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7 articles
Editorial
History of art after Brexit
11/2023 | 1448 | 165
Pages: 1171
Article
Richard Livesay’s painting of the Eton Montem
07/2022 | 1432 | 164
Pages: 650-657
related names
Author:
Dille, Catherine (Dille, Catherine)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.4, showing the Servitors.
Attributed works:
10. Wyrley Birch in Montem costume, by Richard Livesay. c.1791. Oil on canvas, 23.5 by 20 cm. (Collection of the Provost and Fellows of Eton College).
Attributed works:
11. Detail of Fig.4, showing Colonel Thomas Earle and his attendants.
Attributed works:
12. Detail of Fig.4, showing spectators of the procession.
Attributed works:
13. Military review of the Worcestershire Regiment by Major-General Whitelocke on Southsea Common, by Richard Livesay. 1823. Oil on canvas, 78 by 124 cm. (Portsmouth Museum and Art Gallery).
Attributed works:
2. Montem in Weston’s Yard with King George IV, by Charles Turner. 1820. Pencil and watercolour on paper, 50.8 by 68.5 cm. (Collection of the Provost and Fellows of Eton College).
Attributed works:
3. The festival of Eton Montem with the procession up Salt Hill, by Robert Cruikshank. Hand-coloured copperplate, 14.6 by 23.5 cm. (From B. Blackmantle: The English Spy, London 1825; Bridgeman Images).
Attributed works:
4. The Montem Procession, by Richard Livesay. c.1791–93. Oil on canvas, 120 by 327 cm. (Eton College, Eton).
Attributed works:
5. Detail of Fig.4, showing the Montem Captain Edward Jones and two Salt-Bearers receiving a donation from a man on horseback.
Attributed works:
6. The Hon. George Montagu afterwards Earl of Sandwich, by Richard Livesay. c.1790. Canvas, 74.9 by 62.2 cm. (Mapperton House, Dorset; photograph Lisa Stein).
Attributed works:
7. Joseph Hucks at Eton, by Richard Livesay. c.1790. Oil on canvas. (Private collection; photograph © Richard Budd 2022).
Attributed works:
8. Francis Gervais, by Richard Livesay. c.1790. Oil on canvas, 22.8 by 19.8 cm. (Armagh County Museum).
Attributed works:
9. Detail of Fig.4, showing Serjeant-Major Richard Bethell and the Serjeants.
Article
Alfred Stevens, an art student in Florence, 1834–36
05/2019 | 1394 | 161
Pages: 388-397
related names
Author:
Sladen, Teresa (Sladen, Teresa)
Subjects
dates:
patrons:
places:
Illustrations
Attributed works:
1. Self-portrait at the age of fourteen, by Alfred Stevens. 1832. Canvas, 30.8 by 24.8 cm. (Tate).
Attributed works:
10. La Bella, after Titian, by Alfred Stevens. 1835. Watercolour on paper, varnish over face, 23 by 17 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Study of St James with two children by Andrea del Sarto, by Alfred Stevens. 1835. Graphite on paper, 21 by 14 cm. (Walker Art Gallery, Liverpool).
Attributed works:
12. Ligurian landscape with a hilltop building, by Alfred Stevens. 1836. Graphite on paper, 26 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
2. Self portrait, by Giuseppe Bezzuoli. 1839. Canvas, 81 by 64 cm. (Galleria degli Uffizi, Florence).
Attributed works:
3. Francis Kinloch, from his tomb in the Protestant cemetery in Rome, by Thomas Crawford. 1840. Marble. (Photograph the author).
Attributed works:
4. Copy of a fresco by Agnolo Gaddi in S. Croce, Florence, by Alfred Stevens. 1835–36. Graphite and watercolour with gold on paper, 41.5 by 31 cm. (British Museum, London).
Attributed works:
5. Self-portrait, by Alfred Stevens. c.1835–36. Graphite on paper, 28.9 by 22.9 cm. (National Portrait Gallery, London).
Attributed works:
6. Nude woman, by Alfred Stevens. c.1835. Graphite on paper, 30 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
7. Drawing of a man on horse and skeleton, by Alfred Stevens. c.1834–36. Graphite on paper, 26.8 by 18.8 cm. (Tate).
Attributed works:
8. L’Ammostatore, by Lorenzo Bartolini. c.1818. Marble, 128 by 43 by 41 cm. (State Hermitage Museum, St Petersburg; photograph Fratelli Alinari; Bridgeman Images).
