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98 articles
Article
Concealing portraits in Renaissance Venice: Jacometto’s painted box
02/2024 | 1451 | 166
Pages: 126–1139
related names
Author:
Manges Nogueira, Alison (Manges Nogueira, Alison)
Subjects
dates:
sources:
subjects:
Illustrations
Attributed works:
1. and 2. A tethered roebuck (recto) and Alvise Contarini (verso), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (recto), oil on panel (verso), 11.7 by 8.6 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
10. Portrait of a woman, possibly a Novice of San Secondo, by Jacometto Veneziano. c.1490. Oil on panel, 24 by 15.5 cm. (Cleveland Museum of Art).
Attributed works:
11. Rendering of the figural outlines in the painting in Fig.3.
Attributed works:
12. Auditus, by Cornelis Cort after Frans Floris I. 1561. Engraving, 21.5 by 26.5 cm. (National Gallery of Art, Washington).
Attributed works:
13. Detail of Orpheus (‘The Widener Orpheus’), showing the figure of Orpheus. Venice, c.1515. Oil on panel transferred to canvas, 39.5 by 81 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
14. Orpheus and Charon, by Nicola da Urbino. Urbino, c.1515. Maiolica, diameter 28.2 cm. (Museo Correr, Venice).
Attributed works:
15. The wedding of Orpheus and Eurydice, Eurydice bitten by a snake, and Orpheus and Charon, after Benedetto Bordon. 1497. Woodcut, 29.8 by 20.6 cm. (page). (From Ovidio Metamorphoseos vulgare, transl. Giovanni de’ Bonsignori, Venice 1497, fol.83v; Metropolitan Museum of Art, New York).
Attributed works:
16. Daniel in the cave of the lions, by Cima da Conegliano. c.1495. Tempera and gold on panel, 57.7 by 43.5 cm. (Pinacoteca Ambrosiana, Milan; Bridgeman Images).
Attributed works:
17. Orpheus charming the animals, by the workshop of Cima da Conegliano. Early 16th century. Pen and wash on paper, 25 by 20 cm. (Gabinetto dei Disegni e delle Stampe degli Uffizi, Florence).
Attributed works:
18. Orpheus redeeming Eurydice, by Moderno. Late 15th or early 16th century. Bronze, diameter 10.6 cm. (National Gallery of Art, Washington).
Attributed works:
19. Petrarch, Laura and Orpheus, attributed to the Petrarch Master. 1463–64. Coloured pigments, gold and ink on parchment, 23 by 14 cm. (From Sonnets and Triumphs by Petrarch, Victoria and Albert Museum, London, L.101-1947).
Attributed works:
20. Portrait medal of Cristoforo Civran. Venice, late 15th century. Bronze, diameter 4.9 cm. (Private collection).
Attributed works:
21. Stag at rest chained to a tree, by Giulio Campagnola. c.1510–15. Engraving with stipple, 18.2 by 11.8 cm. (British Museum, London).
Attributed works:
22. Deer chained to a laurel tree. Venice, late 15th century. Tempera on vellum. (From Rime, by Niccolò Lelio Cosmico, Biblioteca Nazionale Marciana, Venice, MS Marciano It. IX 152 (=7057), fol. 2v.).
Attributed works:
23. Tiberius. Roman, 14–20, in a mount with a Medici emblem and inscription, Italian or French, 16th century. Sardonyx, gold, pearl and enamel, 8 by 4.8 cm. (Art Institute of Chicago).
Attributed works:
24. Staurotheke with a double-sided sliding lid. Constantinople (?), early 9th century. Gilded silver, gold, enamel worked in cloisonné and niello, 2.7 by 10.3 by 7.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. and 4. A scene here identified as Orpheus and Charon (verso) and Portrait of a woman here identified as Daria Querini (recto), by Jacometto Veneziano. c.1485–95. Oil and gold on panel (verso), oil on panel (recto), 10.2 by 7.3 cm. (Robert Lehman Collection, Metropolitan Museum of Art, New York).
Attributed works:
5. Portrait effigy of Elisabeth Krauss, with a sliding cover. Nuremberg, c.1640. Coloured wax and wood, 13.5 by 12.2 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
6. Giovanna de’ Rossi, by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.6 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
7. Allegory of Chastity (cover for Giovanna de’ Rossi), by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.7 cm. (National Gallery of Art, Washington).
