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19 articles
Article
A portrait by Richard Westall of the poet Eleanor Porden
04/2024 | 1453 | 166
Pages: 358–367
related names
Author:
Bryant, Barbara (Bryant, Barbara)
Subjects
dates:
Illustrations
Attributed works:
1. Reverse of Fig.2, showing the handwritten inscription on the stretcher.
Attributed works:
10. Design for a couch, by Thomas Hope. 1807. Engraving. (From Household Furniture and Interior Decoration, Executed From Designs By Thomas Hope, London, pl.xxviii, nos.2 and 3).
Attributed works:
11. Thetis bringing the armour to Achilles, by John Flaxman. 1805. Engraving. (From The Iliad of Homer Engraved from the Compositions of John Flaxman RA Sculptor, London, pl.xix).
Attributed works:
2. Eleanor Anne Porden, here attributed to Richard Westall. 1807. Oil on canvas, 113 by 143.8 cm. (© Christie’s Images; Bridgeman Images; Krannert Art Museum, Champaign IL).
Attributed works:
3. Eleanor Porden, by John Flaxman. 1807. Graphite on paper, 15.9 by 11.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Photograph of a lost drawing of Eleanor Porden. (Derbyshire Record Office, Matlock).
Attributed works:
5. Detail from J. Horwood’s Plan, showing 59 Berners Street. (From J. Horwood: Plan of the Cities of London and Westminster, the Borough of Southwark and parts adjoining shewing every house, London 1794).
Attributed works:
6. Portrait of Richard Westall, R.A., by Thomas Lawrence and Richard Westall. Mid-1790s. Graphite on paper, 21.4 by 16.3 cm. (© Christie’s Images; Bridgeman Images; private collection).
Attributed works:
7. Expiation of Orestes, by William Bond, after Richard Westall. 1810. Stipple engraving, 35.3 by 30.5 cm. (From J. Britton et al.: The Fine Arts of the English School, London 1812).
Attributed works:
8. Reconciliation of Helen and Paris, after his defeat by Menelaus, by Richard Westall. c.1805. Oil on panel, 127 by 101 cm. (Tate).
Attributed works:
9. Detail of Fig.2, showing the frieze on the vase.
Article
Avatars of Antiquity I: From the nude warrior in Florence to the alien maiden in Piccadilly
11/2020 | 1412 | 162
Pages: 956-971
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Theseus and the minotaur, by Antoine-Louis Barye. Modelled 1841 or 1842. Bronze, height 45.9 cm., including the integral plinth. (Private collection).
Attributed works:
10. Bronze head, by John Samuel Agar. 1809. Stipple engraving of a marble copy of an archaic bronze head (from Specimens of Antient Sculpture published 1809).
Attributed works:
12. Detail of Lady Caroline Crichton and her Grandfather the 4th Earl of Bristol and Bishop of Derry, by Hugh Douglas Hamilton. 1790. Oil on canvas, 224.4 by 199.5 cm. (National Gallery of Ireland, Dublin).
Attributed works:
13. Speranza, by Bertel Thorvaldsen. 1859. Marble, height 160.5 cm. (Thorvaldsen Museum, Copenhagen).
Attributed works:
14. Detail of the sculpture in Fig.1, showing Theseus’s head.
Attributed works:
16. St Cecilia with angels, by Paul Delaroche. 1836. Oil on canvas, 202 by 162 cm. (Victoria and Albert Museum, London).
Attributed works:
17. Mrs Robert Hollond, by Ary Scheffer. 1851. Oil on canvas, 81.9 by 60.3 cm. (National Gallery, London).
Attributed works:
18. Preparatory painting for the St Pelagia in the frieze in Saint-Vincent-de- Paul, Paris, by Hippolyte Flandrin. c.1850. Oil on canvas, 73 by 60 cm. (Musée des Beaux Arts, Besançon).
Attributed works:
19. Rachel in the role of Phèdre, by Jean Jacques Barre. 1848. Ivory, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
2. Atalanta (right), by Pierre Lepautre. 1703–04. Carrara marble, height 126 cm.; with Hippomenes (left) by Guillaume Coustou I. 1711–12. Carrara marble, height 134 cm. (Both Musée du Louvre, Paris; photograph © RMN-Grand Palais/Tony Querrec).
Attributed works:
20. ‘Pourtalès Aphrodite’. Hellenistic, 200–100 BC. Bronze, height 25.4 cm. (British Museum, London).
