4. The Etruscan Room, Castello di Racconigi, Piedmont, designed by Pelagio Palagi, marquetry and furniture by Gabriele Capello (called Moncalvo). 1843–47. (De Agostini Picture Library; photograph A. Dagli Orti; Bridgeman Images).
Book Review
Turin and the British in the Age of the Grand Tour. Edited by Paola Bianchi and Karin Wolfe
5. View of the house and garden of the Comte de Perron, by Thomas Robinson. 1759. Pen and ink and grey wash, 50.5 by 20 cm. (West Yorkshire Archive Service, Leeds).
74. Altar from the chapel of Cognac, by Girolamo della Robbia. c.1518 (Cité de la Céramique, Sèvres; exh. Musée National de la Renaissance, château d'Ecouen)
Western art unattributed:
73. Fragment of tapestry with the arms and devices of Louise de Savoie and François d'Angoulême. Netherlands or France, 1508-12 (Museum of Fine Arts, Boston; exh. Musée National de la Renaissance, château d'Ecouen)
Short Notice
Morazzone's 'Madonna del miele' from the Collection of the Dukes of Savoy
Gli appartamenti reali di Palazzo Pitti. Una reggia per tre dinastie: Medici, Lorena e Savoia tra Granducato e Regno d'Italia |
author: Chiarini, Marco
, author: Padovani, Serena
Publication Received
Arte di Corte a Torino da Carlo Emanuele III a Carlo Felice
2. Card-Castle, by Jean-Baptiste-Siméon Chardin. Signed. Canvas, 81 by 101 cm. (Private Collection.)
Attributed works:
3. Card-Castle. Engraving by Pierre Filloeul after the Nuneham Chardin (Fig. 2).
Attributed works:
4. Lady Taking Tea. Engraving by Pierre Filloeul after the the Hunterian Chardin (Fig. 5).
Attributed works:
5. Lady Taking Tea, by Jean-Baptiste-Siméon Chardin. Signed and Dated 173(?). Exh. Salon 1739. Canvas, 81 by 99 cm. (Hunterian Collection, Glasgow University.)
Attributed works:
6. Card-Castle. Workshop of Jean-Baptiste-Siméon Chardin. Canvas, 61 by 64 cm. (Oskar Reinhart Foundation, Winterthur).
Short Notice
Documentation for a Little-Known Work by Carlo Maratti
47. Madonna and Child, St John the Baptist, St Eusebius, the Blessed Amadeo Duke of Savoy and the Blessed Margarita of Savoy, by Carlo Maratti. 1700-09. Canvas. (High Altar, S. Filippo Neri, Turin.) [with assistance from Giuseppe Chiari, Andrea Procaccini and Giuseppe Passeri]
10. Incense Boat. Stamped with the Double L Cipher of the Turin goldsmith Lorenzo Lavy. Silver; Height, 15.5 cm. (St Anselm and St Cecilia, Kingsway, London.)
Attributed works:
12. Pair of Cruets. Stamped with the Double L Cipher of the Turin goldsmith Lorenzo Lavy. Silver-Mounted Crystal; Height, 19 cm. (St Anselm and St Cecilia, Kingsway, London.)
Attributed works:
13. Salver for Cruets. With Mark of Carlo Micha, Assay-Master, Turin, 1759-87. Silver; Diameter, 25.5 cm. (St Anselm and St Cecilia, Kingsway, London.)
Attributed works:
14. Bottom of One of the Cruets (Reproduced in Fig.12) Showing Engraved Arms of the House of Savoy and Mark of Lorenzo Lavy.
Attributed works:
15. Mark on Salver (Reproduced in Fig.13) of Carlo Micha, Assay-Master, Turin, 1759-87.
Western art unattributed:
11. Detail Showing Triangular Base of the Altar-Cross Reproduced in Fig.8. [Silver; Height, 91.5 cm. (St Anselm and S Cecilia, Kingsway, London.)]
Western art unattributed:
8. Altar-Cross. Engraved with the Arms of Savoy. Silver; Height, 91.5 cm. (St Anselm and S Cecilia, Kingsway, London.)
Western art unattributed:
9. Censer. Engraved with the Arms of Savoy. Silver; Height, 29.5 cm. (St Anselm and St Cecilia, Kingsway, London.)