By using this website you agree to our Cookie policy

Search

30 articles
Book Review
Lucian Freud: New Perspectives Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews
03/2024 | 1452 | 166
Pages: 316–319
related names
Reviewer:
Farey, Luke (Farey, Luke)
Subjects
art literature:
dates:
subjects:
Reviewed Items
subjects:
Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews By Richard Calvocoressi et al. 128 pp. incl. 83 col. + 16 b. & w. ills. (Gagosian, London, 2023), $100. ISBN 978–1–951449–47–6. | :
subjects:
Lucian Freud: New Perspectives By Daniel F. Herrmann et al. 224 pp. incl. 142 col. ills. (National Gallery Global, London, and Museo Nacional Thyssen-Bornemisza, Madrid, 2022), £35. ISBN 978–1–85709–686–6. | :
Illustrations
Attributed works:
12. Frank Auerbach, by Lucian Freud. 1975–76. Oil on canvas, 40 by 26.5 cm. (© Lucian Freud Archive and Bridgeman Images; private collection).
Attributed works:
13. Lorenza Mazzetti in Italy, by Michael Andrews. 1954. Oil on canvas, 196.3 by 145.3 cm. (© Estate of Michael Andrews and Tate; private collection).
Attributed works:
14. Large interior, W9, by Lucian Freud. 1973. Oil on canvas, 91.4 by 91 cm. (© Lucian Freud Archive and Bridgeman Images; Devonshire Collections, Chatsworth).
Exhibition Review
Rembrandt: Britain’s Discovery of the Master. Scottish National Gallery, Edinburgh
10/2018 | 1387 | 160
Pages: 856-857
related names
Reviewer:
White, Christopher (White, Christopher; White, Christopher John; White; W., C. J.; White, Christoper)
Subjects
dates:
Illustrations
Attributed works:
10. An old woman reading, by Rembrandt. 1655. Canvas, 78.7 by 66 cm. (Buccleuch Collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
11. Unknown pleasures, by Glenn Brown. 2016. Panel, 164 by 105.5 cm. (Courtesy the artist; exh. Scottish National Gallery, Edinburgh).
Attributed works:
12. Copies from Rembrandt, by Eduardo Paolozzi. 1945. Pen and ink on paper, 26.9 by 36.8 cm. (National Galleries of Scotland, Edinburgh; © Paolozzi Foundation, London, and DACS 2017).
Exhibition Review
A century of figurative British painting
05/2018 | 1382 | 160
Pages: 423-425
related names
Reviewer:
Cahill, James (Cahill, James; Cahill, J.)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
26. Black nude, by Francis Newton Souza. 1961. Canvas, 181.5 by 121 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
27. The deer park, by Michael Andrews. 1962. Oil on board, 214 by 244.5 cm. (Tate Britain, London; exh. Tate Britain, London).
Attributed works:
28. Reclining figure, by Dorothy Mead. c.1954. Canvas, 92 by 122 cm. (The Sarah Rose Collection; exh. Tate Britain, London).
