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Advertisements November 1996 (front)
11/1996 | 1124 | 138
Pages: i-xxiv
Subjects
artists:
subjects:
Illustrations
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Jacopo Palma, Called Palma Giovane (1554-1628). Venus and Adonis. Pen and Ink, with Brown Wash Heightened with White and Red 21.2 × 33.8 cm
Attributed works:
[ Bassenge, Erdener Str. 5A, Berlin ] Albrecht Dürer (1471 - 1528, Nuremberg). Saint Eustace. Engraving. C. 1501, Bartsch 57, Meder 60 (b of k). Watermark High Crown (M. 20)
Attributed works:
[ Christie's, 8 King Street, St. James, London ] Giuliano da Rimini (documented 1307-1323). An Altarpiece in three Sections with an extensive inscription on the reverse of the left panel: "Giott/...sono a lavorare/ed in quella chiesa di S./(che?) fu sopressa d..../1807/del/...Diotallevi". Tempera on gold ground panel, shaped tops. Picture surfaces: centre: 75 × $28frac{1}{8}$ in. (190.5 × 71.5 cm.). Left: $60frac{5}{8}times 26frac{3}{8}$ in. (154 × 67 cm.). Right: $61frac{1}{4}times 26frac{3}{8}$ (155.5 × 67 cm.)
Attributed works:
[ Colnaghi, 15 Old Bond Street, London ] Angelica Kauffman, R. A. Coire 1741 - Rome 1807, William Henry Lampton. Oil on Canvas: 86 × 55½ ins (218.5 × 141 cms). Signed and Dated at Lower Right: Angelica Kauffman/PinX: Romae, 1797
Attributed works:
[ Cover ] Portrait of the Actor Willem Bartolsz. Ruyters, by Rembrandt Hermansz. van Rijn. c. 1639. Pen and Brown Iron-Gall Ink, Heightened with White on Paper, Prepared with Yellowish-Brown Wash, 13.9 by 17.4 cm. (Rijksmuseum, Amsterdam)
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Ubaldo Gandolfi (San Matteo 1728 - 1781 Ravenna). The Resurrection of Christ. Oil on Canvas, 77 × 52 cms. Modello for the Fresco of the Same Subject in the Church of San Luca, Bologna
Attributed works:
[ Galerie Eric Coatalem, 93 Faubourg, St. Honoré, Paris ] Gilles Lambert Godecharle (Bruxelles 1750 - 1835). Cupidon. Pierre de France. Height: 160 cm. Signed and Dated 1804
Attributed works:
[ Galerie Hans, Jungfernstieg 34, Hamburg ] Simon de Vlieger (1601 - 1653). A Dutch Flagship Exchaning Salutes and a Galjoot in a Heavy Sea, Signed on Floating Plank Lower, Oil on Panel 44,5 × 60 cm.
Attributed works:
[ Galerie Lingenauber, Schwerinstr. 38, Düsseldorf ] Lorenzo Lotto, Sacra Conversazione - Virgin and Child, SS. Jerome, Peter, Care (?) and Francis Panel 81.5 by 108 cm (32 by 42½ in.), Signed on the Scroll: L. Lotus Fecit
Attributed works:
[ Hill-Stone, New York ] Hendrick Goltzius. Haarlem 1558 - 1617. The Circumcision (The Life of the Virgin). Engraving, in the Style of Dürer; 1594. Strauss 322, Hollstein 12: iii/v. A Berlin Duplicate (Before 1920), Lugt 1606 and Lugt 234.
Attributed works:
[ Neumeister, Barer Str. 37, Munich ] Artus Quellinus the Younger (Saint Trond 1625 - 1700 Antwerpen) Virgin and Child. Late 17th Century. Wood. H. 112 cm.
Attributed works:
[ Noortman, 40-41 Old Bond Street, London ] Jan van Goyen. Leiden 1596 - 1656 The Hague. 'A View of the Haarlemmermeer'. Panel 30.5 × 38.5 cm. Signed with Monogram and Dated 1647
Attributed works:
[ Phillips, 101 New Bond Street, London ] Pieter Brueghel, the Younger, (1564-1637/8) "Le Retour de la Kermesse", Signed, Oil on Panel, 58cm × 84.5cm. Estimate: £700,000-£1,000,000 ($1,092,000-$1,560,000)
Attributed works:
[ R. S. Johnson Fine Art, 645 North Michigan Ave., Chicago ] Circle of Andrea Mantegna (1431-1506): Bacchanal with a Wine Vat, Pen and black ink with brown wash, laid down on a contemporary sheet, 290 × 354 mm. An exceptional drawing which appears to be one of several preparatory studies for the engraving of the same title or related to such preparatory drawing. Originating from the Circle of Andrea Mantegna and apparently executed before the final form of the engraving, this drawing is particularly interesting as evidence of a hitherto unrecorded stage in the design process of the engraving Bacchanal with a Wine Vat.