Attributed works:
8. Philipp Melanchthon and cover with grotteschi and an inscription, by Hans Holbein the Younger. 1535. Oil on panel, diameter 9 cm. (Landesgalerie, Niedersachsisches Landesmuseum, Hannover).
Attributed works:
9. Portrait of a boy, by Giovanni Bellini. c.1474. Oil on panel, 38 by 23 cm. (Barber Institute of Fine Arts, Birmingham).
Exhibition Review
Venezia 500: The Gentle Revolution of Venetian Painting
01/2024 | 1450 | 166
Pages: 70–73
related names
Reviewer:
Hojer, Annette (Hojer, Annette)
Subjects
artists:
dates:
museums and institutions:
subjects:
subjects:
Reviewed Items
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting. Edited by Andreas Schumacher. 230 pp. incl. 160 col. ills. (Bayerische Staatsgemäldesammlungen, Munich, and Hirmer Verlag, Munich, 2023), €39. ISBN 978–3–7774–4176–4. German edition: Venezia 500: Die Sanfte Revolution der Venezianischen Malerei. ISBN 978–3– 7774–4174–0. | :
subjects:
Venezia 500: The Gentle Revolution of Venetian Painting Alte Pinakothek, Munich 27th October 2023– 4th February 2024 | :
Illustrations
Attributed works:
11. A pupil and his teacher, perhaps Giovanni Borgherini and Trifone Gabriele, by Giorgione (?). 1509–10. Oil on canvas, 91.5 by 67 cm. (Alte Pinakothek, Munich).
Attributed works:
12. St Jerome reading in a landscape, by Giovanni Bellini. c.1480–85. Oil on panel, 46.8 by 33.8 cm. (National Gallery, London; exh. Alte Pinakothek, Munich).
Attributed works:
13. Portrait of a young woman in a blue dress with a fan, by Jacopo Negretti (Palma il Vecchio). After 1514. Oil on panel, 63.5 by 51 cm. (Kunsthistorisches Museum, Vienna; exh. Alte Pinakothek, Munich).
Article
Giorgione’s ‘Tempest’: a riddle without a cause
11/2021 | 1424 | 163
Pages: 1046-1055
related names
Author:
Holberton, Paul (Holberton, Paul)
Subjects
art literature:
dates:
Illustrations
Attributed works:
1. The Tempest, by Giorgione. c.1508–10. Oil on canvas, 82 by 73 cm. (Gallerie dell’Accademia, Venice; Bridgeman Images).
Attributed works:
10. The bravo, by Titian. c.1510–15. Oil on canvas, 75 by 67 cm. (Kunsthistorisches Museum, Vienna; Bridgeman Images).
Attributed works:
11. Travelling figure in a landscape, by Giorgione. c.1505. Red chalk on paper, 20.3 by 29 cm. (Museum Boymans Van Beuningen, Rotterdam).
Attributed works:
12. Soldier and Gypsy woman. c.1500–05. Two engravings printed on a single sheet; sheet 11.7 by 9.4 cm. (Bound into Sasso Panfilo: Epigrammata etc., Brescia 1479; Bayerische Staatsbibliothek, Sammlung Hartmann Schedel, 4o Incunabula c.a., fol.2v).
Attributed works:
2. Reliquary of Charles the Bold (St George and Charles the Bold), by Gerard Loyet. c.1467–71. Gold, silver and enamel, height including base 53 cm. (Liège Cathedral Treasury; Bridgeman Images).
Attributed works:
3. Rest on the flight into Egypt, by Lucas Cranach. 1504. Oil on panel, 70.7 by 53 cm. (Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin; Bridgeman Images).
Attributed works:
4. Young man, attributed to Giorgione. c.1500–02. Oil on canvas, 57.5 by 45.5 cm. (Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin; Bridgeman Images).
Attributed works:
5. A man tricked by gypsies, by Leonardo da Vinci. c.1493. Pen and ink, sheet 26 by 20.5 cm. (Royal Collection Trust © Her Majesty Queen Elizabeth II, 2021).
Attributed works:
6. A gypsy addressing a soldier, by Giorgione. c.1500. Oil on canvas, 72 by 56.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
7. A gypsy addressing a soldier, by Jan van Troyen after Giorgione. 1654–60. Engraving, 23.6 by 16.9 cm. (From David Teniers: Theatrum Pictorium, Antwerp 1673, plate 24).