Exhibition Review
Post-War art. Munich
04/2017 | 1369 | 159
Pages: 339-341
related names
Reviewer:
Lewison, Jeremy (Lewison, Jeremy)
Subjects
dates:
museums and institutions:
places:
subjects:
subjects:
Illustrations
Attributed works:
79. Berlin '64, by Emilio Vedova. 1964 (Fondazione Emilio e Annabianca Vedova, Venice; exh. Haus der Kunst, Munich)
Attributed works:
80. Self-portrait of Suffering, by Ibraham El-Salahi. 1961 (Iwalewahaus, Universität Bayreuth; exh. Haus der Kunst, Munich)
Attributed works:
81. Installation view of the 'Concrete Visions' section of Postwar: Art between the Pacific and the Atlantic at the Haus der Kunst, Munich)
Book Review
Face to Face: Interviews with Artists, by Richard Cork
07/2016 | 1360 | 158
Pages: 568-568
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
Illustrations
Attributed works:
51. Thirty Pieces of Silver, by Cornelia Parker. 1988-89. Installed at St Mary's, York (Tate, London)
Exhibition Review
Frank Auerbach
03/2016 | 1356 | 158
Pages: 214-215
related names
Reviewer:
Hammer, Martin (Hammer, Martin)
Subjects
artists:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
60. Mornington Crescent, by Frank Auerbach. 1965 (Private collection; exh. Tate Britain, London)
Attributed works:
61. Self-portrait, by Frank Auerbach. 1958 (Courtesy of Daniel Katz Gallery, London; exh. Tate Britain, London)
Attributed works:
62. Head of William Feaver, by Frank Auerbach. 2003 (Collection of Gina and Stuart Peterson; exh. Tate Britain, London)
Exhibition Review
The Mystery of Appearance. London
02/2012 | 1307 | 154
Pages: 135-136
related names
Reviewer:
Treves, Toby (Treves, Toby)
Subjects
places:
print:
print:
print:
Reviewed Items
subjects:
The Mystery of Appearance: Conversations Between Ten British Post-War Painters | institution: Haunch of Venison
Illustrations
Attributed works:
50. A woman bathing (Study after Rembrandt), by Leon Kossoff. 1982. Canvas, 58.4 by 48.3 cm. (Private collection; exh. Haunch of Venison, London).
Attributed works:
51. Girl on a Turkish sofa, by Lucian Freud. 1966. Canvas, 26.7 by 34.9 cm. (Private collection; exh. Haunch of Venison, London).
Attributed works:
52. The room Tarzana, by David Hockney. 1967. Acrylic on canvas, 243.8 by 243.8 cm. (Private collection; exh. Haunch of Venison, London).
Advertisements
Advertisements September 2010 (front)
09/2010 | 1290 | 152
Pages: s.p.
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Fruit in a brown bowl, by Sir Matthew Smith, CBE. C.1928. Oil on canvas, 40 by 56 cm]
Attributed works:
[Agnew's, London. Picture of a boy, by Henry Lamb (1885-1960). Oil on panel, 35 by 25 cm]
Attributed works:
[Antichità Bacarelli, Florence. Head of Marz. Florence, first half of the seventeenth century. Onyx, Egyptian alabaster. Height: 59cm.]
Attributed works:
[Bernheimer - Colnnaghi, Munich and London. Giovanni Paolo Parini, by Louis-Gabriel Blanchet (1705-72). Oil on canvas, 96.5 by 76 cm]
Attributed works:
[Boundary Gallery, London. Adolescence, by Mark Gertler (1891-1939). 1923. Signed. Oil on canvas, 75 by 49.5 cm]
Attributed works:
[Carlo Orsi Antichità, Milan. Cupid, by Antonio Canova (1757-1822). Signed on the pedestal: ANT.CANOVA. Plaster. Height: 140 cm]
Attributed works:
[Cesare Lampronti, Rome and Milan. Rome Colosseum and the Arch of Constantine, by Bernardo Bellotto (1722-80). Oil on canvas, 61 by 98 cm.]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Jean-Baptiste Oudry (Paris 1686 - 1755 Beauvais). Portrait de la Famille Nau. Painted circa 1715. Oil on canvas, 158 by 233 cm. (62 1/4 by 91 3/4 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, London & New York. Aeneas and Anchises fleeing Troy, by Jean Tassel (c.1608-67). c.1650. Oil on canvas, 88.5 by 76.5 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. André Charles Boulle (1642-1732), Chandelier with Dolphins, Paris. c.1700. Bonze, fire gilt, height 77cm. diameter 81.3 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, Il Guercino (1591-1666), David and Abigail (detail), one of a pair, oil on canvas, 130 x 135 cm]
Attributed works:
[Duncan R Miller Fine Arts, London. Street scene, cassis, by Samuel John Peploe RSA (1871-1935). Oil on board, 33 by 41 cm]
Attributed works:
[G. Sarti, Paris. Virgin and Child, by Francesco Traini (documented 1321-45). c.1325. Tempera on panel with gold ground, 63.5 by 51.]
