Plate I. A-Madonna and Child with Angels, Here Attributed to the Master of the Last Judgment. Fresco. (S. Agostino, Rimini); B-Madonna and Child with Saints, by Giuliano da Rimini. Centre Panel from the Urbania Altarpiece. Dated 1307. (The Gardner Museum, Boston, U. S. A.); C-The Incredulity of St. Thomas. The Workshop of Pietro da Rimini. Fresco. (S. Maria in Porto Fuori, Ravenna). The Master of the Last Judgment at Rimini
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Plate II. A-The Last Judgment. Fresco from S. Agostino, Rimini (Palazzo Dell' Arengo, Rimini). The Master of the Last Judgment at Rimini
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Plate II. B-The Archangel Michael, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
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Plate II. C-Three Apostles. Detail of Plate II, A. The Master of the Last Judgment at Rimini
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Plate II. D-Three Apostles, Detail from the Last Judgment, by Cavallini. Fresco (S. Cecilia, Rome). The Master of the Last Judgment at Rimini
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Plate III. A-Left, St. John Arresting the Earthquake at Ephesus; Right, St. John in a Vat of Boiling Oil in the Presence of Domitian, Here Attributed to an Assistant of the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
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Plate III. B-Left, The Trial by Poison of St. John the Evangelist at Patmos; Right, St. Augustine Presenting the Rule to the Hermits, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
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Plate IV. A, B-Angels, Details of Plate II, A. The Master of the Last Judgment at Rimini
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Plate IV. C, D-Two Apostles, Details of Plate II, A. The Master of the Last Judgment at Rimini
Madonna and Child with Four Saints. Polyptych, Here Ascribed to Giotto. Panel. Height to the Points of the Gables, 91-97 cm.; Breadth of the Whole, 340 cm. (Museum of S. Croce, Florence). A Polyptych Ascribed to Giotto
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Plate II. A-Madonna and Child (Detail of Plate I). A Polyptych Ascribed to Giotto
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Plate II. B-Madonna and Child with Saints (Detail), by Giotto (Uffizi Gallery, Florence). A Polyptych Ascribed to Giotto
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Plate II. C-St. John (Detail of Plate I). A Polyptych Ascribed to Giotto
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Plate II. D-Madonna and Child, by Taddeo Gaddi? Panel, 33 by 24 cm. (The Ashmolean Museum, Oxford). A Polyptych Ascribed to Giotto
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Plate III. A-Heads of Saints. (Detail of The Madonna and Child with Saints), by Giotto (Uffizi Gallery, Florence). A Polyptych Ascribed to Giotto
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Plate III. B-St. Nicholas (Detail of Plate I). A Polyptych Ascribed to Giotto
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Plate III. C-St. Peter (Detail of Plate I). A Polyptych Ascribed to Giotto
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Plate IV. A-St. Benedict (Detail of Plate I). A Polyptych Ascribed to Giotto
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Plate IV. B-The Birth of the Virgin (Detail), by Giotto (The Arena Chapel, Padua). A Polyptych Ascribed to Giotto
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Plate IV. C-St. Stephen. School of Giotto, Panel, 84 by 54 cm. (The Horne Collection, Florence). A Polyptych Ascribed to Giotto
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Plate IV. D-The Naming of St. John the Baptist (Detail), by Giotto (S. Croce, Florence). A Polyptych Ascribed to Giotto
Plate I. The Altarpiece (Cathedral of St. Bavon, Ghent). The Ghent van Eyck Re-Examined
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Plate II. A-Back of Side Wings. The Ghent van Eyck Re-Examined
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Plate II. B-Reconstruction of the Altarpiece of Hubert van Eyck, without Those Parts Subsequently Altered by Jan. Dotted Portion Completed by the Author. Lined Portion Hubert's Work, Not Overpainted by Jan. The Figures Given Only in Outline by Jan but Probably Part of Hubert's Design. The Ghent van Eyck Re-Examined
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Plate II. C-Reconstruction by H. G. Hotho, 1861. The Ghent van Eyck Re-Examined
Plate I. Both of the First Half of the Fourteenth Century (The Abbey of Sta. Maria, Pomposa). A-Interior of the Chapter House of the Abbey of Sta. Maria, Pomposa. B-Prophet. C-The Crucifixion (Detail). The Chapter House Frescoes at Pomposa
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Plate II. The Crucifixion. First Half of Fourteenth Century. (The Abbey of Sta. Maria, Pomposa). The Chapter House Frescoes at Pomposa
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Plate III. A-Two Apostles, by Cavallini and His Assistants. Early Fourteenth Century. (Sta. Maria Donna Regina Coeli, Naples). The Chapter House Frescoes at Pomposa
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Plate III. B-Two Prophets. First Half of the Fourteenth Century. (The Abbey of Sta. Maria, Pomposa). The Chapter House Frescoes at Pomposa
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Plate III. C and D-Prophets. First Half of the Fourteenth Century. (The Abbey of Sta. Maria, Pomposa). The Chapter House Frescoes at Pomposa