By using this website you agree to our Cookie policy

Search

31 articles
Exhibition Review
Frans Hals
12/2023 | 1449 | 165
Pages: 1351–1354
related names
Reviewer:
Buvelot, Quentin (Buvelot, Quentin)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Frans Hals National Gallery, London 30th September 2023– 21st January 2024 | :
Illustrations
Attributed works:
19. Banquet of the officers of the St George Civic Guard, by Frans Hals. c.1627. Oil on canvas, 179 by 257.5 cm. (Frans Hals Museum, Haarlem; exh. National Gallery, London).
Attributed works:
20. Portrait of Isaac Massa and Beatrix van der Laen, by Frans Hals. c.1622. Oil on canvas, 140 by 166.5 cm. (Rijksmuseum, Amsterdam; exh. National Gallery, London).
Attributed works:
21. Malle Babbe, by Frans Hals. c.1640. Oil on canvas, 78.5 by 66.2 cm. (Gemäldegalerie, Berlin; courtesy Scala, Florence, and bpk, Bildagentur für Kunst, Kultur und Geschichte, Berlin; exh. National Gallery, London).
Article
A third self-portrait by Gillis Van Tilborgh
06/2023 | 1443 | 165
Pages: 584–589
related names
Author:
Cauteren, Katharina van (Cauteren, Katharina van)
Author:
Kelchtermans, Leen (Kelchtermans, Leen)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Family portrait, here identified as Self-portrait with his family, by Gillis Van Tilborgh. c.1668–70. Oil on canvas, 81 by 171 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
2. Self-portrait in the studio, by Gillis Van Tilborgh. c.1645. Oil on panel, 10.8 by 8.9 cm. (National Gallery of Art, Washington).
Attributed works:
3. Detail of Fig.1, showing Gillis Van Tilborgh.
Attributed works:
4. Detail of Fig.5, showing Gillis Van Tilborgh.
Attributed works:
5. Twelve gentlemen in an interior, including a self-portrait of the artist as a connoisseur, by Gillis Van Tilborgh. c.1665. Oil on canvas, 137 by 208 cm. (The Phoebus Foundation, Antwerp).
Attributed works:
6. Peter Snayers, by Cornelis Van Caukercken after Daniel Van Heil. c.1649–61. Engraving, 23.4 by 19 cm. (From C. De Bie: Het Gulden Cabinet vande Edel Vry Schilder-Const, Lier 1661; The Phoebus Foundation, Antwerp).
Attributed works:
7. Detail of Fig.5, showing Peter Snayers.
Attributed works:
8. David II Teniers, by Lucas II Vorsterman after Pieter Thijs. 1659. Engraving, 34.9 by 24 cm. (Rijksmuseum, Amsterdam).
Attributed works:
9. Detail of Fig.5, showing David II Teniers.
Article
The Loo family of Haarlem in portraits by Hals and Verspronck
02/2023 | 1439 | 165
Pages: 109-119
related names
Author:
Biesboer, Pieter (Biesboer, Pieter)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.2, showing the face of Johannes Claesz Loo.
Attributed works:
10. The first platoon under Captain Reijnier van Hogensteijn, of the third company of the Calivermen Civic Guard, by Frans Pietersz de Grebber. 1619. Oil on canvas, 208 by 500 cm. (Frans Hals Museum, Haarlem).
Attributed works:
11. View of the Drye Lelyen Brewery at Haarlem and Velserend Manor, owned by Johan Claesz Loo, by Jacob Adriaensz Matham. 1627. Pen painting on panel, 71 by 116 cm. (Frans Hals Museum, Haarlem).
Attributed works:
12. Loo and Olycan family tree. Names in bold are people whose portraits are illustrated in this article.
Attributed works:
13. Detail of Fig.7, showing Captain Florens Pietersz van der Houff.
Attributed works:
14. Detail of Fig.7, showing Lieutenant Nicolaas Jansz van Loo.
Attributed works:
15. Jacob Pietersz Olycan (1596–1638), by Frans Hals. 1625. Oil on canvas, 124.6 by 97.3 cm. (Mauritshuis, The Hague).
Attributed works:
16. Aletta Hanemans (1606–53), by Frans Hals. 1625. Oil on canvas, 124.8 by 98.2 cm. (Mauritshuis, The Hague).
Attributed works:
17. Nicolaas Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 68 cm. (Frans Hals Museum, Haarlem).
Attributed works:
18. Cornelis Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 69 cm. (Museum of Fine Arts, Budapest).
Attributed works:
19. Aletta Hanemans, wife of Nicolaes Jansz van Loo, by Johannes Cornelisz Versrpronck. 1650. Oil on canvas, 84 by 67 cm. (Location unknown).