Attributed works:
[Galerie Béres, Paris, Composition, by Alberto Magnelli (1888-1971). 1937. Gouache on cardboard, 50.6 by 68 cm]
Attributed works:
[Galerie Brame & Lorenceau, Paris. Composition, by Olivier Debré (1920-99). Signed lower left: O. Debré. Oil on canvas, 58.4 by 71.1 cm.]
Attributed works:
[Galerie Canesso, Paris. The Holy Family with St. Dorothy, by Angelo Caroselli (1585-1652). Oil on panel, 53 by 45.5 cm]
Attributed works:
[Galerie de Jonckheere, Brussels & Paris. The indoors wedding dance, by Pieter Brueghel the Younger (1564-1638). Signed and dated 1622. Oil on panel, 76.6 by 108 cm]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse I. Luzern. Bartolomeo Passarotti (Bologna 1529-1592 Rom) "Fishmongers Shop" Oil on canvas, 114 x 153 cm]
Attributed works:
[Galerie Schmidt, Paris. Crouching nude leaning forward, by Pierre Bonard (1867-1947). Oil on panel, 106.7 by 75.2 cm.]
Attributed works:
[Galleria Bottega Antica, Bologna, Nude with red hair, by Giovanni Boldini. c.1910-12. Oil on canvas, 80 by 40 cm.]
Attributed works:
[Gallery Patrice Bellanger, Paris. St. Jerome, attributed to Camillo Rusconi (1658-1728). c. 1700-10. One of a pair of terracotta models. Height: 47 cm]
Attributed works:
[Gimpel Fils, London. Sibella, by Albert Irvin. 2008. Acrylic on canvas, 61 by 61 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. Christopher Nevinson 1889-1946. Night Arrivals, 1915. Ink and grey wash. 6 5/8 x 9 7/8 inches; 16.8 x 25.2 cm. Signed.]
Attributed works:
[JHW Fine Art, London. Boxing at Juan-les-Pins, by Wyndham Lewis (1882-1957). 1929. Watercolour, gouache, ink, and pencil, 32 by 44.5 cm]
Attributed works:
[Marlborough Gallery, London. Three studies of the human body (one of a series of three), by Francis Bacon. 1970. Oil on canvas, each panel, 198.1 by 145.3 cm]
Attributed works:
[Martin Tinney, Cardiff. Girl with cat, by Ceri Richards (1903-71). 1947. Oil on canvas, 50 by 40 cm]
Attributed works:
[Moretti, Florence, London & New York. Virgin and Child, by Neri di Bicci (1418-92). Oil on panel, 85.4 by 61 cm]
Attributed works:
[Nasher Museum of art at Duke University. IMAGE: David Bomberg, the Mud Bath, 1914. Oil on canvas, 152.4 x 224.2 cm. Collection of the Tate, London. Purchased 1964.]
Attributed works:
[Osborne Samuel, London. Squares (June), by Barbara Hepworth (1903-75). 1969. Bronze, edition of 9. 23 cm high.]
Attributed works:
[Richard Green, London. Shelter scene: Bunks in London Underground, by Henry Moore (1898-1986). Signed, inscribed with the title and #3. Pencil, crayon and wash, 27.3 by 21 cm]
Attributed works:
[Sladmore Gallery, London. Dancer at rest, by Edgar Degas (1834-1917). c.1920. Bronze.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Frank Auerbach. Head of Helen Gillespie II]
Attributed works:
[The Burlington Magazine. Philip IV of Spain, by Diego Velasquez. 1644. Canvas, 133.5 by 98.5 cm.(Frick Collection, New York)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Jean-Pierre-Antoine Tassaert (1727-1788) (attributed to). Bust of a Child. Terracotta, on a mottled grey marble socle. 38.5 9 (15 1/8) high]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Joseph Willems (c.1715-1766). A black man in ragged clothes with a bowl. Signed and dated 1736. Terracotta.]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Gould, The Birds of Europe. 5 Volumes.]
