silver, 329 oz., 29.2 × 45.7 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Chasseur Amérindien Clock, from the Model by Deverberie, French c. 1798. Patinated Bronze and Ormolu with Enamel and Pearl. 52 × 32 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dante Gabriel Rossetti (1828 - 1882), Algernon Charles Swinburne, Watercolour, 1861, The Fitzwilliam Museum, Cambridge
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] One of a Pair of Chamberlain's Worcester Pot-Pourri Vases and Covers, c. 1815-20, Painted with Views of Powderham Castle, Devon, and Trentham Hall, Staffordshire. ht 19 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Ormolu Table Clock, by Richard Webster, London, c. 1830-40. ht.50.8 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Portrait of Annie, the Artist's Daughter, by Robert Jobling (1841-1923). Oil on Canvas 64.1 × 48.3 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] St George, by Edward Coley Burne-Jones, c. 1887. White and Red Chalk Heightened with Body-Colour.
Attributed works:
[Ian Spencer Antiques, Ltd., The Barn, Princes House, Peasemore, Berkshire, UK] A Cloth of Gold. A 14th/15th Century Double Sided Processional Banner Originating from the German Principalities. Dimensions 58 cm by 47 cm
Attributed works:
[Museo Thyssen-Bornemisza, Paseo del Prado, 8. Madrid, Spain] Pablo Picasso. Tico Women Running on the Beach (The Race), 1922.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A Fine Early 18th Century Silvered and Japanned Serpentine Commode, Possibly Piedmontese. Estimate: £30,000-40,000
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Eugène Delacroix (1798-1863). Hamlet Tries to Follow His Father's Ghost. Stamped E. D. Lower Right. Pencil, 31 × 21 cm. Estimate: £8,000-12,000
Attributed works:
[Simois Gestion de Arte, Salustiano Olozaga 5, Madrid 28001, Spain] Juan de la Vega Ventura. Still Life. Madrid, ca. 1660
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] The Gelmhan Hall State Bed. Circa 1680-90. The Hangings attributed to Francis Lapiere. The frame attributed to Thomas Roberts.
Attributed works:
[Stair Sainty Matthiesen, 22 East 80th Street, New York, New York] Gustave Courbet. Ornans 1819 - 1877 La Tour-de-Peitz. Vue d'une mer agitée près d'une falaise. Oil on Canvas: 24 × 31 7/8 ins. 61 × 81 cm. Signed Lower Right: G. Courbet
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Doucai Saucer Dish, Yongzheng Mark and Period, 1723-25. Porcelain, Width 15.6 cm.
Western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Escritoire, Danish, Signed and Dated 1827. Mahogany and Brass, 142.7 × 121.8 × 55.9 cm.
Exhibition Review
Michael Andrews. London
11/2001 | 1184 | 143
Pages: 709-711
related names
Reviewer:
Calvocoressi, Richard (Calvocoressi, Richard)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
36. The Deer Park, by Michael Andrews. 1962. Board, 214 by 244.5 cm. (Tate Britain, London).
Attributed works:
37. Thames Painting: The Estuary, by Michael Andrews. 1994-95. 219 by 189.1 cm. (The St John Wilson Trust; Exh. Tate Britain, London).
Attributed works:
38. In Shade, Foot of Olga Gorge, Katatjuta (The Olgas), by Michael Andrews. 1987. Acrylic, 213.4 by 228.6 cm. (Private Collection; Exh. Tate Britain, London).
Attributed works:
39. Lights VII: A Shadow, by Michael Andrews. 1974. Acrylic, 182.9 by 182.9 cm. (Private Collection; Exh. Tate Britain, London).
Exhibition Review
The 'School of London'. Edinburgh and Luxembourg
10/1995 | 1111 | 137
Pages: 702-704
related names
Reviewer:
James, Merlin (James, Merlin; James, Merlin Ingli; Ingli James, Merlin; J., M.)