Attributed works:
21. Gentle spring, by Frederick Sandys. 1864–65. Oil on canvas, 121 by 64 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
22. Salome, by Paul Manship. 1915. Bronze, height 47 cm. (Smithsonian Museum of American Art, Washington; SCALA Archives).
Attributed works:
23. Artemis (kneeling dancer), with a portion of its integral pedestal, by Elie Nadelman. 1916–18. Limestone, height 114.3 cm. (Chrysler Art Museum, Norfolk, VA).
Attributed works:
24. Figure V, by Barbara Hepworth. Cast 1925. Bronze, height 42 cm. (Daniel Katz Gallery, London).
Attributed works:
25. Peace, by Alfred F. Hardiman. 1946 (based on a model of 1920–24). Bronze, life-size. (Memorial Garden, St James’s Piccadilly, London).
Attributed works:
3. Princely glory, by Giovanni Baratta. Dated 1715. Carrara marble, 335.5 cm., excluding the later English pedestal. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. Detail of Marriage à-la-mode: Scene 2 The tête-à-tête, by William Hogarth, showing the mantel shelf. c.1743. (National Gallery, London; Bridgeman Images).
Attributed works:
5. Engraving after ‘Quonin Household God of the Chinese’, by Bernard Picart. (From B. Picart: Ceremonies et coutumes Religieuses des peoples idolatres, Amsterdam 1728, II, pp.222–23).
Attributed works:
6. Detail of Battle relief, by Bertoldo di Giovanni. 1480s. Bronze, 99 by 45 cm. (Museo Nazional del Bargello, Florence; Bridgeman Images).
Attributed works:
7. Warriors fighting, by Raphael. c.1510. Red chalk over stylus on paper, 37.9 by 28.1 cm. (Ashmolean Museum, Oxford; Bridgeman Images).
Attributed works:
9. Detail of The fire in the Borgo, by Raphael. 1516– 17. (Stanza dell’Incendio, Vatican; Bridgeman Images).
Western art unattributed:
11. Apollo of Piombino. Greek, First century BC. Bronze, height 115 cm. (Musée du Louvre, Paris; Bridgeman Images).
Western art unattributed:
15. Detail of a Greek or Etruscan statue of an athlete. c.Fifth century BC. Bronze, height 45.8 cm. (Musée du Louvre, Paris; Bridgeman Images).
Western art unattributed:
8. Juno Ludovisi (portrait of the deified Antonia Minor, mother of Emperor Claudius). First century AD. Luna marble, height 115 cm. (Palazzo Altemps, Rome; Bridgeman Images).
Obituary
David Watkin (1941–2018)
03/2019 | 1392 | 161
Pages: 266-268
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
art literature:
Illustrations
Attributed works:
2. David Watkin, Fellowship admission photograph. 1970. (The Master and Fellows of Peterhouse, Cambridge).
Attributed works:
3. David Watkin on stage as John Soane, preparing to deliver one of Soane’s Royal Academy lectures. c.1997. (Photograph Paul Doyle).
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Advertisements March 2016 (front)
03/2016 | 1356 | 158
Pages: s.p.
Subjects
advertisements:
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advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
Exhibition Review
Thomas Hope. London and New York
06/2008 | 1263 | 150
Pages: 422-423
related names
Reviewer:
Bird, Rufus (Bird, Rufus)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Illustrations
Attributed works:
63. Thomas Hope, by William Beechey. 1798. Canvas, 221.6 by 168.9 cm. (National Portrait Gallery, London; exh. Victoria and Albert Museum, London).
Attributed works:
64. The Egyptian Room at Duchess Street, London, as partially recreated in the installation of the exhibition Thomas Hope: Regency Designer at the Victoria and Albert Museum, London, 2008.
Attributed works:
65. Steps to the Theatre of the Arts, by William Henry Bartlett and Penry Williams. 1825–26. Watercolour, 20.6 by 27.9 cm. (Archives Department, London Borough of Lambeth; exh. Victoria and Albert Museum, London).
Attributed works:
66. The Aurora Room at Duchess Street, London, as partially recreated in the installation of the exhibition Thomas Hope: Regency Designer at the Victoria and Albert Museum, London, 2008.
Advertisements
Advertisements April 2008 (Front)
04/2008 | 1261 | 150
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, 43 Old Bond Street, London] Sir Augustus Wall Callcott, RA (1779-1844). Smugglers Alarmed While Landing their Cargo. Signed with the artist's monogram. Canvas, 63 x 102 in. (160 x 259 cm.)