Attributed works:
[Whitfield Fine Art, London. Tree form, by Graham Sutherland (1903-80). Signed and dated: Sutherland 1958 (lower right). Oil, gouache, ink, pencil and pastel on paper mounted on board, 26.5 by 20 cm]
Western art unattributed:
[Galerie Chenel. 6 rue de Baune. Paris. A colossal marble Hercules Farnese head. Roman Ist-IInd AD.]
Western art unattributed:
[W. Apolloni, Rome. Dressing-table. Early nineteenth century. Carved Carrara Marble. Length: 151 cm. Width: 102 cm. Height: 203 cm.]
Advertisements
Advertisements March 2008 (Front)
03/2008 | 1260 | 150
Pages: i-xxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's London, at Salon du Dessin 2008] Giovanni Francesco Barbieri, called Il Guercino (1591-1666). A seated man training a dog. Pen, brown ink and wash, 12.2 by 18.5 cm.
Attributed works:
[Agnew's London, at TEFAF Maastricht 08] Alexandre-François Desportes (1661-1743). Four studies of kittens. Oil on light brown paper, 32 by 50 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London, exhibiting at TEFAF, Maastricht, March 7th-March 16th and at the Salon du Dessin, Palais de la Bourse, Paris, April 8th-April 13th] Jacob Jordaens (1593-1678). Esau selling his birthright to Jacob. Black and red chalk, pen and brown ink, brown wash, heightened with white, 191-204 mm.
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Annely Juda Fine Art, London at TEFAF Maastricht 08] Kazuo Shiraga. Tenku. 2003. Oil on canvas, 161 by 130 cm.
Attributed works:
[Arturo Cuéllar, Bürglistrasse 18, Zürich, Switzerland, exhibiting at the Salon du Dessin, Paris, 9-13th April 2008] Giovanni Battista Piazzetta (1682 Venedig 1754). Head of a Turk, c.1740. Black chalk, heightened with white, 35.5 by 24.5 cm. On the reverse, bottom right the number '29' is inscribed in pencil.
Attributed works:
[Arturo Cuéllar, Zürich, at Salon du Dessin 2008] Giovanni Battista Tiepolo (1696-1770). Head of a young man facing left, looking upward. Red chalk, highlighted with white chalk on paper. 23 by 19 cm.
Attributed works:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] A rare pair of gilded wood consoles. Italy, circa 1750-1760. H. 94 cm. (37 in.), W. 181 cm. (71½ in.), D. 86.5 cm. (34 in.). An important pair of patinated vases by Lechesne. France, circa 1850-1860. H. 96 cm. (37½ in.), W. 87 cm. (34½ in.)
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris, 11 quai Voltaire, Paris] Polidoro da Caravaggio (c.1499-c.1543). A view of the Basilica of Maxentius and Constantine in Rome. Brown wash and pencil, 19.7 by 26.3 cm.
Attributed works:
[David & Constance Yates, New York at TEFAF Maastricht 08] Wilhelm Pascal (1813-after 1848). Funerary monument. Inscribed front edge of gase: RUDOLPHE BENECKE VON GROEDITZBERG / GEB: DEN 10 AUGUST 1809 IN BERLIN / GEST: DEN 15 DECEMBER 1832 IN PIZA. Inscribed rear edge of base: W.P.f.1834. Marble, 34.3 by 43.6 cm.
Attributed works:
[Dickinson, New York & London at TEFAF Maastricht 08] Joan Miró. Personnages dans un paysage. Signed centre righ: Miró. Inscribed on verso: personnages/dans/un/paysage, and dated in pencil on stretcher: 26/VII/73. Oil on canvas, 89 by 116 cm.
Attributed works:
[Didier Aaron & Cie., Paris, London & New York, at TEFAF Maastricht 08] Jacques-Charles Oudry (1720-1778). Hunting still life with game overlooked by a dog. Signed and dated lower right: J.C.Oudry./F.1764. Oil on canvas, 130 by 99 cm.
