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Article

A newly discovered work by Giammaria Mosca, called Padovano

10/2004 | 1219 | 146

Pages: 656-664

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Author:

Schulz, Anne Markham (Schulz, Anne Markham)

Subjects

artists:

Mosca, Giovanni Maria, il Padovano

dates:

1500-1549

places:

Italy / Venice

print:

Mosca, Giovanni Maria, il Padovano

subjects:

Italian sculpture / Attributions

Illustrations

Attributed works:

1. Altarpiece with Christ as Man of Sorrows, adored by two angels (after restoration), by Giammaria Mosca, called Padovano. 1524-25. Pietra d'Istria and pietra tenera di Vicenza, 166.2 by 157 cm. (Casa Cardinal Piazza, Venice).

Attributed works:

10. Portia, by Giammaria Mosca. Greyish-white marble, 45.5 by 32.7 cm. (Galleria Giorgio Franchetti alla Ca' d'Oror, Venice).

Attributed works:

11. Eurydice, by Giammaria Mosca. White marble, 38.4 by 22.1 cm. (Metropolitan Museum of Art, New York).

Attributed works:

12. Detail from the Miracle of the goblet, by Giammaria Mosca and Pietro Paolo Stella. 1520-29. White marble. (Cappella del Santo, S. Antonio, Padua).

Attributed works:

13. Detail of Castello, from the Bird's-eye view of Venice, by Jacopo de' Barbari. 1500. (Cleveland Museum of Art).

Attributed works:

14. Watercolour drawing of the altar of Corpus Domini formerly in S. Maria delle Vergini, Venice, by Johannes Grevembroch. 1764. From Varie venete curiosità, MSS Gradenigo-Dolfin 65/III, carta 6. (Museo Civico Correr, Venice).

Attributed works:

2. Left-hand angel from Fig.1 after restoration. 75 cm. high.

Attributed works:

3. Detail of the right-hand angel in Fig.1 after restoration.

Attributed works:

4. Central panel of Fig.1 after restoration. 60.2 by 52.1 cm.

Attributed works:

5. Detail of St John the Baptist, by Giammaria Mosca. c.1520-22. White marble. (S. Rocco, Venice).

Attributed works:

6. Detail of the central panel of Fig.1 after restoration.

Attributed works:

7. Detail of St John the Baptist, by Giammaria Mosca. White marble. (Sacristy of S. Stefano, Venice).

Attributed works:

8. Sulima crest, detail from the tomb of Archbishop Piotr Gamrat, by Giammaria Mosca. 1545-47. Red Hungarian marble. (Wawel cathedral, Cracow).

Attributed works:

9. Mucius Scaevola, by Giammaria Mosca. White marble, 30.6 by 19.2 by 5 cm. (Skulpturensammlung, Staatliche Kunstsammlungen, Dresden).

Book Review

Giammaria Mosca Called Padovano, a Renaissance Sculptor in Italy and Poland

02/1999 | 1151 | 141

Pages: 117-118

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Reviewer:

McHam, Sarah Blake (McHam, Sarah Blake)

Subjects

artists:

Mosca, Giovanni Maria, il Padovano

dates:

1500-1599

places:

Italy / Poland / Cracow

subjects:

Architecture / Sculpture / Renaissance

Reviewed Items

subjects:

Giammaria Mosca Called Padovano, a Renaissance Sculptor in Italy and Poland | author: Schulz, Anne Markham

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Advertisements August 1989 (Front)

08/1989 | 1037 | 131

Pages: i-viii

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Subjects

advertisements:

International Antique Dealers Show, New York

advertisements:

Colnaghi, London, Great Britain

advertisements:

Umberto Allemandi & C. (publishers), Turin, Italy

advertisements:

Trafalgar Galleries, London, Great Britain

advertisements:

Aquila Press (publishers), London, Great Britain

advertisements:

Blackwall Green (Jewellery and Fine Art), London, Great Britain

advertisements:

Michael Tollemache Ltd., London, Great Britain

advertisements:

Edward Speelman Ltd., London, Great Britain

advertisements:

Didier Aaron, Inc, New York, United States

advertisements:

Arthena (publishers), Paris, France

advertisements:

National Art Collections Fund

advertisements:

Chicago International Antiques Show

advertisements:

Matthews & Goodman, chartered surveyors, London, Great Britain

advertisements:

Ars Libri Ltd. (publishers), Boston, United States

advertisements:

Douwes Fine Art gallery, Amsterdam, Netherlands

advertisements:

Michael Shamansky Bookseller, New York, United States

advertisements:

Frederick Cummings, New York, United States

advertisements:

Richard L. Feigen & Co, New York, United States

advertisements:

Marlborough Fine Art, London, Great Britain

artists:

Rego, Paula / Reynolds, Joshua / Moitte, Jean Guillaume

artists:

Mosca, Giovanni Maria, il Padovano / Sellaio, Jacopo del

artists:

Talbot, Grace Helen

Illustrations

Attributed works:

[Chicago International Antiques Show, 600 North McClurg Court, Chicago] "Crescent Moon," Bronze, by Grace Helen Talbot. Courtesy of the Graham Gallery, New York.