Attributed works:
2. Johannes Claesz Loo (1577/78–1660), by Frans Hals. 1653. Oil on canvas, 84.4 by 65.9 cm. (Private collection).
Attributed works:
3. Burgomaster Nicolaes van der Meer, by Frans Hals. 1631. Oil on panel, 128 by 100.5 cm. (Frans Hals Museum, Haarlem).
Attributed works:
4. Portrait of an elderly woman, by Frans Hals. 1650. Oil on canvas, 84.8 by 69.2 cm. (Museum of Fine Arts, Houston).
Attributed works:
5. Officers and Subalterns of the Calivermen of St Hadrian, by Frans Hals. 1633. Oil on canvas, 207 by 337 cm. (Frans Hals Museum, Haarlem).
Attributed works:
6. Detail of Fig.5, showing Colonel Johannes Claesz Loo, seated.
Attributed works:
7. Group portrait of the Officers and Subalterns of the Civic Guard of St George, by Frans Hals. 1639. Oil on canvas, 218 by 421 cm. (Frans Hals Museum, Haarlem).
Attributed works:
8. Detail of Fig.7, showing Colonel Johannes Claesz Loo.
Attributed works:
9. Detail of Fig.10, showing Lieutenant Johannes Claesz Loo, wearing a white doublet.
Article
Richard Livesay’s painting of the Eton Montem
07/2022 | 1432 | 164
Pages: 650-657
related names
Author:
Dille, Catherine (Dille, Catherine)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.4, showing the Servitors.
Attributed works:
10. Wyrley Birch in Montem costume, by Richard Livesay. c.1791. Oil on canvas, 23.5 by 20 cm. (Collection of the Provost and Fellows of Eton College).
Attributed works:
11. Detail of Fig.4, showing Colonel Thomas Earle and his attendants.
Attributed works:
12. Detail of Fig.4, showing spectators of the procession.
Attributed works:
13. Military review of the Worcestershire Regiment by Major-General Whitelocke on Southsea Common, by Richard Livesay. 1823. Oil on canvas, 78 by 124 cm. (Portsmouth Museum and Art Gallery).
Attributed works:
2. Montem in Weston’s Yard with King George IV, by Charles Turner. 1820. Pencil and watercolour on paper, 50.8 by 68.5 cm. (Collection of the Provost and Fellows of Eton College).
Attributed works:
3. The festival of Eton Montem with the procession up Salt Hill, by Robert Cruikshank. Hand-coloured copperplate, 14.6 by 23.5 cm. (From B. Blackmantle: The English Spy, London 1825; Bridgeman Images).
Attributed works:
4. The Montem Procession, by Richard Livesay. c.1791–93. Oil on canvas, 120 by 327 cm. (Eton College, Eton).
Attributed works:
5. Detail of Fig.4, showing the Montem Captain Edward Jones and two Salt-Bearers receiving a donation from a man on horseback.
Attributed works:
6. The Hon. George Montagu afterwards Earl of Sandwich, by Richard Livesay. c.1790. Canvas, 74.9 by 62.2 cm. (Mapperton House, Dorset; photograph Lisa Stein).
Attributed works:
7. Joseph Hucks at Eton, by Richard Livesay. c.1790. Oil on canvas. (Private collection; photograph © Richard Budd 2022).
Attributed works:
8. Francis Gervais, by Richard Livesay. c.1790. Oil on canvas, 22.8 by 19.8 cm. (Armagh County Museum).
Attributed works:
9. Detail of Fig.4, showing Serjeant-Major Richard Bethell and the Serjeants.
Article
Anthonie Palamedes’s paintings for the Delft Surgeons’ Guildhall
02/2021 | 1415 | 163
Pages: 119-127
related names
Author:
Rosen, Jochai (Rosen, Jochai)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Portrait of a group of surgeons supervising the amputation of a leg, by Anthonie Palamedes. c.1658. Oil on panel, 95 by 65 cm. (Photograph RKD, Netherlands Institute for Art History, The Hague).
Attributed works:
10. Title page of J. Veslingius: Konstige ontleding des menschelijken lichaems, Amsterdam 1661. (National Museum Boerhaave, Leiden).
Attributed works:
11. Deceased conjoined twins, by Anthonie Palamedes. 1669. Oil on canvas. (Anatomical Museum, Leiden University Medical Center).