Attributed works:
[Flavia Ormond Fine Arts, 3 Netherton Grove, London, at Salon du Dessin, 9th-13th April, 2008, Palais de la Bourse, Place de la Bourse, Paris and The Grosvenor House Art & Antiques Fair, 12th-18th June, 2008, Grosvenor House, Park Lane, London] Ben Nicholson (Denham, Buckinghamshire 1894-1982 London). Palazzo Ducale, Urbino, 1959. Pencil and pink wash on paper, 620 x 470 mm. (24⅔ x 18½ inches).
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, exhibiting at TEFAF Maastricht, 7-16 March 2008] Andrea di Nerio (Arezzo, documented from 1331-† before 1387). Virgin and Child. Circa 1331. Tempera, gold and silver on panel. 80 x 62 cm. (picture surface: 62.5 x 51.5 cm.). Original engaged frame.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, exhibiting at TEFAF, Maastricht 7-17 March 2008] Giacomo Francesco Cipper called Il Todeschini (Feldkirch, Voralberg, 1664-Milan 1736). Peasants' Banquet with Young Flute Player. Oil on canvas, 144 x 114 cm. (56 11/16 x 44⅞ in.)
Attributed works:
[Galerie G. Sarti, Paris at TEFAF Maastricht 08] Liberale da Verona (Verona, circa 1445-between 1527 and 1529). Christ at the column. Tempera and oil on panel, 55.4 by 45.2 cm.
Attributed works:
[Galleria Silvano Lodi & Due, Milan at TEFAF Maastricht 08] Sebastiano Ricci (1659-1734) David with the head of Goliath (detail). Oil on canvas, 118.5 by 90 cm.
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, St James's, London] Christopher Nevinson (1889-1946). Night Arrivals. Autumn 1915. Ink and grey wash, 6⅝ x 9⅞ inches (16.8 x 25.3 cm.). Signed.
Attributed works:
[Ketterer Kunst, Prinzregentenstr. 61, München, Germany. Auction on 5 April in Hamburg] Lady Laura Theresa Alma-Tadema. Satisfaction. Oil on panel, 65 x 44.5 cm. (25.5 x 17.5 in.) Estimate: €15,000-20,000, US$ 22,000-29,000, £11,000-15,000.
Attributed works:
[López de Aragón, Madrid at TEFAF Maastricht 08] Jan Brueghel the Younger (1601-1678) and Hendrick van Balen (1575-1632) Allegory of Air and Fire. Oil on panel, 46.3 by 59.7 cm.
Attributed works:
[Marlborough Fine Art, London & Zürich at TEFAF Maastricht 08] Frank Auerbach (born 1931). To the Studios II. 1985. Oil on canvas, 121.9 by 121.9 cm.
Attributed works:
[Moretti, Piazza degli Ottaviani, 17/r, Firenze, recently acquired by the Museo di San Marco in Florence] Guido di Pietro, called Fra Angelico (Vicchio del Mugelli, c.1395-Rome, 1455). St Vincent Ferrer and a Dominican Saint.
Attributed works:
[Otto Naumann Ltd., New York, at TEFAF Maastricht 08] Domenico Zampieri, il Domenichino (1581-1641). The Pietà. Dated lower left: m.dciii. Inscribed on versoL NANN{?}. Oil on copper, 52.4 by 39.1 cm.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris, exhibiting at the Salon du Dessin, Paris, 9-13 April 2008] Salvator Rosa (Arnella 1615-Rome 1673). A wooded landscape with travellers on a path. Pen and ink, 210 x 291 mm.
Attributed works:
[Paul Prouté, Paris, at Salon du Dessin 2008] Hubert Robert (1733-1808). Park with an Italian villa. Red chalk, 43.8 by 33.8 cm.
Attributed works:
[Sotheby's Important Furniture, Sculptures & Works of Art. Auction in Paris, 9 April 2008] An important giltbronze-mounted Chinese lacquer and Vernis Martin bureau plat stamped I.DUBOIS. Louis XV, circa 1745-1750. Estimate: €700,000-900,000.
