Il fasto e la ragione: Arte del Settecento a Firenze |
institution: Galleria degli Uffizi
Illustrations
Attributed works:
54. Allegory of Time (Jupiter triumphing over his father, Cronos), by Matteo Bonechi. c.1712. Canvas,
87 by 73 cm. (Musée de Grenoble; exh. Galleria degli Uffizi, Florence).
Attributed works:
55. Pietà, by Gaspero Bruschi from a modello by Massimiliano Soldani Benzi. 1744. White porcelain, 92.5 by 92.5 by 73 cm. (including base). (Galleria Corsini, Florence; exh. Galleria degli Uffizi, Florence).
66. Martyrdom of St Bartholomew from the Prato altarpiece, by Giovanni da Milano. c.1355–60. Panel, 48.8 by 34.8 cm. (Museo Civico, Prato; exh. Galleria dell’Accademia, Florence).
Attributed works:
67. Sts James the Major and Gregory from the Ognissanti altarpiece, by Giovanni da Milano. c.1360. Panel, 131.7 by 38.7 cm. (Galleria degli Uffizi, Florence; exh. Galleria dell’Accademia, Florence).
Attributed works:
68. Christ the Redeemer, by Giovanni da Milano. c.1365. Panel, diameter 10 cm. (S. Croce, Florence; exh. Galleria dell’Accademia, Florence).
Attributed works:
69. Lamentation, by Giottino. c.1357–59. Panel, 195 by 134 cm. (Galleria degli Uffizi, Florence).
Firenze e gli antichi Paesi Bassi 1430–1530 dialoghi tra artisti: da Jan van Eyck a Ghirlandaio, da Memling a Raffaello |
institution: Palazzo Pitti
Illustrations
Attributed works:
80. St Jerome in his study, by Domenico Ghirlandaio. 1480. Fresco, 184 by 119 cm. (Chiesa di Ognissanti, Florence; exh. Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
81. St Jerome in his study, by Jan van Eyck?. Paper mounted on panel, 20.6 by 13.3 cm. (Detroit Institute of Arts; exh. Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
82a (above). Resurrection of Christ, by Andrea del Verrocchio. c.1465–70. Painted terracotta, 135 by 150 cm. (Museo Nazionale del Bargello Florence)
Attributed works:
82b (below). Entombment, by Rogier van der Weyden. c.1450. Panel, 111 by 95 cm. (Galleria degli Uffizi, Florence; both exh. Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
83. The apotheosis of Aeneas, by Hendrick Goltzius. c.1585–90. Pen and ink with brown and red wash, white highlights and traces of graphite on prepared paper, 56 by 43 cm. (Gabinetto Disegni e Stampi degli Uffizi, Florence).
Exhibition Review
Leonardo da Vinci. Florence, London, Oxford and Munich
67. Combat of soldiers on horseback, by Giovan Francesco Rustici. c.1508. Terracotta,
44 cm. high. (Museo Nazionale del Bargello, Florence; exh. Galleria degli Uffizi, Florence).
Attributed works:
68. ‘Irrigation Systems’ of the female body: respiratory, vascular and urino-genital, by Leonardo da Vinci. c.1507–08. Pen and ink and wash over black chalk on paper, pricked for transfer, 47 by 32.8 cm. (Royal Collection, Windsor Castle; exh. Victoria and Albert Museum, London).
Attributed works:
69. Portrait of a young man, traditionally identified as Raphael, by Giovanni Antonio Bazzi, called Sodoma (formerly attributed to Leonardo). c.1500–05. Black chalk with white bodycolour,
40.4 by 28.8 cm. (Christ Church Picture Gallery, Oxford).
Attributed works:
70. Warrior on horseback, after Leonardo da Vinci. Early sixteenth century. Bronze, 24.3 cm. high. (Szépmu´´veszéti Múzeum, Budapest).
Western art unattributed:
66. Bust of the youthful Christ, by an anonymous Lombard sculptor. Late fifteenth century. Terracotta, 35 by 40 by 21 cm. (Heirs of Luigi Gallandt, Rome; exh. Galleria degli Uffizi, Florence).