Attributed works:
9. Page from a pocket sketchbook showing people in the street, by Alfred Stevens. c.1837. Graphite on paper, 10 by 14 cm. (Royal Institute of British Architects, London).
Western art unattributed:
13. The Temple of Vesta at Tivoli seen from the gorge. French, c.1800. Oil on paper laid on canvas, 28.7 by 18.7 cm. (The Gere Collection, on loan to the National Gallery, London).
Article
Russia, Rome and the tricky business of disaster painting
12/2018 | 1389 | 160
Pages: 996-1005
related names
Author:
Blakesley, Rosalind P. (Blakesley, Rosalind P.)
Subjects
Illustrations
Attributed works:
1. Last day of Pompeii, by Karl Bryullov. 1830–33. Canvas, 456.5 by 651 cm. (State Russian Museum, St Petersburg).
Attributed works:
10. Ivan the Terrible and his son Ivan. 16th November 1581, by Ilya Repin. 1885. Canvas, 199.5 by 254 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
2. Destruction of Pompeii and Herculaneum, by John Martin. 1822. Canvas, 161.6 by 253 cm. (Tate, London).
Attributed works:
3. Earthquake in Rocca di Papa, near Rome, by Petr Basin. 1830. Canvas, 84 by 99 cm. (State Russian Museum, St Petersburg).
Attributed works:
4. Sketch for ‘Genseric’s invasion of Rome’, by Karl Bryullov. 1835–36. Canvas, 88 by 117.9 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
5. Siege of Pskov by King Stefan Batory of Poland in 1581, by Karl Bryullov. 1839–43. Canvas, 482 by 675 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
6. Death of Camilla, sister of Horatius, by Fedor Bruni. 1824. Canvas, 350 by 526.5 cm. (State Russian Museum, St Petersburg).
Attributed works:
7. The brazen serpent, by Fedor Bruni. 1834–41. Canvas, 565 by 852 cm. (State Russian Museum, St Petersburg).
Attributed works:
8. Sketch for ‘St Eustace Placidus in the Colosseum’, by Aleksei Markov. 1836–42. Canvas, 98 by 136.5 cm. (State Tretyakov Gallery, Moscow).
Attributed works:
9. Morning of the execution of the Streltsy, by Vasily Surikov. 1881. Canvas, 218 by 375 cm. (State Tretyakov Gallery, Moscow).
Exhibition Review
London exhibitions
01/2014 | 1330 | 156
Pages: 44-46
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
places:
Illustrations
Attributed works:
50. Still from Camellemac, by Rosie O'Grady. 2013. Colour video, 9 mins. 41 secs. (Saatchi Gallery, London).
Attributed works:
51. White permutation 1, by Mary Martin. 1965. Pencil, ink and wash on paper, 32.5 by 54.5 cm. (Exh. Annely Juda Fine Art, London).
Attributed works:
52. Chance, order, change, time sequence, by Kenneth Martin. 1983. Pencil, ink and gouache on paper, 29.5 by 42 cm. (Exh. Annely Juda Fine Art, London).
Attributed works:
53. Room for a small head (Nadia), by Enrico David. 2013. Plaster, 33 by 30 by 150 cm. (Exh.Michael Werner Gallery, London).
Attributed works:
54. L'Expedition scintillante, act 2, by Pierre Huyghe. 2002. Light show with smoke and sound, dimensions variable. (Museo de Arte Contemporáneo de Castilla y León; exh. Raven Row, London).
Short Notice
The ideal of history painting: Georges Rouault and other students of Gustave Moreau at the Ecole des Beaux-Arts, Paris, 1892–98
05/2006 | 1238 | 148
Pages: 332-349
related names
Author:
Scassellati Cooke, Cristina (Scassellati Cooke, Cristina)
Subjects
dates:
places:
Illustrations
Attributed works:
23. Peasant from the Vendée, by Charles Milcendeau. 1896. Black crayon on paper, 21 by 17 cm. (Musée de Grenoble).
Attributed works:
24. Man in red (Portrait of Paul Baignières), by Henri Evenepoel. 1894. Canvas, 225 by 151 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels).
