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13 articles
Article
Richard Livesay’s painting of the Eton Montem
07/2022 | 1432 | 164
Pages: 650-657
related names
Author:
Dille, Catherine (Dille, Catherine)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.4, showing the Servitors.
Attributed works:
10. Wyrley Birch in Montem costume, by Richard Livesay. c.1791. Oil on canvas, 23.5 by 20 cm. (Collection of the Provost and Fellows of Eton College).
Attributed works:
11. Detail of Fig.4, showing Colonel Thomas Earle and his attendants.
Attributed works:
12. Detail of Fig.4, showing spectators of the procession.
Attributed works:
13. Military review of the Worcestershire Regiment by Major-General Whitelocke on Southsea Common, by Richard Livesay. 1823. Oil on canvas, 78 by 124 cm. (Portsmouth Museum and Art Gallery).
Attributed works:
2. Montem in Weston’s Yard with King George IV, by Charles Turner. 1820. Pencil and watercolour on paper, 50.8 by 68.5 cm. (Collection of the Provost and Fellows of Eton College).
Attributed works:
3. The festival of Eton Montem with the procession up Salt Hill, by Robert Cruikshank. Hand-coloured copperplate, 14.6 by 23.5 cm. (From B. Blackmantle: The English Spy, London 1825; Bridgeman Images).
Attributed works:
4. The Montem Procession, by Richard Livesay. c.1791–93. Oil on canvas, 120 by 327 cm. (Eton College, Eton).
Attributed works:
5. Detail of Fig.4, showing the Montem Captain Edward Jones and two Salt-Bearers receiving a donation from a man on horseback.
Attributed works:
6. The Hon. George Montagu afterwards Earl of Sandwich, by Richard Livesay. c.1790. Canvas, 74.9 by 62.2 cm. (Mapperton House, Dorset; photograph Lisa Stein).
Attributed works:
7. Joseph Hucks at Eton, by Richard Livesay. c.1790. Oil on canvas. (Private collection; photograph © Richard Budd 2022).
Attributed works:
8. Francis Gervais, by Richard Livesay. c.1790. Oil on canvas, 22.8 by 19.8 cm. (Armagh County Museum).
Attributed works:
9. Detail of Fig.4, showing Serjeant-Major Richard Bethell and the Serjeants.
Book Review
‘A Marvel to Behold’: Gold and Silver at the Court of Henry VIII
12/2021 | 1425 | 163
Pages: 1207-1209
related names
Reviewer:
Crépin-Leblond, Thierry (Crépin-Leblond, Thierry; Leblond, Thierry Crépin-)
Subjects
Reviewed Items
subjects:
‘A Marvel to Behold’: Gold and Silver at the Court of Henry VIII By Timothy Schroder. 398 pp. incl. 124 col. + 3 b. & w. ills. (Boydell Press, Woodbridge, 2020), £45. ISNB 978–1–78327–507–6. | :
Illustrations
Western art unattributed:
3. Detail of the wine ceremony procession from Reproaches of Nathan to David. 1527. Tapestry. (Musée de la Renaissance, Château d’Écouen).
Article
The Apollo Coach by Cristoforo Schor
11/2020 | 1412 | 162
Pages: 938-945
related names
Author:
Arranz, Raúl Martinez (Arranz, Raúl Martinez)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. The Apollo Coach, designed and made in the workshop of Cristoforo Schor. 1697 with later alterations. Carved and gilded wood and iron, c.250 by 200 by 550 cm., without the shrine. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
10. Modello for a sculpture of Clytia, here attributed to the workshop of Cristoforo Schor. Terracotta, 42 by 21 by 18.5 cm. (Museo Nazionale del Palazzo di Venezia, Rome; © SSPSAE e per il Polo Museale della città di Roma).
Attributed works:
2. The Apollo Coach photographed at the celebrations for the centennial of the declaration of the dogma of the Immaculate Conception, Toledo. 1954. (Archivo Municipal de Toledo, Colección Pareja).
Attributed works:
3. Detail of the coach in Fig.1, showing the rear frame. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
4. Detail of the coach in Fig.1, showing the rear frame and the supporting iron bars. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
5. Design for the rear frame of a coach with Apollo slaying the Python, by the workshop of Cristoforo Schor. c.1696–97. Ink and bistre on paper, 19.5 by 25.4 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
6. Design for a coach with figures of Justice and Abundance, by the workshop of Cristoforo Schor. c.1696–97. Black chalk, pen and black ink on paper, 19.7 by 20.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/Nationalmuseum).
