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Article

Cut from the same cloth: a composite canvas by Paul Cezanne

12/2022 | 1437 | 164

Pages: 1224-1233

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Author:

Aebi, Kiko (Aebi, Kiko)

Author:

Haddad, Abed (Haddad, Abed)

Subjects

artists:

Cézanne, Paul / Renoir, Pierre-Auguste / Degas, Edgar

collectors and dealers:

Vollard, Ambroise

dates:

1870-1879

museums and institutions:

King's College, Cambridge, Great Britain / Fitzwilliam Museum, Cambridge, Great Britain / Fondation Beyeler, Riehen, Basel, Switzerland

subjects:

Still lifes / Nineteenth-century French art / Scientific analysis / Scanning macro X-ray fluorescence (MA-XRF) spectroscopy / Technical analysis / Reconstructions / Fragments / Pigments

Illustrations

Attributed works:

1. Still life with apples, by Paul Cezanne. c.1878. Oil on canvas, 19 by 27 cm. (Fitzwilliam Museum, Cambridge, lent by the Provost and Fellows of King’s College, Cambridge, Keynes Collection).

Attributed works:

10. Study of heads, by Pierre-August Renoir. 1890s. Oil on canvas, 46 by 38 cm. (Barnes Foundation, Philadelphia).

Attributed works:

2. Glass and apples, by Paul Cezanne. 1879–80. Oil on canvas. 31.5 by 40 cm. (Rudolf Staechelin, Basel).

Attributed works:

3. Female nude (Leda), by Paul Cezanne. c.1887. Oil on canvas stretched on pasteboard, 44 by 62 cm. (Von der Heydt- Museum, Wuppertal).

Attributed works:

4. Reconstituted study sheet of drawings by Paul Cezanne, subsequently divided into three separate compositions: Sheet of studies, including a Skull (left), A historical or Biblical scene (The rape of Lucretia) (top right), and A historical or Biblical scene (bottom right). (From W. Feilchenfeldt, J. Warman and D. Nash: The Paintings, Watercolors and Drawings of Paul Cezanne, www.cezannecatalogue.com).

Attributed works:

5. Image of Glass with apples (right) and Still life with apples (left) unframed and in their original configuration, revealing contiguous brush strokes across both pictures. (© Museum of Modern Art, New York, 2022; photograph the authors).

Attributed works:

6. X-ray radiograph of Glass with apples (right) and Still life with apples (left). (Fondation Beyeler, Riehen, and Fitzwilliam Museum, Cambridge).

Attributed works:

7. MA-XRF maps of Glass with apples (right) and Still life with apples (left), showing the distribution of iron (Fe), calcium (Ca), zinc (Zn), copper (Cu), cobalt (Co), chromium (Cr) and mercury (Hg). (© Museum of Modern Art, New York, 2022; photograph the authors).

Attributed works:

8. Lead L-series (Pb-L) MA-XRF map of Glass with apples (right) and Still life with apples (left), with inset details magnifying holes along the edge of the original canvas. (© Museum of Modern Art, New York, 2022; photograph the authors).

Attributed works:

9. Five apples, by Paul Cezanne. 1877–78. Oil on canvas, 12.7 by 25.5 cm. (Private collection).

Book Review

Capitale e crocevia: Il mercato dell’arte nella Roma sabauda

10/2022 | 1435 | 164

Pages: 1042-1043

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Reviewer:

Coen, Paolo (Coen, Paolo)

Subjects

art literature:

Conferences

dates:

1870-1879 / 1880-1889

places:

Rome

subjects:

Art market / Art dealers

Reviewed Items

subjects:

Capitale e crocevia: Il mercato dell’arte nella Roma sabauda Edited by Andrea Bacchi and Giovanna Capitelli. 336 pp. incl. 170 col. + b. & w. ills. (Silvana Editoriale, Milan, 2020), €30. ISBN 978–88–366–4757–6. | :

Book Review

The Presence of the Past in French Art, 1870–1905: Modernity and Continuity

08/2022 | 1433 | 164

Pages: 822-823

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Reviewer:

Bann, Stephen (Bann, Stephen)

Subjects

dates:

1870-1879 / 1880-1889 / 1890-1899 / 1900-1909

subjects:

French art / Nineteenth-century French art / Influence / of / Classicism / Renaissance art

Reviewed Items

subjects:

The Presence of the Past in French Art, 1870–1905: Modernity and Continuity By Richard Thomson. 288 pp. incl. 257 col. + b. & w. ills. (Yale University Press, New Haven and London, 2021), $70. ISBN 978–0–300– 25710–6. | :

Illustrations

Attributed works:

5. Golden age, by Emile-René Ménard. 1908. Oil on canvas, 352 by 287 cm. (Musée d’Orsay, Paris; © RMN-Grand Palais; photograph Michel Urtado and Mathieu Rabeau).