Attributed works:
[The Burlington Magazine] Jean-Auguste-Dominique Ingres. Portrait of Cornélie Bonnard. 1828. Pencil, 32.6 by 24.4 cm. (Louvre, Paris)
Attributed works:
[The Burlington Magazine] William Scott. Soldier and girl sleeping (detail). 1942. Canvas, 40.6 by 50.8 cm. (Imperial War Museum, London).
Attributed works:
[Thomas Le Claire, Elbchausee 386, Hamburg, exhibiting at the Salon du Dessin, April 9-13, 2008, Palais de la Bourse, Paris] Andrea Sacchi (1599 Nettuno-Rome 1661). Virgin and Child with Seven Saints. Red chalk, heightened with white, and squared with black chalk, 315 x 243 mm.
Attributed works:
[Thomas Le Claire, Hamburg, at Salon du Dessin 2008] John Russell RA (1745-1806). Portrait of Francesco Bartolozzi, RA (1727-1815). 1789. Pastel, 59.8 x 44.5 cm.
Attributed works:
[W.M.Brady & Co., 22 East 80th Street, New York, exhibiting at the Salon du Dessin, April 9-13, 2008] Emilie Mediz-Pelikan (Vöcklabruck 1861-1908 Dresden). Donauschiffer (Sailor on the Danube). 1900. Signed and dated, lover right, 10. Oktober 1900 / E. Pelikan. Pencil. colored chalks and gouache on green paper. 19½ x 19⅞ inches (495 x 520 mm).
Attributed works:
[W.M.Brady & Co., New York, at Salon du Dessin 2008] Simone Cantarini (1612-1648). Jupiter, Neptune and Pluto paying homage to the Borghese coat of arms. Red chalk, 29.5 by 43 cm.
Attributed works:
[Waddington Galleries Ltd., London at TEFAF Maastricht 08] Patrick Caulfield (1936-2005). Still life on a table. 1964. Oil on board, 121.9 by 160 cm.
Non-western art unattributed:
[Rupert Wace Ancient Art Ltd., London at TEFAF Maastricht 08] An Egyptian wood and bronze striding Ibis. Late Dynastic Period, 664-332 BC. Height: 34 cm.
Western art unattributed:
[Flavia Ormond Fine Arts, London, at Salon du Dessin 2008] Roman school, late 17th century. Mercury and Argos. Inscribed in pen and brown ink on the verso: Orig. di Carlo Marati n. 353, and numbered: R. 33-2d. Pen and brown ink, brown wash, over black chalk, 21 by 25.9 cm.
Advertisements
Advertisements June 2006 (Front)
06/2006 | 1239 | 148
Pages: i-xxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Augustus John, O.M., R.A. (1878-1961). Dorelia Standing. Signed. Pencil, 17 1/2 x 12 in (455x304 mm)]
Attributed works:
[Agnew’s, LTD, 43 Old Bond Street, London, W.1. Study of a Hill Fairy, by Sir Edward Coley Burne-Jones, BT., A.R.A., R.W.S. (1833-1898). Pencil, 210 by 133 mm. Signed with initials and dated 'EB-J/1885' (lower right)]
Attributed works:
[Apter Fredericks. London. A superb Chippendale period chair back settee. English, circa 1760. Length: 95 cm. Depth: 71 cm. Height: 93.5 cm.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. Joseph Wright of Derby (British, 1734-1797), The Dead Soldier, 1789, oil on canvas. 49 3/4 x 64 inches (126.4 x 162 cm)]
Attributed works:
[Bonhams. 101 New Bond Street. London. Illustration: A highly important mid 17th century Augsburg ebony, pietra dura and silver gilt mounted Kabinettschrank of broken outline and graduated architectural design by Elias Boscher, the pietra dura panels depicting birds and flowers attributed to the Florentine Grand Ducal Workshop.]