Attributed works:
12. Two dead foetuses, by Anthonie Palamedes. 1658. Oil on canvas. (Anatomical Museum, Leiden University Medical Center).
Attributed works:
13. Deathbed portrait of conjoined twins, by Evert van der Maes. c.1628. Oil on canvas, 54 by 65.5 cm. (Haags Historisch Museum, The Hague).
Attributed works:
2. Portrait of a group of surgeons supervising a trepanation, by Anthonie Palamedes. c.1658. Oil on panel, 95 by 65 cm. (Photograph RKD, Netherlands Institute for Art History, The Hague).
Attributed works:
3. Detail of Caring for the sick, by Domenico di Bartolo, showing a man being washed before an operation. 1440. Fresco, height approx. 450 cm. (Pellegrinaio, Spedale di S. Maria della Scala, Siena; Bridgeman Images).
Attributed works:
4. Frontispiece of Franciscus Arcaeus: De recta curandorum vulnerum atque febrium ratione tractatus brevis & succinctus, Amsterdam 1658. (Leiden University, Special Collections).
Attributed works:
5. Serratura, by Hans Wechtlin, from H. von Gersdorf: Feldbuch der Wundartznei, Strasbourg 1528. Woodcut, 30 by 20 cm.
Attributed works:
6. Amputation scene. After a design for the frontispiece of P. Barbette: Opera chirurgico-anatomica, ad circularem sanguinis motum, aliaque recentiorum inventa, accommodata, Leiden 1672.
Attributed works:
7. Amputation scene, from W. Hildanus: De Gangraena et Sphacelo, Tractatus Methodicus, 1617.
Attributed works:
8. Acts of medicine and surgery including the amputation of a leg below the knee, by Jost Amman. c.1565. Woodcut. (National Library of Medicine, Bethesda MD).
Attributed works:
9. The physician as God, from a series of four engravings, Allegories of the medical profession, by the workshop of Hendrick Goltzius. c.1587. Engraving, 17.8 by 22.8 cm. (Rijksmuseum, Amsterdam).
Exhibition Review
Coming of age: Jacopo Tintoretto
12/2018 | 1389 | 160
Pages: 1024-1029
related names
Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The apparition of the Virgin to St Jerome, by Jacopo Tintoretto. c.1580. Canvas, 275.5 by 194 cm. (Ateneo Veneto, Sala di Lettura, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
2. Male nude seen from behind, by Jacopo Tintoretto. 1578. Charcoal heightened with white on brown paper, 27.6. by 18 cm. (The Courtauld Gallery, London; exh. Palazzo Ducale, Venice).
Attributed works:
3. A young man of the Doria family, by Jacopo Tintoretto. c.1560. Canvas, 108 by 73 cm. (Museo Cerralbo, Madrid; exh. Palazzo Ducale, Venice).
Attributed works:
4. Madonna of the treasurers, by Jacopo Tintoretto. 1567. Canvas, 221 by 520.7 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Tarquin and Lucretia, by Jacopo Tintoretto. c.1578–80. Canvas, 172.7 by 152.4 cm. (The Art Institute of Chicago; exh. Palazzo Ducale, Venice).
Attributed works:
6. The miracle of the slave, by Jacopo Tintoretto. 1548. Canvas, 415 by 541 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. Baptism of Christ, by Jacopo Tintoretto. c.1580. Canvas, 283.2 by 161.9 cm. (S. Silvestro, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
8. The removal of the body of St Mark, by Jacopo Tintoretto. Probably c.1564. Canvas, 403.8 by 320 cm. (Gallerie dell’Accademia, Venice).
Book Review
The Société des Trois in the Nineteenth Century: The Translocal Artistic Union of Whistler, Fantin-Latour, and Legros. By Melissa Berry
09/2018 | 1386 | 160
Pages: 803
Article
The identity of the sitters in Joshua Reynolds’s group portrait in the Gemäldegalerie, Berlin
04/2018 | 1381 | 160
Pages: 292-298
related names
Author:
Mitchell, Charlotte (Mitchell, Charlotte)
Author:
Mitchell, Gwendolen (Mitchell, Gwendolen)
Subjects
art literature:
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
1. Detail of Fig.2.
Attributed works:
2. Group portrait, here identified as Tysoe Saul Hancock, his wife, Philadelphia, their daughter, Elizabeth, and their Indian maid Clarinda, by Joshua Reynolds. c.1763–66. Canvas, 140.8 by 173.7 cm. (Gemäldegalerie, Berlin).