Article

The missing piece of Jean- François Raffaëlli’s ‘The family of Jean-le-Boîteux’

09/2021 | 1422 | 163

Pages: 824-828

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Author:

Rosenberg-Miller, Carmen (Rosenberg-Miller, Carmen)

Subjects

art literature:

Duranty, Edmond, 1833-1880

artists:

Raffaëlli, Jean-François / Degas, Edgar

dates:

1870-1879

subjects:

French art / Composition (artistic arrangement) / Social realism / Salons (art exhibitions) / Impressionism

Illustrations

Attributed works:

10. Place de la Concorde, by Edgar Degas. 1875. Oil on canvas. 78.4 by 117.5 cm. (The State Hermitage Museum, St Petersburg; Bridgeman Images).

Attributed works:

5. Young Breton girl wearing clogs, by Jean-François Raffaëlli. 1877. Oil on canvas, 152 by 60 cm. (Private collection; photograph SVV Farrando).

Attributed works:

6. The family of Jean-le-Boîteux, peasants of Plougasnou, Finistère, by Jean-François Raffaëlli. Here dated to 1877. Oil on canvas, 190.5 by 154.3 cm. (Musée d’Orsay, Paris; Scala Archives).

Attributed works:

7. Hans Burgkmair, by Jean-François Raffaëlli. c.1877. Plaster, 55 by 48 cm. (Private collection; photograph SVV Farrando).

Attributed works:

8. Caricature of Jean-François Raffaëlli’s The family of Jean-le-Boîteux (Le Journal amusant, 23rd June 1877, p.7; Bibliothèque nationale de France, Paris).

Attributed works:

9. A figure from The family of Jean-le-Boîteux, Gazette des Beaux-Arts, 1st June 1877, p.557; Bibliothèque nationale de France, Paris).

Article

Tissot’s wartime sketchbook, 1870–71

07/2020 | 1408 | 162

Pages: 560-569

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Subjects

artists:

Tissot, James / Manet, Edouard / Degas, Edgar / Meissonier, Jean Louis Ernest / Stevens, Alfred Emile Leopold Joseph Victor, Belgian painter, 1823-1906 / Bracquemond, Félix

artists:

Cuvelier, Louis-Alfred-Joseph

dates:

1870-1879

places:

Paris

subjects:

Franco-Prussian War (1870-1871) / Paris Commune (1871) / Soldiers / Hospitals / Sketchbooks / Drawings

subjects:

French art

Illustrations

Attributed works:

1. Detail of a map of the battlefields surrounding Paris, published by J. Rigal. c.1870–71. 78 by 60 cm. Fort du Mont-Valérien, one of the fifteen forts involved in the defence, is marked with a star. The Battle of Malmaison occurred just southwest of it, near Rueil and La Jonchère. (Historical Library of the City of Paris).

Attributed works:

10. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper 11.5 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).

Attributed works:

11. Military infirmary, by James Tissot. 1870–71. Grey wash and gouache on buff paper, 31.4 by 39.5 cm. (Private collection).

Attributed works:

12. Dead man lying on his side, by James Tissot. Graphite on paper, 11.3 by 14.6 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).

Attributed works:

13. The first man killed I saw (Souvenir of the Siege of Paris), by James Tissot. 1870–74. Drypoint and etching (first state), 45.4 by 29.5 cm (Bibliothèque nationale de France).

Attributed works:

14. Tirailleurs de la Seine at the battle of Rueil-Malmaison, 21st October 1870, by Etienne-Prosper Berne-Bellecour. 1875. Oil on canvas, 103 by 203 cm. (Château de Versailles, France; Bridgeman Images).

Attributed works:

15. Transporting the wounded, by James Tissot. Graphite on paper, 11.2 by 18.1 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).

Attributed works:

2. James Tissot, by Robert Jefferson Bingham. c.1861–70. Albumen silver print, 10.2 by 6.3 cm. (Metropolitan Museum of Art, New York).

Attributed works:

3. The green room of the Comédie-Française during the Siege of Paris, by James Tissot. 1877. Etching, 38.1 by 27.6 cm. (Bibliothèque Nationale de France, Paris).