Attributed works:

[Colnaghi, 14 Old Bond Street, London] Jacopo del Sellaio Active in Florence c. 1441-1493. The Madonna Adoring the Infant Christ with St. John Standing in the Background. Panel, 39 × 23½ ins. (99 × 60 cms.)

Attributed works:

[Frederick Cummings Fine Art, 146 West 57th Street, New York] Jeane-Guillaume Moitte (1746-1810), Design for a Candelabrum in the Form of a Woman, Two Silver Cups and Two Silver Dishes ca. 1790 Pen and Ink H. 30.7 × W. 39.7 cm. (12 × 15⅝ in.)

Attributed works:

[Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London] Paula Rego (b. 1935). The Rehearsal, 1989, Acrylic on Paper, 8 × 12 ft.

Attributed works:

[National Art Collection Fund, 20 John Islip Street, London] Marble Relief of Mucius Scaevola by Giovanni Maria Mosca. 34.5 × 21 cms. Acquired by the National Galleries of Scotland in 1988 with the Help of a Contribution from the NACF.

Attributed works:

[Richard L. Feigen Company, 6 Ryder Street, London] Sir Joshua Reynolds, "Portrait of Dorothy Vaughan, Countess of Lisburne", c. 1777, Oil on Canvas, 50 by 40 Inches (127 by 101 cm)

Supplement

Recent Acquisitions in Edinburgh Museums: Supplement

08/1988 | 1025 | 130

Pages: 655-659

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Subjects

artists:

Cursiter, Stanley

artists:

Mytens, Daniel I, ca.1590-1648

artists:

Gérard, François

artists:

Mosca, Giovanni Maria, il Padovano

artists:

Marin, Joseph Charles

artists:

Calvaert, Denys

dates:

1980-1989

museums and institutions:

Edinburgh City Art Centre, Edinburgh, Great Britain

museums and institutions:

National Gallery of Scotland, Edinburgh, Great Britain

museums and institutions:

Scottish National Gallery of Modern Art, Edinburgh, Great Britain

places:

Scotland / Edinburgh

subjects:

Art museums / Acquisitions

subjects:

British painting / Modern Art

Illustrations

Attributed works:

100. Woman Bewitched by the Moon No.2, by Alan Davie. Board, 152.5 by 122 cm. (Scottish National Gallery of Modern Art).

Attributed works:

101. Douglas Douglas-Hamilton, 14th Duke of Hamilton, with Elizabeth Duchess of Hamilton, by Oskar Kokoschka. 1969. 89.8 by 129.8 cm. (Scottish National Portrait Gallery).

Attributed works:

102. War games, by Joyce Cairns. Board, 129.4 by 221 cm. (City of Edinburgh Art Centre). Purchased from the 369 Gallery with Jean F. Watson Bequest Funds.

Attributed works:

103. The Regatta (Or The yachting Race), by Stanley Cursiter. 1913. 51 by 61 cm. (Scottish National Gallery of Modern Art)

Attributed works:

104. Man Seated on a Donkey (Don Quixote), by Robert Colquhoun. c.1959. Ink on Paper, 50.8 by 40.6 cm. (City of Edinburgh Art Centre).

Attributed works:

105. Collage, by Günter Brus. 1965. Mixed Media on Panel, 77 by 77 cm. (Scottish National Gallery of Modern Art).

Attributed works:

106. A Man Perceived by a Flea, by Steven Campbell. 1985. 265 by 237.5 cm. (Scottish National Gallery of Modern Art).

Attributed works:

89. James, 1st Duke of Hamilton, by Daniel Mytens. 1629. 221 by 139.7 cm. (Scottish National Portrait Gallery).

Attributed works:

90. Maria Laetitia Ramolino Bonaparte, 'Madame Mère', by François, Baron Gérard. (National Gallery of Scotland).

Attributed works:

91. Mucius Scaevola, by Giovanni Maria Mosca. c. 1523. 34.5 by 21 cm. (National Gallery of Scotland). The subject is taken from Livy 2:12-13. Mosca executed a series of reliefs representing the human virtues as praised in classical and biblical literature. Formerly in the collection of the 10th Duke of Leeds. Acquired with the aid of the National Art-Collections Fund.