Attributed works:
3. George Clive, by Thomas Gainsborough. c.1763. Canvas, 74.9 by 62.2 cm. (Private collection).
Attributed works:
4. Philadelphia Hancock, by John Smart. 1770. Watercolour on ivory, 2 by 1.5 cm. (Jane Austen House Museum, Chawton, Hampshire).
Attributed works:
5. Eliza Hancock, French School. 1780. Watercolour on ivory, 6.4 by 4.5 cm. (Private collection).
Attributed works:
6. Warren Hastings, by Joshua Reynolds. 1766–68. Canvas, 126.4 by 101 cm. (National Portrait Gallery, London).
Article
Eighteenth-century Mughal paintings from the Swinton collection
10/2017 | 1375 | 159
Pages: 789-799
related names
Author:
Losty, J. P. (Losty, J. P.)
Subjects
artists:
artists:
collectors and dealers:
dates:
patrons:
places:
styles:
Illustrations
Attributed works:
33. Mir Jafar Ali Khan watching dancing in his garden, attributed here to Purannath known as Hunhar II. 1763 (Swinton collection, on loan to the National Museum of Scotland, Edinburgh).
Attributed works:
34. Mir Jafar Ali Khan hawking with his son Miran, signed by Purannath known as Hunhar II. c. 1760 (Victoria and Albert Museum, London, IM 13-1911).
Attributed works:
35. The Emperor Muhammad Shah hunting with hawks. Attributed here to the Mughal artist Chitarman. 1725-30 (Swinton collection, on loan to the National Museum of Scotland, Edinburgh).
Non-western art unattributed:
23. Alivardi Khan presides over the adoption of Ikram al-Daula by Shahamat Jang, by a Murshidabad artist. c. 1748 (Swinton Collection, on loan to the National Museum of Scotland, Edinburgh).
Non-western art unattributed:
24. Shah Alam's qalamdan (penbox). Mughal, probably from Kashmir. Mid-eighteenth century (Swinton collection, on loan to the National Museum of Scotland, Edinburgh).
Non-western art unattributed:
26. Ikram al-Daula on horseback in a private procession with the state retinue depicted in the background, by a Murshidabad artist. 1750-53 (Swinton collection, on loan to the National Museum of Scotlad, Edinburgh).
Non-western art unattributed:
27. Shahamat Jang with his adopted son Ikram al-Daula, by a Murshidabad artist. 1748-50 (Swinton collection, on loan to the National Museum of Scotland, Edinburgh).
Non-western art unattributed:
28. Nawab Alivardi Khan with his grandson and newphews, by a Murshidabad artist. 1748-50 (Swinton collection, on loan to the National Museum of Scotland, Edinburgh).
Non-western art unattributed:
29. Shahamat Jang and Ikram al-Daula giving an evening musical entertainment, by a Murshidabad artist. 1748-50 (Swinton collection, on loan to the National Museum of Scotland, Edinburgh).
Non-western art unattributed:
30. Shahamat Jang (here identified), by a Murshidabad artist. c. 1748 (Victoria and Albert Museum, London, IM D.1202-1903).
Non-western art unattributed:
31. Alivardi Khan presenting a turban ornament to Saulat Jang, observed by Shahamat Jang and Siraj al-Daula, by a Murshidabad artist. 1753-55 (Victoria and Albert Museum, London, IM D.1201-1903).
Non-western art unattributed:
32. Alivardi Khan in conversation with Shahamat Jang and Saulat Jang, observed by Siraj al-Daula and Ikram al-Daula, by a Murshidabad artist. 1750-53 (Victoria and Albert Museum, London, IM D.1175-1903).
Article
A friend in need: Thomas Lawrence and the Baring family
05/2014 | 1334 | 156
Pages: 307-310
related names
Author:
Orbell, John (Orbell, John)
Subjects
artists:
subjects:
Illustrations
Attributed works:
15. Sir Francis Baring, John Baring and Charles Wall, Partners of Barings, by Thomas Lawrence (Private collection)
Attributed works:
16. Sir Francis Baring, by Benjamin West (Baring Archive Trust, London)
Attributed works:
17. The Domestic Connections of Sir Francis Baring - Harriet, Lady Baring (wife), Francis T. Baring (grandson), Charles Baring Wall (grandson), Mrs Harriet Wall (daughter) and (Sir) Thomas Baring (eldest son), by Thomas Lawrence (Private collection)
Attributed works:
18. Francis T. Baring as a boy, by Thomas Lawrence (Baring Archive Trust, London)
load more