Attributed works:
25. The wandering Jew, by Adrien-Alexandre Gilles. 1895. Canvas, 212.8 by 140.3 cm. (Musée des Capucins, Coulommiers).
Attributed works:
26. The prodigal son, by Philibert Vigoureux. Present whereabouts unknown; repr. from L’Art Français (6th March 1897).
Attributed works:
27. The cellar of the Soleil d’Or, by Henri Evenepoel. 1896. Canvas, 73.5 by 92 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels).
Attributed works:
28. Samson turning the mill, by Georges Rouault. 1893. Canvas, 146 by 114 cm. (Los Angeles County Museum of Art).
Attributed works:
29. Samson turning the mill, by Maurice Mitrecy. 1893. Canvas, 114 by 146 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Attributed works:
30. Coriolanus in the house of Tullus, by Georges Rouault. 1894. Canvas, 46 by 38 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Attributed works:
31. Jesus among the doctors, by Georges Rouault. 1894. Canvas, 164 by 130 cm. (Musée d’Unterlinden, Colmar).
Attributed works:
32. Pietà or The holy women mourning Christ, by Georges Rouault. 1895. Canvas, 114.8 by 147 cm. (Musée de Grenoble).
Attributed works:
33. Pietà or The holy women mourning Christ, by Antoine Larée. 1895. Canvas, 114 by 146 cm. (Ecole nationale supérieure des Beaux-Arts, Paris).
Article
A student at the Courtauld Institute
08/2005 | 1229 | 147
Pages: 539-547
related names
Author:
Farr, Dennis (Farr, Dennis; Farr, Dennis Larry Ashwell; F., D. L. A.)
Subjects
art literature:
dates:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
18. Photograph of Margaret Whinney at her desk, Courtauld Institute, Portman Square. May 1956. (Courtesy of Kerry Downes).
Western art unattributed:
16. Photograph of Anthony Blunt in his study, Courtauld Institute, Portman Square. May 1956. (Courtesy of Kerry Downes).
Western art unattributed:
17. The Back Parlour, Home House, 20 Portman Square (Cézanne's Grands arbres au Jas de Bouffan on wall at left, later used as the lecture room of the Courtauld Institute. (Photograph: Country Life).
Western art unattributed:
19. Photograph of Else Scheerer at her desk, Courtauld Institute, Portman Square. May 1956. (Courtesy of Kerry Downes).
Western art unattributed:
20. Photograph of Johannes Wilde. c.1960. (Courtesy of Michael Hirst).
Western art unattributed:
21. En route to Highnam Court, Highnam, Glos.: Dennis Farr (middle right, looking back); David Thomas (profile, window seat, next to Farr); Mahmoud, an Egyptian student (right, foreground). Summer 1949. (Photograph in collection of Dennis Farr).
Western art unattributed:
22. Highnam Court, Highnam, Glos. (left to right): Elsa Scheerer (extreme left, in shade); David Thomas (back view); undentified man; unidentified woman and Margaret Whinney (in sunglasses); Pamela Wynn Reeves and Cara Bell; Mrs Johannes (Gyulia) Wilde standing with Stefan Arvay (a Polish student); Anthony Blunt (seated on grass). Summer 1949. (Photograph in collection of Dennis Farr).
Western art unattributed:
23. Highnam Court, Highnam, Glos. (left to right): Jean Leslie and Francis Hawcroft (both seated); William Osman (an American postgraduate student) and Ronald Alley (drinking). Sumer 1949. (Photograph in collection of Dennis Farr).
Western art unattributed:
24. Highnam church, Highnam, Glos. (left to right): Ralph Holland (half-hidden, lying back) talking to Lavinia Stainton (seated on steps); Richard James (seated, smoking pipe); Gyulia and Johannes Wilde standing, talking to Peter Lasko by church steps; Zillah Halls (right profile, seated on door steps) talking to unidentified woman; Judith Cloake; Cara Bell (talking to unidentified woman in dark dress); unidentified woman (?Ursula Pariser) on foreground steps; two unidentified women on steps; Ronald Alley (far right, reclining on grass). Summer 1949. (Photograph in collection of Dennis Farr).