Attributed works:
8. Three singers (alto, tenor and bass), by Giorgione. Oil on panel, 62 by 77 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
9. La vecchia (‘Giorgione’s mother’), by Giorgione. c.1508. Oil on canvas, 68 by 59 cm. (Gallerie dell’Accademia, Venice; Bridgeman Images).
Article
Pierre Le Tessier de Montarsis and a network of picture dealers in early eighteenth-century Paris
05/2021 | 1418 | 163
Pages: 428-436
related names
Author:
Marandet, François (Marandet, François)
Subjects
art literature:
places:
Illustrations
Attributed works:
1. Pierre Le Tessier de Montarsis, by Gérard Edelinck, after Antoine Coypel. 1692. Engraving, 36 by 28 cm. (British Museum, London).
Attributed works:
10. The penitent Magdalene, by Guido Reni. c.1634–35. Oil on canvas, 79 by 68 cm. (National Gallery, London).
Attributed works:
11. Virgin and Child with an angel, by Antoine-Louis Romanet, after Parmigianino. c.1785–1806. Engraving, 22 by 20 cm. (British Museum, London).
Attributed works:
2. Adoration of the Magi, by Paolo Veronese. c.1584. Oil on copper, 45 by 34 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
3. Judith, by Giorgione. c.1504. Oil on canvas transferred from panel, 144 by 68 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. The Triumph of Pan, by Nicolas Poussin. 1636. Oil on canvas, 135.9 by 146 cm. (National Gallery, London).
Attributed works:
5. The Triumph of Galatea, by Carlo Maratta. Oil on canvas. (Location unknown; photograph Fototeca Federico Zeri).
Attributed works:
6. St John the Baptist preaching, by Francesco Albani. c.1648. Oil on copper, 29 by 39 cm. (Location unknown; photograph Christie’s).
Attributed works:
7. Aurora and Cephalus, by Nicolas Poussin. c.1630. Oil on canvas, 97 by 131 cm. (National Gallery, London).
Attributed works:
8. The Entombment, by Tintoretto. c.1557. Oil on canvas, 164 by 127 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
9. Virgin and Child (The Bridgewater Madonna), by Raphael. 1508. Oil on canvas transferred from panel, 82 by 57 cm. (The Duke of Sutherland, on loan to the Scottish National Gallery, Edinburgh).
Article
The reopening of the Dresden Gemäldegalerie Alte Meister
11/2020 | 1412 | 162
Pages: 992-977
related names
Author:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Hall of antiquities, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen Dresden; photograph H.C. Krass).
Attributed works:
2. Christ flagellated, by Balthasar Permoser. 1728. Coloured marble, 81 by 27 by 25 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden; photograph David Brandt).
Attributed works:
3. Plan of the first storey of the Gemäldegalerie, with the south-side at the top. c.1845. Lithograph, 23 by 41.5 cm. (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden).
Attributed works:
4. Installation view of the Italian galleries, looking towards Raphael’s Sistine Madonna, Gemäldegalerie Alte Meister (Staatliche Kunstsammlungen, Dresden; photograph H.C. Krass).
Attributed works:
5. Frederick III of Saxony, called the Wise, by Adriano Fiorentino. 1498. Bronze, 62.8 by 51 by 30.6 cm. (Skulpturensammlung bis 1800, Staatliche Kunstsammlungen Dresden).
Attributed works:
6. Madonna of the Cuccina family, by Paolo Veronese. c.1571. Oil on canvas, 167 by 416 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
8. Installation view of the ‘Rubens and Van Dyck’ gallery, Gemäldegalerie Alte Meister und Skulpturensammlung bis 1800 (Staatliche Kunstsammlungen, Dresden; photograph Alexandra Gajewski).
Letter
Giorgione in Sydney
10/2019 | 1399 | 161
Pages: 800-801
related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Subjects
artists:
Illustrations
Attributed works:
1. Detail of the verso of the last folio of a copy of Dante’s Commedia, Venice 1497, with an inscription in iron-gall ink. (University of Sydney, Library, Inc.97.1).
Attributed works:
2. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm. (National Gallery, London).