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Christie's Important Old Master & British Pictures, London, 8 July 2008] William Larkin (London, c.1585-1619). Portrait of Bridget Thornhagh, later Lady Hickmon. Inscribed and dated 'AEtatis.SVAE.17/ANO: 1617'. Oil on panel, 44¼ x 33 in. (113.8 x 83.8 cm.)
Attributed works:
[Dorotheum, Palais Dorotheum, Dorotheergasse 17, Vienna, Austria. First auction week 2008] Vittorio Matteo Corcos (1859-1933). Conversation in the Jardin du Luxembourg (detail). 1892. Oil on canvas, 171 x 140 cm.
Attributed works:
[Elizabeth Harvey-Lee, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Hendrik Goltzius 1558-1616) Hercules and Cacus. Chiaroscuro woodcut, 1588. Ref: Bartsch 231, Hollstein 373, Bialler 25 ii/iii.
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris] Pietro Piffetti (Turin, 1701-1777). Commode veneered with rare woods, decorated with engraved ivory and gilt-bronze ornaments. Circa 1730-1740. Dimensions: 98.5 x 132 x 63.5 cm. (38¾ x 25 in.)
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris] Bartolomeo Bettera (Bergamo 1639-Milan after 1688). Musical instruments with Glass Balls and a Male Bust. Oil on canvas, 96 x 140 cm (37 13/16 x 55⅛ in.)
Attributed works:
[Hilary and Georgie Gerrish, Monmouthshire at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Andy Warhol. Eva Mudocci (After Munch) 1984. 1989. Screenprint on Lenox Museum Board, 101.6 by 81.3 cm.
Attributed works:
[Lempertz, Neumarkt 3, Cologne, Germany] Hans Hoffmann (um 1545/1550-1591/1592). The Hare (after Albrecht Dürer). 1582. Watercolour on paper, 21.6 x 18.3 cm.
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, New Bond Street, London] George Romney (1734-1802). Titania's Attendants. Oil on canvas, 47 x 59 inches (1194 x 1499 mm.). Painted circa 1792.
Attributed works:
[TAG Fine Arts, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Ryan. We don't need no stepping stones. 2007. Edition of 11. Screen print, 83.5 by 114.5 cm.
Attributed works:
[The Fine Art Society, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Robert Bevan (1865-1925). Horse dealers (Ward's repository No. 1). 1919. Lithograph, 27.8 by 38 cm.
Attributed works:
[The Paragon Press, London, at The 23rd London Original Print Fair, Royal Academy of Arts, Burlington Gardens, 23rd-27th April 2008] Anish Kapoor. Untitled, from shadow. 2007. Signed and numbered by the artist. Edition of 35. Etching, 65.5 by 49.5 cm.
Western art unattributed:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] Important pair of Carrara marble sphinxes. Paris, circa 1700. H. 82 cm. (32⅓ in.), W. 102 cm. (40 in.), D. 44 cm. (17⅓ in.)
Western art unattributed:
[Bonhams, 101 New Bond Street, London. Antiquities, Thursday 1 May] A large Roman marble bust of a satyr, mid 2nd Century A.D. Estimate: £30,000-40,000.
Letter
More on Dubost
11/2006 | 1244 | 148
Pages: 779
related names
Author:
Hauptman, William (Hauptman, William)
Subjects
dates:
places:
Article
Antoine Dubost’s ‘Sword of Damocles’ and Thomas Hope: an Anglo-French skirmish
08/2006 | 1241 | 148
Pages: 520-527
related names
Author:
Spear, Richard E. (Spear, Richard E.)
Subjects
artists:
artists:
collectors and dealers:
dates:
subjects:
subjects:
Illustrations
Attributed works:
1. The return of Helen, by Antoine Dubost. Canvas, 131 by 192 cm. (Private collection).
Attributed works:
2. The sword of Damocles, by Antoine Dubost (cleaned, prior to inpainting). 1804. Canvas, 228 by 258 cm. (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai).
Attributed works:
3. Dying athlete, by Jean-Germain Drouais. 1785. Canvas, 125 by 182 cm. (Musée du Louvre, Paris).
Attributed works:
4. The sleep of Endymion, by Anne-Louise Girodet-Trioson. 1791. Canvas, 198 by 261 cm. (Musée du Louvre, Paris).
Attributed works:
5. Design of an Ancient Tripod, from Household Furniture and Interior Decoration from Designs by Thomas Hope, London 1807, pl.17, no.5.