Attributed works:
[ Richard Green, 33 New Bond Street, London ] Thomas Wyck (Circa 1616-1677). A Maid Peeling Vegetables at a Kitchen Door. Signed. Panel: $14frac{3}{8}times 13$ in / 36.5 × 33 cm
Attributed works:
[ Richard L. Feigen, 49 East 68th Street, New York ] Frans Floris. Arithmetic, Oil on Canvas, 151.4 by 224.16 cm. Signed with Monogram and Dated, Lower Centre: "FF. IV. ET. FA / 1557.".
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] The Master of San Martino a Mensola Active Florence End 14th Century. Saint Catherine, Saint George and Saint Jerome. Triptich, Tempera on Goldground, Shaped Tops. Center Panel 130,6×73,3 cm. Left Wing 124,5×56,5 cm. Right Wing 124,7×56 cm
Attributed works:
[ Tate Gallery, Millbank, London ( sponsor BP) ] Edgar Degas, Little Dancer Aged Fourteen, 1880-81
Attributed works:
[ Trafalgar Galleries, 35 Bury Street, St. James, London ] Jusepe (Or Gioseppe) de Ribera, The Martyrdom of St. Laurence. Oil on Canvas, 204 × 154 cm ($80times 60frac{3}{4}$ Inches).
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] August Macke. Spaziergänger unter Bäumen (Strollers beneath Trees) 1913. Watercolour, Pastel on Paper. 35,5 × 45,5 cm ($14times 17 frac{7}{8}$ in.)
Attributed works:
[ Villa Grisebach Auctions, Fasanenstr. 25, Berlin ] Otto Dix. Selbstbildnis, grinsend, mit aufgestütztem Kopf (Self-Portrait, Grinning, with Propped Head). 1917 Crayon on Paper. 40,1 × 38,9 cm ($15 frac{3}{4}times 15 frac{3}{8}$ in.)
Non-western art unattributed:
[ Grace Wu Bruce, 701 Universal Trade Centre, 3 Arbuthnot Road, Hong Kong ] Six Post Canopy Bed, Huanghuali Wood, Chinese, Late 16th to Early 17th Century
Western art unattributed:
[ H. W. Keil Ltd, Tudor House, Broadway, Worcestershire ] An Excellent Mid 18th-Century Mahogany Gainsborough Armchair with Cabriole Legs and Paw Feet, and Having Good Carved Detail. Circa 1770. Height 3′2″ Width 2′4″ Depth 2′9″
Western art unattributed:
[ William H. Stokes, The Cloisters, 6/8 Dollar Street, Cirencester, Gloucestershire ] Late Elizabethan carved oak cupboard on separate stand with two drawers above the central cupboard and one drawer below. The supports consist of two pairs of carved melon bulbs and the potboard is supported by a lower frieze with bi-cuspidal decoration and original toes beneath. West Country, circa 1600.
Book Review
Giotto and Assisi
12/1960 | 693 | 102
Pages: 540-541
related names
Reviewer:
Smart, Alastair (Smart, Alastair; Smart, Alistair)
Subjects
artists:
dates:
places:
Reviewed Items
works:
Giotto and Assisi | author: Meiss, Millard
Article
The Date of 'The Legend of St Francis' at Assisi
10/1956 | 643 | 98
Pages: 344+346-351
related names
Author:
White, John (White, John)
Subjects
artists:
artists:
dates:
places:
places:
Illustrations
Attributed works:
10. Virgin and Child with Angels and Saints, by Giuliano da Rimini. Signed and Dated 1307. Panel. (Isabella Stewart Gardner Museum, Boston.)
Attributed works:
11. Detail of The Presentation in the Temple. Roman School, Late Thirteenth Century, Completed by the Isaac Master. Fresco. (Upper Church, S. Francesco, Assisi.)