Attributed works:
7. Design for a carriage wheel with carved decoration of sunflowers, here attributed to the workshop of Cristoforo Schor. c.1696–97. Pencil and brown ink, lacquered in brown, on paper, 26.1 by 18.6 cm. (Nationalmuseum Stockholm; Cecilia Heisser/ Nationalmuseum).
Attributed works:
8. Detail of the coach in Fig.1, showing one of the back wheels. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Attributed works:
9. Detail of the coach in Fig.1, showing the sculpture of Clytia. (Courtesy the Brotherhood of the Holy Virgin of Charity, Camarena, Toledo; © photograph Fernando Maselli).
Book Review
The Print Collection of Cassiano dal Pozzo: Ceremonies, Costumes, Portraits and Genre (The Paper Museum of Cassiano dal Pozzo, Series C: Prints, Part 1)
09/2020 | 1410 | 162
Pages: 819-820
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
art literature:
collectors and dealers:
media:
museums and institutions:
Reviewed Items
works:
The Print Collection of Cassiano dal Pozzo: Ceremonies, Costumes, Portraits and Genre (The Paper Museum of Cassiano dal Pozzo, Series C: Prints, Part 1) Edited by Mark McDonald. Three vols, 1024 pp. incl. 1676 b. & w. ills. (Harvey Miller, London, 2017), £195. ISBN 978–1–909400–78–8. | :
Article
The Victorian high-altar reredos in St Paul’s Cathedral, London
08/2020 | 1409 | 162
Pages: 646-657
related names
Author:
Hall, Michael (Hall, Michael)
Subjects
dates:
media:
Illustrations
Attributed works:
1. The high-altar reredos in St Paul’s Cathedral, London, designed by Thomas Garner and made by Farmer and Brindley. 1888. Photograph by A.F. Kersting, c.1939. (© The Courtauld Institute of Art, London).
Attributed works:
10–12. Angels, by Attilio and Furio Piccirilli for Farmer and Brindley. c.1887. Marble with gilding and imitation rosso antico marble, each 73 by 40 cm. (Private collections; courtesy Bonhams).
Attributed works:
13. The Jesus Chapel, St Paul’s Cathedral, London. Photograph, c.1900. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
14. The high altar, St Paul’s Cathedral, London, following bomb damage. Photograph by Arthur Cross and Fred Tibbs, 1940. (London Metropolitan Archives).
Attributed works:
15. Cherubs, by Farmer and Brindley. c.1887. Marble with gilding. Each 107 by 61 cm. (Private collection; photograph Christie’s).
Attributed works:
2. The nave of St Paul’s Cathedral, looking east. 1870s. Photograph by London Stereoscopic Company. (Mary Evans Picture Library).
Attributed works:
3. The altar in the chapel, Temple Newsam, Yorkshire, by Bodley and Garner. 1877. Photograph, 1948. (Leeds Libraries, www.leodis.net).
Attributed works:
4. Model of a proposed reredos for St Paul’s Cathedral, London, by Charles Hopson after a design by Christopher Wren. c.1696. Oak, 119.3 by 91.4 by 62.5 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
5. Sir Christopher Wren’s altar piece, a study for the completion of the apse of St Paul’s, by F.C. Penrose. c.1860. Watercolour, 96 by 56 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
6. Design for the high-altar reredos, St Paul’s Cathedral, London, by Thomas Garner. c.1885. Pencil, pen and ink on paper, 56 by 35.3 cm. (St Paul’s Cathedral Library; © The Chapter of St Paul’s Cathedral).
Attributed works:
7. Virgin and Child, by Jean Guillemin for Farmer and Brindley. c.1887. Marble, 142 by 58 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
8. Christ, by Jean Guillemin for Farmer and Brindley. c.1887. The cross was added after 1950. Marble, height 196 cm. (St Paul’s Cathedral, London; © The Chapter of St Paul’s Cathedral).