Attributed works:

92. Jérôme Bonaparte, by Joseph-Charles Marin. Signed. 1805. Terracotta. 47.5 by 30.5 by 24 cm. (Royal Museum of Scotland).

Attributed works:

93. Holy Family with St John in a Landscape, by Denys Calvaert. 42 by 32 cm. (National Gallery of Scotland).

Attributed works:

94. Edinburgh Castle from the South-West, by Patrick Nasmyth. 1815. 58.4 by 43.2 cm. (University of Edinburgh).

Attributed works:

95. Twilight, by Stanley Cursiter. Signed and Dated 1914. 152.5 by 214 cm. National Gallery of Scotland).

Attributed works:

96. The Winther family, by Emilius Baerentzen. 1827. 70.5 by 65.5 cm. (National Gallery of Scotland).

Attributed works:

97. The Red and White Roses, by Julia Margaret Cameron. 1865. Albumen Print, 26.3 by 23.4 cm. (Scottish National Portrait Gallery).

Attributed works:

98. Battle of the Baltic, by J. M. W. Turner. Water-colour, 14 by 13 cm. (National Gallery of Scotland).

Attributed works:

99. James Hogg, by Sir John Watson Gordon. 1830. 127 by 101.6 cm. (Scottish National Portrait Gallery).

Article

An Antique Fragment as Workshop Model; Classicism in the Andrea Vendramin tomb

06/1981 | 939 | 123

Pages: 342-347

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Author:

Pincus, Debra (Pincus, Debra)

Subjects

artists:

Lombardo, Tullio

artists:

Master of the Vendramin Virtues

artists:

Mosca, Giovanni Maria, il Padovano

buildings:

Basilica dei Santi Giovanni e Paolo, Venice, Italy

dates:

1450-1499

patrons:

Vendramin, Andrea, Doge of Venice, 1393-1478

places:

Italy / Venice

subjects:

Italian sculpture / Sepulchral monuments

subjects:

Visual sources / Classicism

Illustrations

Attributed works:

11. Charity, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]

Attributed works:

12. Hope, by Giovanni Maria Mosca (?). Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]

Attributed works:

13. Faith, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]

Attributed works:

14. Temperance, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]

Attributed works:

15. Prudence, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]

Attributed works:

16. Fortitude, by the Master of the Vendramin Virtues. Part of the Tomb Shown in Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]

Attributed works:

6. Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).

Attributed works:

7. Justice, by Antonio Lombardo. Part of the Tomb Shown in Fig. 6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]

Western art unattributed:

10. Drawing of Kore in the Museo Archeologico, Venice, Showing Sixteenth-Century Restored Condition. (Biblioteca Marciana, Venice).

Western art unattributed:

8. Kore. (Museo Archeologico, Venice).

Western art unattributed:

9. Kore. (Museo Archeologico, Venice).

Short Notice

Two Lost Venetian Statues

06/1970 | 807 | 112

Pages: 384+386-387

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Author:

Munman, Robert (Munman, Robert)

Subjects

artists:

Mosca, Giovanni Maria, il Padovano

buildings:

Basilica dei Santi Giovanni e Paolo, Venice, Italy

dates:

1500-1549

patrons:

Bonzio, Giambattista

places:

Venice / Italy

subjects:

Italian sculpture / Funerary structures / Lost works / Virtues / Sepulchral monuments

subjects:

Attributions / Formal analysis

Illustrations

Western art unattributed:

52. Prudence. From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)

Western art unattributed:

53. Fortitude. From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)

Western art unattributed:

54. Detail from Prudence Reproduced in Fig.52. [From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)]

Western art unattributed:

55. Monument of Giambattista Bonzio, SS. Giovanni e Paolo, Venice. Engraving from Cicognara, Diedo, Selva, Le fabbriche più cospicue di Venezia, 1815.

Western art unattributed:

56. Detail from Fortitude Reproduced in Fig.53. [From the Monument to Giambattista Bonzio. (Cappella del Rosario, SS. Giovanni e Paolo, Venice.)]