Subjects
artists:
artists:
artists:
artists:
artists:
dates:
subjects:
Illustrations
Attributed works:
55. Rimbaud, by Frank Auerbach. 1975-76. Board, 107.9 by 107.9 cm. (Tate Gallery, London; Exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
56. Study for a Self-Portrait, by Francis Bacon. 1963. 165.2 by 142.6 cm. (National Museum and Gallery of Wales, Cardiff; Exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
57. Lights V: The Pier Pavilion, by Michael Andrews. 1973. Acrylic, 152.4 by 213.3 cm. (Fundación Colección Thyssen-Bornemisza, Madrid; Exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Michael Andrews: Recent Paintings. London, Anthony d'Offay
07/1986 | 1000 | 128
Pages: 530-532
related names
Reviewer:
Fuller, Peter (Fuller, Peter)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
75. The Cathedral, North-East Face. Ayers rock, by Michael Andrews, 1984-85. Acrylic on Canvas. 244 by 427 cm. (Exh. Anthony d'Offay Gallery, London).
Attributed works:
76. 'Laughter'. Uluru (Ayers rock). The Cathedral, by Michael Andrews, 1985. Acrylic on Canvas. 244 by 274 cm. (Exh. Anthony d'Offay Gallery, London).
Attributed works:
77. The Olgas I—Evening by Malu Katu, by Michael Andrews, 1984. Water-Colour. 26.8 by 37.4 cm. (Exh. Anthony d'Offay Gallery, London).
Supplement
Twentieth-Century British Paintings Acquired by The Whitworth Art Gallery, Manchester: Supplement
01/1983 | 958 | 125
Pages: xii
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
Fig. 58. Abstract Construction, by John Piper (b.1903). 1935. Oil and Sand on Board with Glued Wood Construction, 51.4 by 61.5 cm.
Attributed works:
Fig. 59. August Flowers, by Ivon Hitchens (1893-1979). 1943. Oil, 84.2 by 50.8 cm.
Attributed works:
Fig. 60. John Deth, by Edward Burra (1905-1976). 1932. Water-Colour, 54 by 76.1 cm.
Attributed works:
Fig. 61. Composition with Figures, by David Bomberg (1890-1957). c. 1912-13. Panel, 41 by 32.8 cm.
Attributed works:
Fig. 62. Man's Head, Portrait 1 (Self-Portrait), by Lucian Freud (b. 1922). 1963. 53.3 by 50.8 cm.
Attributed works:
Fig. 63. The Blue and Yellow of the Yacht Club, by Michael Andrews (b. 1920). 1969. Board, 61 by 61 cm.
Attributed works:
Fig. 64. Nude on a Bed, by Harold Gilman (1876-1919). 1911-12. 62.2 by 51 cm.
Attributed works:
Fig. 65. Soldiers Washing, by Stanley Spencer (1891-1959). c. 1927. 67.3 by 44.5 cm.
Exhibition Review
Glasgow and Edinburgh. William Strang and Michael Andrews
02/1981 | 935 | 123
Pages: 116+118-119+121
related names
Reviewer:
Shone, Richard (Shone, Richard; S., R.; Shone, Richard)
Subjects
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
68. The Opera Cloak, by William Strang. Signed and Dated 1913. 122 by 102 cm. (Mr & Mrs A. Fortunoff; Exh. Glasgow).
Attributed works:
69. Panchita Zorolla, by William Strang. Signed and Dated 1916. 77 by 61 cm. (Manchester City Art Galleries; Exh. Glasgow).
Attributed works:
70. The Cause of the Poor, by William Strang. 1890. Etching, 23 by 20.3 cm. (Glasgow Art Gallery).
Attributed works:
71. C. R. Ashbee, by William Strang. 1903. Crayon, 28.5 by 18 cm. (Art Workers' Guild; Exh. Glasgow).
Attributed works:
75. Nymphs and Shepherds, by William Strang. 1920-21. 102 by 127 cm. (Glasgow Art Gallery).
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