Attributed works:
9. St Paul, by Farmer and Brindley. c.1887. Marble, height 138 cm. (Private collection; photograph Sotheby’s, London).
Article
Royal ceremonies in the missal of Abbot Nicholas Litlyngton
01/2019 | 1390 | 161
Pages: 18-25
related names
Author:
Wackett, Jayne (Wackett, Jayne)
Subjects
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
1. Folio 206r of the Litlyngton Missal. 1383–84. Illumination on parchment, 52.5 by 36 cm. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
2. Detail of Fig.1, showing the coronation of a king.
Western art unattributed:
3. Detail of folio 221v of the Litlyngton Missal, showing the coronation of a queen. 1383–84. Illumination on parchment. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
4. Detail of p.65 of the Liber Regalis, showing the coronation of a queen. c.1382. Illumination on vellum. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
5. Folio 224r of the Litlyngton Missal. 1383–84. Illumination on parchment, 52.5 by 36 cm. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
6. Detail of folio 33v of the Liber Regalis, showing a royal tomb. c.1382. Illumination on vellum. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
7. Detail of folio 326r of the Litlyngton Missal, showing a monk’s funeral. 1383–84. Illumination on parchment. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
8. Detail of Fig.5, showing the exequies for a king.
Book Review
Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael’s Villa Madama. By Yvonne Elet
01/2019 | 1390 | 161
Pages: 87-88
Exhibition Review
Siah Armajani: Follow This Line. Walker Art Center, Minneapolis
12/2018 | 1389 | 160
Pages: 1055-1058
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
artists:
dates:
Illustrations
Attributed works:
21. Seven rooms of hospitality: Room for deportees, by Siah Armajani. 2017. Metal, wood, barbed wire, mailbox, hat and handbag, 243.8 by 305.4 by 111.1 cm. (Courtesy the artist and Rossi & Rossi; exh. Walker Art Center, Minneapolis).
Attributed works:
22. Dictionary for building: The garden gate, by Siah Armajani. 1982–1983. Wood, paint and book, 241.6 by 81.9 by 188 cm. (Walker Art Center, Minneapolis).
Attributed works:
23. Irene Hixon Whitney Bridge, Minneapolis. Designed by Siah Armajani. 1988. (Photograph Barbara Economon; courtesy Walker Art Center, Minneapolis).
Exhibition Review
Napoleon: Power and Splendour. Virginia Museum of Fine Arts, Richmond
08/2018 | 1385 | 160
Pages: 676-678
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
art literature:
dates:
Illustrations
Attributed works:
15. General Armand-Samuel de Marescot with his wife, Cécile, his son, Antoine-Samuel, his daughter, Joséphine-Cécile, and his motherin-law, Marie-Charlotte d’Artis de Thiézac, by Fortuné Dufau. 1806. Canvas, 240 by 195 cm. (Private collection; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
16. Triumphal march of Napoleon to the Temple of Immortality, by Jean-Baptiste Regnault. 1804–05. Paper mounted on canvas, 52.4 by 93 cm. (Fralin Museum of Art, University of Virginia, Charlottesville; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
17. Etruscan Scroll Vase, called the Londonderry Vase. Sèvres Imperial Manufactory, after a design by Charles Percier and Alexandre-Théodore Brongniart père, decoration by Gilbert Drouet and Christophe-Ferdinand Caron. 1813. Hard-paste porcelain with polychrome enamel decoration, gilding and ormolu mounts, height 137.2 cm. (Art Institute of Chicago).
Article
Two rediscovered paintings by Hubert Robert and their French revolutionary context
05/2013 | 1322 | 155
Pages: 317-323
related names
Author:
Baumgartner, Frédérique (Baumgartner, Frédérique)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
21. The Day of the Wheelbarrows, by Hubert Robert (Private collection)
Attributed works:
22. The Federation Festival at the Champ-de-Mars, 14th July 1790, by Hubert Robert (Private collection)
Attributed works:
23. Project for the Grande Galerie of the Louvre, by Hubert Robert (Musée du Louvre, Paris; copyright RMN-Grand Palais/Art Resource NY; photographed by Stéphane Maréchalle)
Attributed works:
24. The Federation Festival at the Champ-de-Mars, 14th July 1790, by Hubert Robert (Musée des châteaux de Versailles et de Trianon, Versailles; copyright RMN-Grand Palais/Art Resource NY; photographed by Gérard Blot)
Attributed works:
25. Labours at Champ-de-Mars for the Federation of 14th July 1790, by Jean-Louis Prieur (Musée Carnavalet, Paris)
Attributed works:
26. General Federation in Paris, July 14th 1790, by Jean-Louis Prieur (Musée Carnavalet, Paris)
Attributed works:
27. View of the gardens of Versailles towards the Tapis Vert at the time of the felling of the trees, by Hubert Robert (Musée des châteaux de Versailles et de Trianon, Versailles)
Attributed works:
28. The Federation Festival at the Champ-de-Mars, 14th July 1790, by Charles Thévenin (Musée Carnavalet, Paris; copyright of Alfredo Dagli Orti/Art Archive at Art Resource NY)
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