Attributed works:

4. Wounded man lying reading the newspaper, by James Tissot. Graphite on paper, 10.2 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).

Attributed works:

5. Hospital of the Comédie-Francaise, Paris, by Pierre André Brouillet. 1870. (Photograph by Luigi Fiorillo; Wellcome Collection, London).

Attributed works:

6. The American Ambulance at no.36, avenue de l’Impératrice, Paris. c.1870. (University of Pennsylvania Archives, Philadelphia).

Attributed works:

7. Compositional sketch for ‘Military infirmary’, by James Tissot. (1870–71). Graphite on paper. (Private collection; photograph courtesy De la Taille Art SAS, Paris).

Attributed works:

8. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper, 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).

Attributed works:

9. Study for Captain Ducos in ‘Military infirmary’, by James Tissot. 1870– 71. Graphite on paper 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).

Article

Edward Burne-Jones’s 1871 Italian sketchbook reconsidered

04/2020 | 1405 | 162

Pages: 306-315

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Author:

Stocker, Mark (Stocker, Mark)

Subjects

artists:

Burne-Jones, Edward

dates:

1870-1879

museums and institutions:

Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand

places:

Turin / Genoa / Pisa / Florence / San Gimignano / Orvieto / Viterbo / Rome / Assisi / Perugia / Arezzo

subjects:

Victorian art / Sketchbooks / Italian art / Travel / Travel accounts

Illustrations

Attributed works:

1. Botticelli at Turin: picture of Tobit, by Edward Burne-Jones. 1871. Pencil on paper, each page 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

10. Baths of Caracalla, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

11. Capitoline Museum: tomb of a girl, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

12. 68 New St Assisi, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

13. Bonfigli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

14. An angel playing a flageolet, by Edward Burne-Jones. 1878. Watercolour, gouache and gold paint on paper, 74.9 by 61.2 cm. (Sudley House, Liverpool; Bridgeman Images).

Attributed works:

15. Piero della Francesca in Arezzo, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

16. Olive, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

17. The beguiling of Merlin, by Edward Burne-Jones. 1873–74. Oil on canvas, 186 by 111 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).

Attributed works:

2. A dream between Monte Fiascone and Viterbo of the nine muses on Helicon, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

3. A dream of nine muses, by Edward Burne-Jones. Watercolour and body colour on canvas, 27 by 35.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).

Attributed works:

4. Road between Sestri and Spezzia, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

5. Gimignano, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

6. St Nicholas, by Edward Burne-Jones. c.1872. Oil on canvas, 141 by 56 cm. (Astley Cheetham Art Gallery, Tameside Metropolitan Borough Council; Bridgeman Images).

Attributed works:

7. Annunciation, by Edward Burne-Jones. 1876–79. Oil on canvas, 250 by 104.5 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).

Attributed works:

8. Orvieto, by Edward Burne Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Attributed works:

9. The Damned cast into Hell, after Luca Signorelli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).

Article

The ‘Martinoff Drawings’: a quest for Russian art at the South Kensington Museum

12/2018 | 1389 | 160

Pages: 1006-1015

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Author:

Hardiman, Louise (Hardiman, Louise)

Subjects

art literature:

Smith, Cecil Harcourt / Newmarch, Rosa / Cunliffe-Owen, Philip / Cole, Henry, 1808-1882 / Maskell, Alfred / Cripps, Wilfred Joseph / Smith, Robert Henry Soden / Solntsev, Fedor / Uvarov, Aleksey / Wyatt, Matthew Digby

artists:

Martynov, Nikolai Avenirovich

dates:

1850-1899 / 1860-1869 / 1870-1879 / 1880-1889 / 1890-1899

media:

Drawings / Watercolours

museums and institutions:

Victoria and Albert Museum, London, Great Britain / Hermitage Museum, Saint Petersburg, Russia

places:

Great Britain / London / Russia / Saint Petersburg / Moscow

subjects:

Art museums / Collecting / Collections / Collections, Public / Collections, Private / Acquisitions / Commissions / Patronage / Decorative arts / Ornament / Design / Study and teaching / Exhibitions / Encyclopedias / Catalogues / Copies / Reproductions / Casts (sculpture) / Politics / Diplomacy / Crimean War (1853-1856) / Nationalism / Correspondence / Archives / Russian / Crosses / Chalices / Dress / Churches / Style / Influence / Primitivism (Cultural anthropology related concept) / Folk art / Religious art / Exoticism / Surveys / Exposition Universelle de Paris (1867) / Curators

Illustrations

Attributed works:

1. Copy of decoration in a sixteenth-century manuscript of the Gospels in the Patriarchal Library, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 39.3 by 26.7 cm. (Victoria and Albert Museum, London, no.M.10.b: 8881).