Article

Renaissance Sculpture in Poland: Padovano and Michalowicz

01/1945 | 502 | 86

Pages: 10-15+17

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Author:

Zarnecki, Jerzy (Zarnecki, Jerzy)

Subjects

artists:

Michałowicz z Urzędowa, Jan

artists:

Mosca, Giovanni Maria, il Padovano

artists:

Berrecci, Bartolomeo

dates:

1500-1599

patrons:

Sigismund I, King of Poland, 1467-1548

places:

Poland / Cracow

subjects:

Sculpture / Italian / Chapels / Funerary chapels / Sepulchral monuments

Illustrations

Attributed works:

Plate I. Interior of the Sigismund Chapel, Cracow Cathedral. By Bartolomeo Berecci, Giovanni Cini, Giovanni Maria Padovano, and Others. 1517-1533. The Upper Figure Represents King Sigismund I by Giovanni Maria Padovano, Between 1530-1533, and the Lower Figure Is of King Sigismund Augustus, by Santi Gucci, 1572. Renaissance Sculpture in Poland

Attributed works:

Plate II. A-King Sigismund I. Bronze Medal. By G. M. Padovano. Signed and Dated 1532. (National Museum, Cracow). Renaissance Sculpture in Poland

Attributed works:

Plate II. B-Detail of Plate III, d. Renaissance Sculpture in Poland

Attributed works:

Plate II. C-Back of A, Showing the Polish Eagle and the King's Initial. Renaissance Sculpture in Poland

Attributed works:

Plate II. D-Detail of the Tomb of Bishop Peter Tomicki. By G. M. Padovano. 1532-5. (Cathedral, Cracow). Renaissance Sculpture in Poland

Attributed works:

Plate II. E-Detail of the Tomb of Primate Jacob Uchanski. By J. Michalowicz. 1580-83. (Collegiate Church, Lowicz). Renaissance Sculpture in Poland

Attributed works:

Plate III. A-Tomb of Barbara Tarnowska. By G. M. Padovano. After 1536. (Cathedral, Tarnow). Renaissance Sculpture in Poland

Attributed works:

Plate III. B-Tomb of an Unknown Lady. By J. Michalowicz. 1563-8. (Parish Church, Brzeziny). Renaissance Sculpture in Poland

Attributed works:

Plate III. C-Tomb of Bishop Andrew Zebrzydowski. By J. Michalowicz. 1560-63. (Cathedral, Cracow). Renaissance Sculpture in Poland

Attributed works:

Plate III. D-Tomb of Bishop Philip Padniewski. By J. Michalowicz. 1572-5. (Cathedral, Cracow). Renaissance Sculpture in Poland

Article

Polish Renaissance Architecture

01/1945 | 502 | 86

Pages: 2+4-9

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Author:

Estreicher, Karol (Estreicher, Karol)

Subjects

artists:

Francesco Fiorentino

artists:

Berrecci, Bartolomeo

artists:

Mosca, Giovanni Maria, il Padovano

artists:

Cini, Giovanni

artists:

Gucci, Santi

dates:

1500-1599

patrons:

Sigismund I, King of Poland, 1467-1548

places:

Italy / Poland / Cracow

subjects:

Architecture / Renaissance / Renaissance / Influence

subjects:

Techniques / Sources

Illustrations

Attributed works:

Courtyard of the Royal Castle, Cracow. Built by Franciscus Florentinus, 1502-1516

Attributed works:

Plate II. A-General View of the Royal Castle, Cracow, Showing the Renaissance Facade by Franciscus Florentinus. 1502-1516. Polish Renaissance Architecture

Attributed works:

Plate II. B-The Sigismund Chapel, Cracow Cathedral. Built by Bartolomeo Berecci, 1517-1533. Polish Renaissance Architecture

Attributed works:

Plate II. C-Interior of the Dome of the Sigismund Chapel, Cracow Cathedral, Showing the Panelling of Roses. By Bartolomeo Berecci and Giovanni Cini, c. 1530. Polish Renaissance Architecture

Attributed works:

Plate III. A-The Great Market-Place, Cracow, Showing the Church of Our Lady, the Town-Hall Tower, with the Cloth-Hall in the Centre. The Latter Was Rebuilt by Giovanni Maria Padovano and Decorated with a Parapet in 1556. Polish Renaissance Architecture

Attributed works:

Plate III. B-The Courtyard of the Palace of Baranow, Probably by Santi Gucci, c. 1579. Polish Renaissance Architecture

Western art unattributed:

Plate III. C-The Town-Hall, Sandomierz, Crowned by a Renaissance Parapet. Second Half of the 16th Century. Polish Renaissance Architecture

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