Attributed works:
4. Stigmatization of St Francis. Detail of Polyptych by Giuliano da Rimini Reproduced in Fig. 10.
Attributed works:
5. Stigmatization of St Francis, by Giotto. Fresco. (Over Entrance to Bardi Chapel, S. Croce, Florence.)
Attributed works:
6. Stigmatization of St Francis, from Giotto's Workshop. Panel. (Louvre.(
Attributed works:
7. Stigmatization of St Francis, by 'The Master of the Legend of St Francis'. Fresco. (Upper Church, S. Francesco, Assisi.)
Attributed works:
8. Detail of the Fresco Reproduced in Fig. 7.
Attributed works:
9. Detail of the Panel Reproduced in Fig. 10.
Western art unattributed:
12. Detail of The Adoration of the Magi. Roman School, Late Thirteenth Century. (Upper Church, S. Francesco, Assisi.)
Western art unattributed:
13. Detail of The Marriage Feast at Cana. Roman School, Late Thirteenth Century. (Upper Church, S. Francesco, Assisi.)
Article
The Master of the Last Judgment at Rimini
08/1935 | 389 | 67
Pages: 53-55+58-61+64-66
related names
Author:
Beenken, Hermann (Beenken, Hermann; Beenken, H.)
Subjects
art literature:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
Plate I. A-Madonna and Child with Angels, Here Attributed to the Master of the Last Judgment. Fresco. (S. Agostino, Rimini); B-Madonna and Child with Saints, by Giuliano da Rimini. Centre Panel from the Urbania Altarpiece. Dated 1307. (The Gardner Museum, Boston, U. S. A.); C-The Incredulity of St. Thomas. The Workshop of Pietro da Rimini. Fresco. (S. Maria in Porto Fuori, Ravenna). The Master of the Last Judgment at Rimini
Attributed works:
Plate II. A-The Last Judgment. Fresco from S. Agostino, Rimini (Palazzo Dell' Arengo, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate II. B-The Archangel Michael, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate II. C-Three Apostles. Detail of Plate II, A. The Master of the Last Judgment at Rimini
Attributed works:
Plate II. D-Three Apostles, Detail from the Last Judgment, by Cavallini. Fresco (S. Cecilia, Rome). The Master of the Last Judgment at Rimini
Attributed works:
Plate III. A-Left, St. John Arresting the Earthquake at Ephesus; Right, St. John in a Vat of Boiling Oil in the Presence of Domitian, Here Attributed to an Assistant of the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate III. B-Left, The Trial by Poison of St. John the Evangelist at Patmos; Right, St. Augustine Presenting the Rule to the Hermits, Here Attributed to the Master of the Last Judgment. Fresco (S. Agostino, Rimini). The Master of the Last Judgment at Rimini
Attributed works:
Plate IV. A, B-Angels, Details of Plate II, A. The Master of the Last Judgment at Rimini
Attributed works:
Plate IV. C, D-Two Apostles, Details of Plate II, A. The Master of the Last Judgment at Rimini
Article
Giuliano, Pietro and Giovanni da Rimini
10/1916 | 163 | 29
Pages: 272+276-277+280-281
related names
Author:
Sirén, Osvald (Sirén, Osvald; Siren, O.; Siren, Oswald)
Subjects
artists:
artists:
dates:
Illustrations
Attributed works:
Plate I. (A) "Virgin and Child" with a Donor, Two Archangels, S. John Baptist, and Nine Apostles, Altar Panel; By Giuliano da Rimini (Sta Maria, Cesi). Giuliano, Pietro and Giovanni da Rimini
Attributed works:
Plate I. (B) "The Stigmatization of S. Francis", Panel Here Ascribed to Pietro da Rimini (The Museum, Minneapolis, U. S. A.). Giuliano, Pietro and Giovanni da Rimini
Attributed works:
Plate II. Scenes from the Frescoes of "The Life of the Virgin" (By Pietro, Probably Giovanni, and Possibly Giuliano da Rimini (Sta. Maria in Porto Fuori, at Ravenna). (B) "The Coronation of The Virgin". (C) "The Massacre of the Innocents". Giuliano, Pietro and Giovanni da Rimini
Attributed works:
Plate III. (E) "The Incredulity of S. Thomas"; By Pietro or Giovanni da Rimini (Sta Maria in Porto Fuori, Ravenna). Giuliano, Pietro and Giovanni da Rimini
Attributed works:
Plate III. (F) "The Deposition", Panel by Pietro da Rimini (The Palazzo Gentili, Viterbo). Giuliano, Pietro and Giovanni da Rimini