Article
The Manfrin Gallery
07/2019 | 1396 | 161
Pages: 572-577
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
sources:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
2. Virgin and Child with donor, by Nicolo di Pietro. c.1394. Panel, 107 by 65 cm. (Gallerie dell’ Accademia, Venice; Bridgeman Images).
Attributed works:
3. Marco Barbarigo, by a follower of Jan van Eyck. c.1449–50. Panel, 24.2 by 16 cm. (National Gallery, London).
Attributed works:
4. Adoration of the shepherds, by Vincenzo Catena. After 1520. Canvas, 125.7 by 207.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Self-portrait by Giorgione, by Antonio Canova. 1792. Panel, 72.5 by 64 cm. (Private collection).
Attributed works:
6. A lady at her toilette, by Natale Schiavoni. c.1840. Canvas. (Museo Bottacin, Palazzo Zuckermann, Musei Civici, Padua; Bridgeman Images).
Western art unattributed:
7. Triple portrait, by an imitator of Titian. Venetian, perhaps late sixteenth century. (Alnwick Castle, Northumberland; courtesy the Duke of Northumberland).
Exhibition Review
The Renaissance Nude
05/2019 | 1394 | 161
Pages: 416-419
related names
Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
Illustrations
Attributed works:
8. A male nude with proportions indicated, by Michelangelo Buonarroti. c.1515–20. Red chalk on paper, 28.9 by 18 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019; exh. Royal Academy of Arts, London).
Attributed works:
9. A myth of Pan, by Dosso Dossi. c.1524. Canvas, 163.8 by 145.4 cm. (J. Paul Getty Museum, Los Angeles; exh. Royal Academy of Arts, London).
Western art unattributed:
10. Elderly bather. German, c.1480. Boxwood with some polychromy, height 16.2 cm. (Liebieghaus Skulpturensammlung, Frankfurt; exh. Royal Academy of Arts, London).
Article
Giorgione in Sydney
03/2019 | 1392 | 161
Pages: 190-199
related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Author:
Newbigin, Nerida (Newbigin, Nerida)
Author:
Sommerfeldt, Julie (Sommerfeldt, Julie)
Author:
Wilson, Kim (Wilson, Kim)
Subjects
dates:
museums and institutions:
styles:
subjects:
Illustrations
Attributed works:
1. The verso of the last folio of a copy of Dante’s Commedia, Venice 1497, with an inscription in iron-gall ink and a drawing of the Virgin and Child in red chalk. 30.5 by 19.8 cm. (University of Sydney, Library, Inc.97.1).
Attributed works:
10. Infra-red reflectogram of the under-drawing of the painting illustrated in Fig.9. (National Gallery, London).
Attributed works:
11. View of Castel San Zeno, Montagnana, with a seated figure in the foreground, by Giorgione. Red chalk on paper, 20.3 by 29 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
12. Cupid bending a bow, attributed to Giorgione. c.1508. Red chalk on paper, 23.7 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Detail of fol.iii recto of the volume illustrated in Fig.1.
Attributed works:
2. Below left Composite image of the watermark ‘Van Gelder’ in the flyleaves of the volume illustrated in Fig.1.
Attributed works:
3. Annotations of earlier sale or ownership in the volume illustrated in Fig.1.
Attributed works:
4. Detail of the the opening page of the volume illustrated in Fig.1, showing the accession number of the University of Sydney Library.
Attributed works:
5. Detail of Fig.1, showing the inscription.
Attributed works:
6. The Holy Family (‘The Benson Holy Family’), by Giorgione. c.1502. Panel, 37.3 by 45.6 cm. (National Gallery of Art, Washington).
Attributed works:
7. Infra-red reflectogram of the painting illustrated in Fig.6, showing preliminary drawing executed with the point of a brush. (National Gallery of Art, Washington).
Attributed works:
8. Opposite Detail of Fig.1, showing the drawing of the Virgin and Child, here attributed to Giorgione. Red chalk, 14 by 9.5 cm.
Attributed works:
9. Adoration of the Magi, by Giorgione. c.1502. Panel, 29.8 by 81.3 cm. (National Gallery, London).
Attributed works:
Detail of fol.iii verso of the volume illustrated in Fig.1.
Book Review
Subject Matter in Italian Renaissance Art: A Study of Early Sources. By Joseph Manca
10/2018 | 1387 | 160
Pages: 877-878
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