Attributed works:

10. Detail of The mitre of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 30.5 by 21.6 cm. (Victoria and Albert Museum, London; no.M.10.b: 8854).

Attributed works:

11. Detail of Two pairs of eyeglasses, and cases for same, of the Patriarch Nikon (1652–1658) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 25.4 cm. (Victoria and Albert Museum, London; no.M.10.a: 8858).

Attributed works:

12. A saccos (dalmatic) of the Metropolitan Dionysy, made by order of Tsar Ivan Vasilievich (1530–1584) in the treasury of the Patriarch, Moscow, 16th century (second half), by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 38 by 26.8 cm. (Victoria and Albert Museum, London; no.M.10.b: 8873).

Attributed works:

2. Detail of Church of the Holy Trinity, Ostankino, near Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.9 by 24.2 cm. (Victoria and Albert Museum, London; no.M.10.a: 8845).

Attributed works:

4. Detail of The Panagia of the Patriarch Job (1586–1605) in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 25.4 by 36.3 cm. (Victoria and Albert Museum, London; no.M.10.a: 8842).

Attributed works:

5. Detail of A halo from the image of the Virgin in the sacristy of the Convent of the Transfiguration of Our Lord, Staraya Russa, Novgorod, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 35.5 by 28.5 cm. (Victoria and Albert Museum; London; no.M.10.a: 8861).

Attributed works:

6. Detail of The Pastoral Staff of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 28.5 by 35.5 cm. (Victoria and Albert Museum, London; no.M.10.a: 8855).

Attributed works:

7. A censer at the Convent of the Blessed Virgin, Serpukhov, Province of Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 37 by 28.5 cm. (Victoria and Albert Museum, London, no.M.10.a: 8849).

Attributed works:

8. Detail of The klobouk (headdress of the Greek friars), of the Patriarch Nikon (1652–1658), in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 33 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8853).

Attributed works:

9. A sash of the Patriarchs, in the treasury of the Patriarch, Moscow, by Nikolai Martynov. c.1880–81. Watercolour and pencil on paper, 36.8 by 22.9 cm. (Victoria and Albert Museum, London; no.M.10.b: 8877).

Non-western art unattributed:

3. Reliquary or triple cross, after a seventeenth-century original at the Cathedral of the Dormition, Moscow, at the time of reproduction. c.1881. Electrotype, 32.4 by 16.5 by 3.2 cm. (Metropolitan Museum of Art, New York).

Article

Paul Durand-Ruel and James Duncan of Benmore

07/2018 | 1384 | 160

Pages: 558-571

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Author:

WATSON, Andrew M. (WATSON, Andrew M.)

Subjects

art literature:

Chesneau, Ernest

artists:

Rousseau, Théodore / Delacroix, Eugène / Corot, Jean-Baptiste-Camille / Courbet, Gustave / Verboeckhoven, Eugène / Lecomte du Nouy, Jean / Millet, Jean-François, 1814-1875 / Henner, Jean-Jacques / Lefebvre, Jules Joseph / Lorrain, Claude / Renoir, Pierre-Auguste / Boudin, Eugène / Bouguereau, William-Adolphe / Degas, Edgar / Detti, Cesare Auguste / Steen, Jan / Cuyp, Aelbert / Masaccio / Bonheur, Rosa / Meissonier, Jean Louis Ernest / Jettel, Eugen / Veyrassat, Jules-Jacques / Daubigny, Charles François

artists:

Billet, Pierre / Díaz, Narcisse Virgilio / Leys, Jan August Hendrik

collectors and dealers:

Durand-Ruel, Paul / Duncan, James / Petit, Francis / Arthur, Thomas Glen / Durand-Ruel, Charles / Morgan, J. Pierpont / Johnson, John G., 1841-1917 / Davis, Theodore M. / Altman, Benjamin

dates:

1850-1899 / 1870-1879 / 1880-1889

media:

Paintings / Documents

museums and institutions:

National Academy of Design, New York, United States

places:

France / Paris / United States / New York / Great Britain / London / Glasgow

private galleries:

Durand-Ruel Gallery, New York, United States / Society of French Artists [gallery], London, Great Britain / Messr. Dowdeswell (dealers), London, Great Britain / Boussod, Valadon & Co

subjects:

French painting / Collecting / Collections / Collections, Private / Collectors / Art dealers / Correspondence / Landscapes (visual works) / Inventories / Auctions / Art market / Romanticism / Impressionism / Barbizon (style) / Attributions / Provenance

Illustrations

Attributed works:

1. Landscape with figures (‘La toilette’), by Camille Corot. 1859. Canvas, 150 by 89.5 cm. (Private collection, Paris).

Attributed works:

10. A eunuch’s dream, by Jean Lecomte du Nouÿ. 1874. Panel, 39.3 by 65.4 cm. (Cleveland Museum of Art).

Attributed works:

11. The Death of Sardanapalus, by Eugène Delacroix. 1827. Canvas, 392 by 496 cm. (Musée du Louvre).

Attributed works:

12. The triumph of Ariadne, by Hans Makart. 1874. Canvas, 784 by 476 cm. (Upper Belvedere, Vienna).

Attributed works:

13. The Bay of Naples (morning), by Auguste Renoir. 1881. Canvas, 59.7 by 81.3 cm. (The Metropolitan Museum of Art, New York).

Attributed works:

15. Diana surprised, by Jules Joseph Lefèbvre. 1879. Canvas, 279 by 371.5 cm. (Museo Nacional de Bellas Artes, Argentina).

Attributed works:

4. Morning, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.29).

Attributed works:

5. Evening, by Théodore Rousseau. 1865. 200 by 136 cm. Whereabouts unknown. (From Catalogue de tableaux modernes composant la collection de M. Duncan de Londres, Hôtel Drouot, Paris 15th April 1889, no.30).

Attributed works:

6. Interior of a Dominican convent in Madrid, by Eugène Delacroix. 1831. Canvas, 130.2 by 161.9 cm. (Philadelphia Museum of Art).

Attributed works:

7. The sheepshearers, by Jean François Millet. c.1857–61. Canvas, 41.2 by 28.5 cm. (The Art Institute of Chicago).

Attributed works:

8. Crossing the ford, evening by Camille Corot. c. 1868.Canvas. 99 by 135 cm. (Musée des Beaux-Arts de Rennes).

Attributed works:

9. The wood-gatherers, by Pierre Billet. 1874. Canvas, 113 x 148 cm. (Private collection).

Attributed works:

Fig.14. Night, by William-Adolphe Bouguereau. 1883. Canvas, 208.3 by 107.3 cm. (Hillwood Estate, Museum & Gardens, Washington).

Western art unattributed:

2. The Duncan family, showing James Duncan far right. c.1870–75. Photograph, 14.5 by 17.2 cm. (Private collection).

Western art unattributed:

3. Benmore House. Argyllshire. Duncan’s picture gallery is on the right. c.1889–90. Photograph, 13.3 by 20.6 cm (Private collection).

Publication Received

Stefano Bardini ‘Principe degli Antiquari’: Prolegomenon to a Biography. By Anita Fiderer Moskowitz

05/2018 | 1382 | 160

Pages: 438

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Reviewer:

Levi, Donata (Levi, Donata)

Subjects

collectors and dealers:

Bardini, Stefano

dates:

1870-1879 / 1880-1889 / 1890-1899 / 1900-1909 / 1910-1919 / 1920-1929

media:

Paintings / Sculpture / Furniture

places:

Italy / Florence

subjects:

Collecting / Donations / Bequests / Archives / Italian painting / Italian sculpture

Exhibition Review

Anders Zorn. Paris

11/2017 | 1376 | 159

Pages: 932-934

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related names

Reviewer:

Riopelle, Christopher (Riopelle, Christopher)

Subjects

artists:

Zorn, Anders

dates:

1870-1879 / 1880-1889 / 1890-1899 / 1900-1919

museums and institutions:

Musée du Petit Palais, Paris, France

styles:

Swedish painting

Reviewed Items

styles:

Anders Zorn: Le maître de la peinture suédoise at the Petit Palais, Paris | :

Illustrations

Attributed works:

63. Self-portrait in red, by Anders Zorn. 1915 (Zornmuseet, Mora; exh. Petit Palais, Paris).

Attributed works:

64. Reflections, by Anders Zorn. 1889 (Private collection; exh. Petit Palais, Paris).

Attributed works:

65. Summer holidays, by Anders Zorn. 1886 (Private collection, Stockholm; exh. Petit Palais, Paris).

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