Scotland and the Origins of Modern Art
By Duncan Macmillan. 256 pp. incl. 100 col. + 25
b. & w. ills. (Lund Humphries, London, 2023),
£50. ISBN 978–1–84822–633–3. |
:
Book Review
Writing After Art: Essays on Modern and Contemporary Artists
Writing After Art: Essays on
Modern and Contemporary Artists
By Richard Shiff. 696 pp. incl. 64 col. ills.
(David Zwirner Books, New York, 2023),
£40. ISBN 978–1–64423–048–0. |
:
Book Review
Johann Joachim Winckelmann (1717–1768): Ein Europ isches Rezeptionsph nomen / Fenomeno Europeo della Ricezione
Johann Joachim Winckelmann
(1717–1768): Ein Europäisches
Rezeptionsphänomen / Fenomeno
Europeo della Ricezione
Edited by Ortwin Dally, Maria Gazzetti
and Arnold Nesselrath. 200 pp. incl. 39 col. + 2
b. & w. ills. (Michael Imhof Verlag, Petersberg,
2021), €42. ISBN 978–3–7319–1115–9. |
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Book Review
A Mediated Magic: The Indian Presence in Modernism 1880–1930
A Mediated Magic: The Indian
Presence in Modernism 1880–1930
Edited by Naman P. Ahuja and Louise Belfrage.
184 pp. incl. 91 col.+ b. & w. ills. (Marg Foundation,
Mumbai, and the Axel and Margaret Ax:son
Johnson Foundation, Stockholm, 2019), $70.
ISBN 978–9–383243–28–0. |
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Book Review
The Painter’s Touch: Boucher, Chardin, Fragonard. By Ewa Lajer-Burcharth
The Painter’s Touch: Boucher,
Chardin, Fragonard
By Ewa Lajer-Burcharth. 312 pp. incl. 154 col. + 104
b. & w. ills. (Princeton University Press, Princeton
NJ, 2018), 54. ISBN 978–0–691–17012–1. |
:
Illustrations
Attributed works:
1. Dead hare with powder flask and game bag,
by Jean Baptiste Sim on Chardin. c.1726–30.
Oil on canvas, 98 by 77 cm. (Mus e du Louvre,
Paris; Bridgeman Images).
Book Review
L’arte del dissenso: Pittura e libertinismi nell’Italia del Seicento. By Dalma Frascarelli
L’arte del dissenso: Pittura e
libertinismi nell’Italia del Seicento
By Dalma Frascarelli. 280 pp. incl. 50 col.
ills. (Giulio Einaudi Editore, Turin, 2016), |
:
Illustrations
Attributed works:
1. Flight into Egypt, by Adam Elsheimer. 1609.
Copper, 31 by 41 cm. (Alte Pinakothek, Munich;
Bridgeman Images).
21. Seven rooms of hospitality: Room for deportees, by Siah Armajani. 2017. Metal, wood, barbed wire, mailbox, hat and handbag, 243.8 by 305.4 by 111.1 cm. (Courtesy the artist and Rossi & Rossi; exh. Walker Art Center, Minneapolis).
Attributed works:
22. Dictionary for building: The garden gate, by Siah Armajani. 1982–1983. Wood, paint and book, 241.6 by 81.9 by 188 cm. (Walker Art Center, Minneapolis).
Attributed works:
23. Irene Hixon Whitney Bridge, Minneapolis. Designed by Siah Armajani. 1988. (Photograph Barbara Economon; courtesy Walker Art Center, Minneapolis).
Book Review
Theophilus and the Theory and Practice of Medieval Art. By Heidi C. Gearhart