Attributed works:
23. The Sacrifice of Isaac, Here Attributed to Guglielmo Cortese. Canvas, 119 by 105 cm. (Palazzo Durazzo-Pallavicini, Genoa.)
Attributed works:
24. Detail from Fig. 23. [The Sacrifice of Isaac, Here Attributed to Guglielmo Cortese. Canvas, 119 by 105 cm. (Palazzo Durazzo-Pallavicini, Genoa.)]
Attributed works:
25. Study for the Sacrifice of Isaac, by Guglielmo Cortese. Red Chalk on Yellowish Paper, 30.1 by 21 cm. (Gabinetto Nazionale delle Stampe, Rome No. F. C. 127121 v.)
Attributed works:
26. Study for the Sacrifice of Isaac, by Guglielmo Cortese. (Gabinetto Nazionale delle Stampe, Rome, No. F. C. 127121 r.)
Attributed works:
27. Study for the Figure of Abraham in the Sacrifice of Isaac, by Guglielmo Cortese. Red Chalk on Grey-Brownish Paper, 40.2 by 24.3 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7777 r.)
Attributed works:
28. Study for the Arms of Abraham in the Sacrifice of Isaac, by Guglielmo Cortese. (Kunstmuseum, Düsseldorf, Inv. No. FP 7777 v.).
Attributed works:
29. Study for the Figure of Isaac in the Sacrifice of Isaac, by Guglielmo Cortese. Black Chalk Heightened with White, on Greenish Paper, 39.8 by 25.7 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7874 v.)
Attributed works:
30. Study for the Figure of Isaac in the Sacrifice of Isaac, by Guglielmo Cortese. Red Chalk on Yellowish Paper, 38.4 by 24.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7476.)
Attributed works:
31. Study for the Figure of Isaac in the Sacrifice of Isaac, by Guglielmo Cortese. Black Chalk Heightened with White, on Greenish Paper, 38.1 by 25.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 7877.)
Attributed works:
32. The Glory of S. Francesca Romana, Here Attributed to Guglielmo Cortese. (Private Collection, Rome.)
Attributed works:
33. Study for the Glory of S. Francesca Romana, by Guglielmo Cortese. Red Chalk on Yellowish Paper. (Kunstmuseum, Düsseldorf, Inv. No. FP 8084 r.)
Attributed works:
34. Study for the Glory of S. Francesca Romana, by Guglielmo Cortese. Red Chalk on Yellowish Paper, 30.6 by 19.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 11519.)
Attributed works:
35. Study for S. Francesca Romana, by Guglielmo Cortese. Red and Black Chalk, Heightened with White, on Brown Paper, (Kunstmuseum, Düsseldorf, Inv. No. FP 8161 r.)
Attributed works:
36. Study for S. Francesca Romana, by Guglielmo Cortese. Black Chalk, Heightened with White, on Green Paper, 38.1 by 25.9 cm. (Kunstmuseum, Düsseldorf, Inv. No. FP 8171 r.)
Attributed works:
37. Study for S. Francesca Romana, by Guglielmo Cortese. (Kunstmuseum, Düsseldorf, Inv. No. FP 8171 v.)
Attributed works:
38. Studies for the Figure of Habakkuk, by Guglielmo Cortese. Black Chalk, Heightened with White, on Greenish Paper, 40.9 by 26.7 cm. (Kunstmuseum, Düsseldorf, Inv. No. 8116 v.)
Attributed works:
39. Habakkuk Brought to Daniel by an Angel, Here Attributed to Guglielmo Cortese. Fresco, 9.80 by 2.60 m. (S. Carlo ai Catinari, Rome, Former Refectory, Ceiling.)
Attributed works:
40. Detail from Fig. 39. [Habakkuk Brought to Daniel by an Angel, Here Attributed to Guglielmo Cortese. Fresco, 9.80 by 2.60 m. (S. Carlo ai Catinari, Rome, Former Refectory, Ceiling.)]
Attributed works:
41. The Marriage of St Catherine, by Guglielmo Cortese. Red Chalk on White Paper, 24.1 by 18.9 cm. (Kunstmuseum, Düsseldorf, No. FP 4469 recto.)
Attributed works:
42. Detail from Fig. 39. [Habakkuk Brought to Daniel by an Angel, Here Attributed to Guglielmo Cortese. Fresco, 9.80 by 2.60 m. (S. Carlo ai Catinari, Rome, Former Refectory, Ceiling.)]
Attributed works:
44. Portrait of Nicolò Sagredo, Here Attributed to Guglielmo Cortese. (S. Marco, Rome, Sacristy.)
Attributed works:
45. St Augustine and the Child, by Gaspard Dughet and Guglielmo Cortese. (Palazzo Doria-Pamphili, Rome.)
Attributed works:
46. Portrait of a Cleric, Here Attributed to Guglielmo Cortese (?). (Kunsthistorisches Museum, Vienna.)
Attributed works:
47. Study for a Male Portrait, by Guglielmo Cortese. Red Chalk, 29.5 by 20 cm. (National Gallery of Scotland, Edinburgh, No. D 1623 v.)
Western art unattributed:
43. David Admonished by Nathan. Roman, End of Seventeenth Century, after Cortese. Pen and Brown Ink and Wash on White Paper. (Kunstmuseum, Düsseldorf, No. FP 10234.)