Attributed works:
[C. John. 70 South Audley Street, Mayfair, London. An exceptional Brussels 'Pergola' Tapestry with vases of flowers. Circa 1620. 11'1" (338com) high. 11'0" (335 cm) wide. Weavers mark on right hand border.]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Ludovico Carracci (Bologna 1555-1619). Salmacis and Hermaphroditus. Oil on canvas, unlined 45 x 59 3/4 in. (114.3 x 151.8 cm)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Paolo Farinati (Verona 1524-1606). Ecce Homo. Black chalk, brush and brown wash, heightened with white, on light brown paper, on a late 18th Century English mount. 12x17 in. (312 x 432 mm)]
Attributed works:
[Connaught Brown. 2 Albermarle Street. London. Mornington Crescent, by Frank Auerbach (b. 1931). 1971. Signed and dated verso. Crayon and pencil on paper, 298 by 273 mm]
Attributed works:
[Daniel Katz, Ltd. A cat, by Henri Gaudier-Brzeska (1891-1915). Moulded earthenware with ceramic glaze. Length: 11.8 cm]
Attributed works:
[David Jones Fine Art, at Oakham Galleries. 40 Duke street, St. James’s. London. Christ on the road to Calvary, by Caspar Freisinger (c. 1550/55-1599). Pen and grey-brown ink, with brown and light reddish brown wash, 127 by 182 mm]
Attributed works:
[Flavia Ormond Fine Arts. At Deborah Gage (Works of art) Ltd. 38 Old Bond Street. London. Wooded mountain ridge, by Gherardo Cibo (1512-1600). Pen and brown ink and wash with white heightening and touches of pink wash on blue paper, 209 by 286 mm. Inscribed above trees towards top left 'ld.14'.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Pietro Faccini. Bologna, c. 1575/1576-1602. The Return of the Prodigal Son. Oil on canvas, 74,5 x 56,5 cm (29 3/16 x 22 in)]
Attributed works:
[Galerie Neuse. Contrescarpe 14. D-28203. Bremen/Germany. The Last Judgement. Signed and dated: D.I.F. FRANKEN FECIT/INVENTOR Ao 1606. Oil on copper. 26.5 by 20,5 in (7.2 by 52 cm)]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré.Paris. An exceptional cabinet veneered in ivory and exotic woods, inset with pietra dura plaques. Augsburg, by Melchior Baumgartner, circa 1650 (the furniture). Florence, Galleria dei Lavori, circa 1625 (the pietra dura plaques). H. 87 x 108.5 cm (closed) or 195.5 cm (open) x D. 60.5 cm. H. 34 1/2 x L. 42 3/4 in. (closed) or 77 in. (open) x D. 23 3/4 in.]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Tattooed lady, by Peter Blake (b. 1932). Signed and dated. Pen and ink and watercolour with collage. 94.6 by 52.4 cm]
Attributed works:
[Hazlitt Holland-Hibbert. 38 Bury Street. St. James’s, London SW1Y 6BB. 17 East 76th Street, New York. Walter Sickert. 1860-1942. La Rue Cousin, Dieppe, circa 1907. Oil on canvas. 24 x 19 3/4 inches; 60 x 50 cm. Signed]
Attributed works:
[Johnny van Haeften Ltd. 13 Duke Street, St. James’s, London SW1Y 6DB. A still life of fruit with grapes, figs, medlars, blackberries, a peach, two oranges, a pomegranate, a lemon, chestnuts and oysters placed on a draped blue cloth within a stone niche, by Jan Davidsz. De Heem (1606-1684). With traces of a signature. On canvas, 62.5 by 74 cm]
Attributed works:
[Linley. London. St. Moritz Chair.]
