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7 articles
Article
Mattia Preti’s S. Vigilio altarpiece: a postscript
08/2013 | 1325 | 155
Pages: 551-552
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Author:
Barbieri, Nello (Barbieri, Nello)
Author:
Bauer, Linda (Bauer, Linda; Bauer, Linda Freeman)
Subjects
artists:
Preti, Mattia
dates:
1650-1699
subjects:
Italian painting / Altarpieces / Correspondence / Commissions
Article
Some documents for Mattia Preti’s S. Vigilio altar in Siena
03/2010 | 1284 | 152
Pages: 172-175
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Author:
Barbieri, Nello (Barbieri, Nello)
Author:
Bauer, Linda (Bauer, Linda; Bauer, Linda Freeman)
Subjects
artists:
Preti, Mattia
dates:
1660-1719
places:
Siena
print:
Preti, Mattia
subjects:
Italian painting / Altarpieces / Documents / Ignatius of Loyola, Saint / Commissions / Italian architecture / Italian sculpture / Art criticism
Illustrations
Attributed works:
41. High altar of S. Vigilio, Siena. The altar by Giovanni Antonio, Agostino and Francesco Mazzuoli; the altarpiece by Mattia Preti; the frontispiece attributed to Dioniosio Montorselli. Begun 1681.
Attributed works:
42. St Ignatius in glory, by Mattia Preti. 1681–83. Canvas, 300 by 250 cm. (S. Vigilio, Siena).
Short Notice
Van Dyck, replicas and tracing
02/2007 | 1247 | 149
Pages: 99-101
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Author:
Bauer, Linda (Bauer, Linda; Bauer, Linda Freeman)
Subjects
artists:
Dyck, Anthony van
dates:
1600-1649
print:
Dyck, Anthony van
subjects:
Flemish painting / Copies / Tracings / Studios (work spaces)
Illustrations
Attributed works:
34. Queen Henrietta Maria with Jeffery Hudson, by Anthony van Dyck. c.1632–33. Canvas, 219.1 by 134.8 cm. (National Gallery of Art, Washington), superimposed with a tracing taken from the secondary version (Lady Juliet Tadgell), 228.6 by 129 cm.
Short Notice
Tracing in Some Works by Caravaggio
07/2000 | 1168 | 142
Pages: 434-436
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Author:
Bauer, Linda (Bauer, Linda; Bauer, Linda Freeman)
Author:
Colton, Steve (Colton, Steve)
Subjects
artists:
Caravaggio, Michelangelo Merisi da
dates:
1600-1699
places:
Italy
subjects:
Italian painting / Versions / Copies / Techniques
subjects:
Tracings
Illustrations
Attributed works:
20. Ecstasy of St Francis, by Caravaggio. Tracing of the Museo Civico, Udine, Version Superimposed over That in the Wadsworth Atheneum, Hartford, CT.
Attributed works:
21. Boy Bitten by a Lizard, by Caravaggio. Tracing of the National Gallery, London, Version Superimposed over That in the Fondazione Longhi, Florence.
Attributed works:
22. St Francis in Meditation, by Caravaggio. Tracing of the Version in S. Maria Della Concezione, Rome, Superimposed over That from S. Pietro, Carpineto Romano, on Deposit in the Galleria Nazionale d'Arte Antica, Rome.
Attributed works:
23. The Lute Player, Copy after Caravaggio. Tracing of the Hermitage, St Petersburg, Version Superimposed over That Formerly in the Collection of the Duke of Beaufort, Badminton, Glos.
Article
Artists' Inventories and the Language of the Oil Sketch
09/1999 | 1158 | 141
Pages: 520-530
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related names
Author:
Bauer, Linda (Bauer, Linda; Bauer, Linda Freeman)
Author:
Bauer, George (Bauer, George)
Subjects
artists:
Rubens, Peter Paul
artists:
Reni, Guido
artists:
Veronese, Paolo
dates:
1600-1699
subjects:
Flemish painting / Oil sketches / Techniques
subjects:
Documents / Inventories
subjects:
Art criticism / Sources
subjects:
Italian painting
Illustrations
Attributed works:
1. St Bavo about to Receive the Monastic Habit at Ghent, by Peter Paul Rubens. 1611-12. Oil on Panel. Central Panel: 106.7 by 82.1 cm.; Left: 107.6 by 41 cm.; Right: 107.6 by 40.8 cm. (National Gallery, London).
Attributed works:
2. Adoration of the Shepherds, by Agostino Carracci. Brown and Red Oils, Heightened with White, on Paper. 41 by 27 cm. (The Royal Collection, Windsor Castle; ©Her Majesty the Queen).
Attributed works:
3. The Penitent Magdalen, by Guido Reni. c. 1640-42. 200 by 133 cm. (Ambrosiana, Milan).
Attributed works:
4. Paradise, by Paolo Veronese. c. 1580. 87 by 234 cm. (Musée des Beaux-Arts, Lille).
Attributed works:
5. The Martyrdom of St Erasmus, by Nicolas Poussin. 1628. 100 by 74 cm. (National Gallery of Canada, Ottawa. Purchased 1972).
Attributed works:
6. St Clare of Assisi, by Peter Paul Rubens. 1620. Oil on Panel, 14.6 by 22 cm. (Ashmolean Museum, Oxford).
Attributed works:
7. Charles I and the Knights of the Garter in Procession (Detail), by Anthony Van Dyck. c. 1638-39. Oil on Panel, 29.2 by 131.8 cm. (Duke of Rutland, Belvoir Castle).
Attributed works:
8. Study of Horses, by Adam Frans van der Meulen. 41 by 66 cm. (Musée des Beaux-Arts, Rouen).
Letter
More Evidence of Artists' Tracings
01/1995 | 1102 | 137
Pages: 38
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related names
Author:
Bauer, Linda (Bauer, Linda; Bauer, Linda Freeman)
Subjects
subjects:
Techniques / Tracings
Short Notice
A Letter by Barocci and the Tracing of Finished Paintings
05/1986 | 998 | 128
Pages: 355-357
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related names
Author:
Bauer, Linda (Bauer, Linda; Bauer, Linda Freeman)
Subjects
artists:
Barocci, Federico
dates:
1550-1649
places:
Italy
sources:
Volpato, Giovanni Battista
subjects:
Jesus Christ: Entombment
subjects:
Italian painting / Documents / Correspondence
subjects:
Copies
subjects:
Tracings