Attributed works:
6. Thetis bringing armour to Achilles, by Benjamin West. ?1806. Canvas, 49.5 by 67.5 cm. (New Britain Museum of American Art, CT).
Attributed works:
7. Detail of Fig.2, showing footstool with Dubost’s signature.
Attributed works:
8. Title page of A. Dubost: Hunt and Hope, An Appeal to the Public, London 1810.
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Advertisements June 2001 (front)
06/2001 | 1179 | 143
Pages: i-xxviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Trilobed Basin, Urbino Workshop (Fontana?). 1560-80. Maiolica, Maximum Width 47 cm. (Ashmolean Museum, Oxford. Acquired in 2001 with the Help of the Re:source/V. & A. Purchase Grant Fund, the National Art Collections Fund, and Private Donations)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Set of Four Extremely Rare Embroidered Silk Wall Hangings. To Designs by Jean-Baptiste Pillement. Lyon. Circa 1755-60.
Attributed works:
[Chanel advertisement] "Matelassée" Collection "Cosmos" Watch in 18ct White Gold and Diamonds
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Antonio Tempesta (1555-1630). The Death of Absalom. Oil on Dendritic Stone. 31 × 37.5 cm (One of a Pair)
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hilly Landscape with a Fortified Monastery and Figures. by Giuseppe Zocchi. Oil on Canvas. 83 × 53.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Bookcase, Designed by E. W. Godwin, Manufacture Attributed to Reuben Burkitt, 1869. Oak, 220.5 × 124 × 54.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Landscape with Figures on a Wooded Path. by Jan Brueghel the Elder. Oil on Copper. 21.5 × 31 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Mother and Child, Crossed feet, by Henry Moore. Bronze, 23 × 11 × 8.3 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Oval Mirror. Attributed to John Linnell. c.1765. Carved Giltwood. 42 × 107 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Quarter-Repeating Spring Table Clock, by Thomas Tompion c.1705. Ebony Veneered Case with Brass dial. ht. 42 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Retour de la pêche à Berck, by Eugène Boudin. Oil on Panel, 14.4 × 25.8 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Still Life of Two Dead Birds, a Dragonfly and Other Insects,. by Jean-Baptiste Oudry, 1713. Oil on Canvas, 32.5 × 25 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Téte penchée, by Julio González. Beaten Copper, 26.7 cm. High
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Through the Trees, South of France, by J. D. Fergusson, c.1924. Oil on Canvas. 55.5 × 61 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Travellers Passing a Village, by Thomas Gainsborough. Pen and Ink with Black Chalk and Water-Colour, Heightened with White Paint. 21.9 × 30.8 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Alexander the Great Receiving the Keys of a City, Brussels, c.1560. Tapestry, 274 × 224 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dante Gabriel Rossetti (1828-1882) Fair Rosamund, Oil, 1868, National Museum of Wales
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dessert Stand and Cover, by Paul Storr, London, 1808. Silver, ht. 29.5 cm. Weight 4014 Grams.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] George IV when Prince of Wales, by Richard Cosway, c.1804. Watercolour on Ivory, ht. 6.9 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Spring and Winter, Meissen, Models by F. Meyer, c.1755. Porcelain, ht. 21 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Trompe l'oeil of the Back of a Cradled Painting with a Framed Engraving, Feather etc., by Gabriel-Germain Joncherie, 1842. Oil on Canvas, 65,5 × 81.2 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Urn, Probably by Joseph Bancroft, Derby, c.1810. Porcelain.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Vase, Attributed to Thomas Hope, c.1800, from the Collections of the Earl of Warwick. Black basalt.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antoine Watteau (Valenciennes 1684 - 1721 Nogent-sur-Marne) Le Conteur ("The Romancer"). Oil on Panel, 34.3 × 27.3 cm (13½ × 10 3/4 ins). Engraved: C.-N. Cochin, December 1727
Attributed works:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Highly Important 18th Century George III Serpentine Commode, Circa 1765, Attributed to the Royal Cabinetmaker John Cobb.