Attributed works:
[Lowell Libson. 3 Clifford Street, New Bond Street, London, W1S 2LF. The cutter 'Grace', by Charles Gore (1729-1807). Pencil, pen and ink, 228 by 322 mm]
Attributed works:
[Moretti. 43 New Bond Street, London W1S 2SA. Piazza Ottaviani 17/r, 50123 Florence. Domenico di Francesco, called Domenico di Michelino. Florence, c. 1417 - 1491. Madonna and Child. Panel, 96x63 cm]
Attributed works:
[Patricia Wengraf, Ltd. PO Box 31067, London SW1W 9FJ. Caspar Gras (1585-1674: Active in Austria). Roaring Lion, Pouncing. Bronze statuette. Overall Height 21.6 cm; Length 23.7 cm]
Attributed works:
[Rafael Valls. 11 Duke Street, St. James’s, London. A still life of dead game with a hare, a cock pheasant and a partridge, a hunting bag, a net and a flintlock rifle, by Melchior D'Hondecoeter (1636-1696). Dutch school. Signed and dated. Oil on canvas, 95 by 84 cm.]
Attributed works:
[Robert Bowman Gallery. London. Two forms (Gemini), by Barbara Hepworth (1903-75). Signed Barbara Hepworth and dated 1970, numbered 9. Quartz glass on a carved wood base. Height: 47 cm. Width: 43 cm.]
Attributed works:
[Salamander Fine Arts. 37 Bury Street, St. James’s. London. Head of a young girl, by Pietro di Cristoforo Vannucci, il Perugino. Pen and brown ink, brown wash, heightened with white over stylus outlines. The outline of another face in stylus below. On pink prepared paper. Irregular, 174 by 115 mm]
Attributed works:
[The Sladmore Gallery. London. Walking puma, by Rembrandt Bugatti. Modelled circa 1911. Marble, Height: 92 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Bird on reeds on a circular base, by Nicola Lazzari, 2005. Bronze, 12 by 11.2 cm (diameter of base)]
Attributed works:
[W/S Fine Art Ltd. 160 New Bond Street. London. Venus and CUpid, by Richard Cosway, R.A. (1742-1821). Pen and ink over traces of pencil, 102 by 162 mm. The Annual Exhibition 7 June- 7 July]
Attributed works:
[W/S Fine Art, Ltd. 160 New Bond Street, London W1S 2UE. John Robert Cozens (1752-1797). The eight hundred year old Cypress in the Garden of the Franciscan Monastery at Salerno, 1782. Watercolour over traces of pencil. 17 7/8 X 12 inches (45.5 X 30.5 cm)]
Non-western art unattributed:
[C. John. 70 South Audley Street, Mayfair, London. A silk embroidery on linen from Portuguese Goa. Circa 1720. 298 by 253 cm]
Non-western art unattributed:
[Rupert Wace Ancient Art. Near Eastern stone altar. Syrian. From south of Hauran region. Chalcolithic, early 4th millenium BC.]
Western art unattributed:
[Finch & Co. London. A rare Russian mineral tower. Late 19th century. 31 cm high.]
Western art unattributed:
[Finch & Co. Suite 744, 2 Old Brompton Road, London. A fine English Romanesque carved limestone corbel head. Lincoln circa 1170-1190. Size: 37 cm high x 24 cm wide x 18 cm deep.]
Western art unattributed:
[Rossi & Rossi. A Mongolian gilt bronze Shadakshari Avalokiteshvara from the atelier of Zanabazar (1635-1723). Height: 40 cm.]
Western art unattributed:
[Sam Fogg, Ltd. 15d Clifford Street, London. Marble Pulpit. Italy, Rome or Campania. c. 1200. Height: 1370 mm]
Western art unattributed:
[Sam Fogg, Ltd. Altarpiece with scenes of the Passion. Nottingham, England, 1440-50. Alabaster, 226 by 75 by 7 cm]
Western art unattributed:
[Sotheby’s & Co., 1334 York Avenue, 10021. New York. Workshop of Gianlorenzo Bernini (1598-1680). Rome, last quarter 17th century. The Blessed Ludovica Albertoni. Bronze. 19 by 44.8 by 17.6 cm.]
Western art unattributed:
[Westland. St. Michael’s Churc. Leonard Street. London. EC2A 4ER. A very large and imposing carved limewood and pine palladian chimneypiece after James "Athenian" Stuart. Unique in the manner of the griffins standing on all fours. Scottish, circa 1760.]
load more