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Gerard ter Borch. (Zwolle 1617 - 1681 Deventer). Portrait of a Lady, Three Quarter Length Seated, Wearing Black and Holding a Tortoise-Shell Fan in Her Left Hand. Oil on Panel. 14¼ × 11¼ in. (36.2 × 30 cm)
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Taddeo Zuccaro. S. Angelo in Vado 1529 - 1566 Rome. Adoration of the Magi. Pen and Brown Ink, Brown Wash, over Red Chalk; Indented for Transfer; inscribed on the Verso: SR 119. 385 × 274 mm.
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Louis-François Cassas (1756 - 1827) Capriccio («Colonnacce» in the Forum of Nerva), ca. 1787-97 Pen and Black Ink, Watercolour, 42 × 31.5 cm.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Fine Regency Patented Dining Table by B. P. Titter. First Half of 19th Century. Mahogany, Extendible, Length Maximally about 146 in. On Centre of Both Short Sides an Engraved Brass Plate »B. P. Titter & Co. Inventors & Manufacturers Norwich«. 28 3/4 × 44½ × 58 4/16 in.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A 19th Century French Bronze Model of a Woman, Cast from a Model by Aimé Jules Dalou.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Giovanni Francesco Barbieri, Called Guercino (1591-1666). Rest on the Flight into Egypt. Red Chalk, 277 × 415 mm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Jan Brueghel the Younger (Antwerp 1601-1678). Landscape with Travellers on a Path, a Town beyond. Signed and Dated 1623. Oil on Panel, 37.5 × 52 cm (14 3/4 × 20 ½ in). Estimate: £400,000-600,000.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Melchior D'Hondecoeter (1636-1695). Dutch School. Bantams and Pigeons in a Classical Landscape. Oil on Canvas. 32 × 31 Inches (81.5 × 78.8 cms). Signed.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to the Circle of Germain Pilon. French, Circa 1590 Bronze Figures of the Virgin and St. John from a Crucifixion Group 17 and 18cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Michelangelo Buonarroti (Caprese 1475 - 1564 Rome) A Mourning Woman. Pen and Two Shades of Brown Ink, Heightened with White 26 by 16.4cm. Estimate on Request
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] Contemporary Black Basalt Statue of Cleopatra c. 51-30 BC. The Three Cobras on Her Headdress are a Sign of Royalty Unique to Cleopatra. Courtesy of The Hermitage Museum, St. Petersburg
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Table Fountain Incorporating a Chinese Famille verte Covered Vase Flanked by Vincennes Bullfinches. Porcelain with Ormolu Mounts, 30.5 × 30 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Throne, Indian c.1885. Gilt and Silvered Metal.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Triangular Plate with Four Bodhicharmas on Lotus Thrones, Early Ming Dynasty (14th Century). Bronze, ht. 56.3 cm.
Western art unattributed:
[Chanel advertisement] "Comètes" Collection "Nuit Étoilée" Ring and Bracelet in 18ct White Gold, Sapphires and Diamonds
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Portrait of Louis de Buurbon, 'Le Grand Dauphin' (1661-1711). French, Louis XIV (r. 1643-1715). White Marble against an Oval in Grey 'Sainte Anne' Marble Height: 56 cm. Width: 46 cm.
Western art unattributed:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Very Rare Set of Three George III torchères in Yew Wood and Padouk, Based upon Plate CXX in Thomas Chippendale's, 'The Gentleman & Cabinetmaker's Director', 1st edition
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK] An Extremely Rare and Fine Quality Pembroke Table in Beautifully Figured Mahogany. Circa 1775. Width 39 3/4 ins (101 cms). Depth 27½ ins (70 cms). Height 28 3/4 ins (73 cms).
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A Fine Serpentine Side Table, in the Chinese Chippendale Manner.
Short Notice
Thomas Hope's 'Composition Picture'
06/1982 | 951 | 124
Pages: 360+362-363+365-366
related names
Author:
Conner, Patrick (Conner, Patrick)
Subjects
artists:
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
47. 'The Composition Picture', by Thomas Daniell. c. 1799. 174 by 222 cm. (Private Collection).
Attributed works:
48. Study for 'The Composition Picture', by Thomas Daniell. Pencil and Sepia Wash. (Private Collection.)
Attributed works:
49. Lucknow on the River Gumti, by Thomas Daniell. 1813. 192 by 150 cm. (National Gallery of Modern Art, New Delhi.)
Attributed works:
50. Plate VI ('Drawing Room'), from Household Furniture and Interior Decoration from Designs by Thomas Hope [1807]. 20.9 by 28 cm.
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